Aneurin – Aneirin (Goddodin)

Material from W.H. Burnett’s Old Cleveland – Local Writers and Local Worthies.

William Hall Burnett in Middlesbrough 1886 says “We may fairly claim that hereabouts English Literature had its first beginning.” He begins with Aneirin and Y Gododdin (spellings vary in different texts)

This is Robin Williamson’s reading of Y Gododdin, from his album, Five Legendary Histories of Britain.
600AD

“Aneirin [aˈnɛirɪn] or Neirin was an early Medieval Brythonic poet. He is believed to have been a bard or court poet in one of the Cumbric kingdoms of the Old North or Hen Ogledd, probably that of Gododdin at Edinburgh, in modern Scotland. From the 17th century, his name was often incorrectly spelled “Aneurin”.” https://en.wikipedia.org/wiki/Aneirin William Hall Burnett spells it the incorrect way here.

William Hall Burnettpoet and editor of the Middlesbrough Daily Exchange – wrote, in his book Old Cleveland – Local Writers and Local Worthies in 1886 on the subject of the Celtic bard Aneurin – (Alternatively spelt Ane


The warrior bard, Aneurin, must, in the old Celtic days have been resident within this immediate district, so that we may fairly claim that hereabouts English Literature had its first beginning. It is a least a fair conjecture that the first of English epic poems were strung together, line by line and verse by verse by a bard who, wandering amongst the valleys of the Swale, might now and again visit the fair plain of Cleveland in the golden east. To Aneurin is ascribed the important fragment of celtic literature, The Gododin, being a lament for the dead who fell in the battle of Cattraeth, identified with Catterick in Yorkshire, where Cymry met the advancing and invading Teutons at the ‘confluence of rivers’ and fought with them unsuccessfully for seven days….

Also from W H Burnett

This is where the Cymry met the advancing and invading Teutons at the ‘confluence of rivers’ and fought with them unsuccessfully for seven days, being at length worsted with fearful slaughter. Of this battle The Gododin tells us –

“The warriors marched to Cattraeth with the day;
In the stillness of night they had quaffed the white mead;
They were wretched, though prophesied glory and sway
Had winged ambition. Were none there to lead
To Cattreath with loftier hope in their speed?
Secure in their boast, they would scatter the host
Bold standard in hand; no other such band
Went from Eiddin as this, that would rescue the land
From the troops of the ravagers. Far from the sight
of home that was dear to them, ere they too perished,
Tudvwlch Hir Slew the Saxons in seven days fight,
He owed not the freedom of life to his might,
but dear is his memory where he was cherished,
When Tudvwlch amain came to that post to maintain,
By the son of Kilydd, the blood covered the plain.”


The pdf contains excerpts from the Y Gododdin but below is a link to the full text online.

PDF Click the arrow to enlarge and read or download free.

Read the poem here http://www.gutenberg.org/ebooks/9842?msg=welcome_stranger

Wiki https://en.wikipedia.org/wiki/Y_Gododdin

I’m not sure where I sourced this from in 2005 when I did the original post but it’s interesting –
Gododin

The vulgar opinion is
that the Britons lost the battle in consequence of having marched to
the field in a state of intoxication; and it must be admitted that
there are many passages in the Poem, which, simply considered, would
seem to favour that view.  Nevertheless, granting that the 363
chieftains had indulged too freely in their favourite beverage, it is
hardly credible that the bulk of the army, on which mainly depended
the destiny of the battle, had the same opportunity of rendering
themselves equally incapacitated, or, if we suppose that all had
become so, that they did not recover their sobriety in seven days! 
The fact appears to be, that Aneurin in the instances alluded to,
intends merely to contrast the social and festive habits of his
countrymen at home with their lives of toil and privation in war,
after a practise common to the Bards, not only of that age, but
subsequently.  Or it may be that the banquet, at which the
British leaders were undoubtedly entertained in the hall of Eiddin,
was looked upon as the sure prelude to war, and that in that sense
the mead and wine were to them as poison.”

Venerable Henry John Todd

“And now Sir having mentioned one Archdeacon of Cleveland, I ought to mention his successor, the Venerable Henry John Todd, whose Life of Cranmer, revived edition of  Johnson’s Dictionary and other works, have made his name well known in the world of letters.”

From George Markham Tweddell’s talk on Local Writers for the Stokesley Mechanic’s Institute Saturday 9th November 1850.
The Life of CranmerVenerable Henry John Todd http://www.amazon.co.uk/Life-Archbishop-Cranmer-Henry-John/dp/1117112322

More material to come to this.

Rector, the Venerable Leveson Vernon Harcourt

“Another clergyman (the Archdeacon of Cleveland) I must not forget to mention, as his name is both connected with Stokesley and the literary world, i speak of our late Rector, the Venerable Leveson Vernon Harcourt whose Doctrine of the Deluge I trust will find a place in the library of our Mechanics Institute. Have any of that gentleman’s correspondents, our worthy Rector for instance was to give the hint, I doubt not that he would be willingly present with a copy.”

From George Markham Tweddell‘s talk on Local Writers to the Stokesley Mechanics Institute 9th November 1850.


More material to come to this.

William Mason, Guisborough.

I already have a post for William Mason on the George Markham Tweddell, so will refer you over to that page. http://georgemarkhamtweddell.blogspot.co.uk/2013/05/william-mason-poet-of-guisborough-c.html

William Mason of Guisborough (then spelt Gisborough) was Cleveland poet who studied at Cambridge. George Markham Tweddell wrote an article on him, illustrated with some of his poetry for Tweddell’s Yorkshire Miscellany in the 1840’s. A pdf version of the article can be found on the above site.
Tweddell says of William Mason – “Should the Yorkshire Miscellany do nothing more than rescue the memory of this great, but ill-fated genius from oblivion; should it only make Yorkshire men acquainted with the merits of one of themselves, over whose mortal remains the green grass has now grown for some years, whilst his countrymen were ignorant of the noble spirit, the comprehensive mind, that once inhabited that frail tenement; should the Yorkshire Miscellany only achieve this one object, and then totally disappear from the literary world, we would not consider our humble labours altogether fruitless.”