{"id":23,"date":"2013-11-08T17:12:00","date_gmt":"2013-11-08T17:12:00","guid":{"rendered":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/2013\/11\/08\/colin-richardson-interview-part-4-bron-booking-agent\/"},"modified":"2013-11-08T17:12:00","modified_gmt":"2013-11-08T17:12:00","slug":"colin-richardson-interview-part-4-bron-booking-agent","status":"publish","type":"post","link":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/2013\/11\/08\/colin-richardson-interview-part-4-bron-booking-agent\/","title":{"rendered":"Colin Richardson Interview Part 4 &#8211; Bron Booking Agent"},"content":{"rendered":"<p><span style=\"font-family: arial\"><br \/>\n6\/18\/2009<b> <span style=\"font-size: large\">Visit Colin Richardson&#8217;s blog &#8211; here&nbsp;<a href=\"http:\/\/colinrichardsonjazz.typepad.com\/blog\/\">http:\/\/colinrichardsonjazz.typepad.com\/blog\/<\/a><\/span><\/b><\/p>\n<p><b><span style=\"font-size: large\">Colin Richardson Interview Pt 4 &#8211; Booking Agencies<\/span><\/b><br \/>\n<\/span><\/p>\n<div><span style=\"font-family: arial\"><br \/>\nContinuing from part Three we look at Colin Richardson&#8217;s development as a Booking Agent in the music business..<\/span><\/div>\n<p><span style=\"font-family: arial\"><br \/>\n<b>At some point you became a Booker with The London City Agency, your first break into the music<\/b><br \/>\n<\/span><\/p>\n<div style=\"clear: both;text-align: center\">\n<b><a href=\"http:\/\/3.bp.blogspot.com\/-cXEyiv4_-nw\/Unu9TuJS5wI\/AAAAAAAACaw\/NtRVxZHsSTQ\/s1600\/6a0133f436b043970b0133f436d27f970b-320pi.jpg\" style=\"clear: right;float: right;margin-bottom: 1em;margin-left: 1em\"><span style=\"font-family: arial\"><img decoding=\"async\" border=\"0\" src=\"https:\/\/3.bp.blogspot.com\/-cXEyiv4_-nw\/Unu9TuJS5wI\/AAAAAAAACaw\/NtRVxZHsSTQ\/s1600\/6a0133f436b043970b0133f436d27f970b-320pi.jpg\" \/><\/span><\/a><\/b><\/div>\n<p><span style=\"font-family: arial\"><b><br \/>\nbusiness. How did that come about?<\/b><\/p>\n<p>In 1964 I was working as an Office Services Manager for a computer company, north of Oxford Street.  This was about the same time I got the Marquee &#8216;night manager&#8217; job on Monday and Wednesday evenings, as well as Sundays at the &#8220;<i>Jazzhouse&#8221;<\/i>&#8230;plus playing the odd gig here and there. I was also, on occasions, booking bands into local colleges on a &#8216;split commission&#8217; basis (this is where you get a booking for a band that you don&#8217;t actually represent, but the band&#8217;s agent will accept the booking and &#8216;split&#8217; the 10% commission&nbsp;with you 50\/50. Some agencies were quite happy to do this, even though I wasn&#8217;t officially an agent.).<\/p>\n<p>One such booking was for the <b>Artwoods,<\/b> a popular R&amp;B group (with <b>Jon Lord<\/b> on Hammond organ!). Some time after&nbsp;this gig, I was phoned by their booking agent, <b>Barry Dunning<\/b> at the <b>London City Agency<\/b>, asking if their was any chance of them getting a &#8216;<i>return booking<\/i>&#8216;.  In the conversation that followed, I let it be known that I was interested in getting into the music business and he suggested that I go and have a chat with them, as one of their bookers, <b>Steve O&#8217;Rourke<\/b> (who was later to be part of <b>Pink Floyd&#8217;s<\/b> management) was moving on. So, I went to meet with Barry and his partner, <b>Johnny Jones<\/b>. After <br \/>\n<\/span><\/p>\n<table cellpadding=\"0\" cellspacing=\"0\" style=\"float: right;margin-left: 1em;text-align: right\">\n<tbody>\n<tr>\n<td style=\"text-align: center\"><a href=\"http:\/\/4.bp.blogspot.com\/-_1Auq1pi2Gs\/Un0ZUEVDVoI\/AAAAAAAACcc\/qx1oi_UP5Ak\/s1600\/aRTWOODSb.jpg\" style=\"clear: right;margin-bottom: 1em;margin-left: auto;margin-right: auto\"><span style=\"font-family: arial\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"260\" src=\"https:\/\/4.bp.blogspot.com\/-_1Auq1pi2Gs\/Un0ZUEVDVoI\/AAAAAAAACcc\/qx1oi_UP5Ak\/w400-h260\/aRTWOODSb.jpg\" width=\"400\" \/><\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\"><span style=\"font-family: arial\">The Artwoods<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-family: arial\"><br \/>\nasking a few questions, they seemed happy to offer me the job&#8230; and I was happy to accept.  Oddly enough, I started off booking out the aforementioned Artwoods, plus a few other acts, but, more importantly, I also had to get bookings for some very well-known visiting blues artists, such as <b>John Lee Hooker, Chuck Berry<\/b> and <b>Jesse Fuller<\/b>.  It was certainly &#8216;in at the deep end&#8217;, but it was definitely a great opportunity to learn the ropes. After about 18 months though, I was kind of &#8216;head-hunted&#8217; by<b> John Gunnell<\/b> of the <b>Rik Gunnell Agency<\/b>.<\/p>\n<p><\/span><\/p>\n<div style=\"clear: both;text-align: center\">\n<span style=\"font-family: arial\"><br \/><\/span><\/div>\n<p><span style=\"font-family: arial\"><br \/>\n<b>So, your next move was to the Gunnell Agency&#8230;<\/b><\/p>\n<p><\/span><\/p>\n<div><span style=\"font-family: arial\"><br \/>\nThis would have been around September 1966. I had got to know John Gunnell, the younger of the 2 brothers, through booking some of the LCA bands into the <i>Flamingo<\/i> and <i>Ram Jam clubs<\/i>, both of which were run by the Gunnells. Their agency had an impressive roster of &#8216;name&#8217; bands like <b>Georgie Fame and the Blue Flames, Geno Washington and the Ram Jam Band, Zoot Money, John Mayall, Long John Baldry<\/b> etc., so they were a much more powerful set up. When John asked if I would like to join them, I didn&#8217;t really hesitate..though I did have some pangs of guilt at leaving LCA, who had given me my first break, but I realised that it would be a big step up for me to handle bands of that stature. They were much easier to sell, since they were such reliable &#8216;draws&#8217; and it was just a question of which gigs to take and which to pass on. Like LCA, the Gunnells occasionally imported artists from the States. I remember booking out blues guitarists <b>Freddie King<\/b> and <b>Albert King<\/b>, as well as soul singers like <b>Mary Wells<\/b> and <b>Joe Tex<\/b> (who cancelled at the last minute, causing real problems which resulted in the Gunnells calling a halt to such tours).<\/p>\n<p>We also had something to do with the <b>Stax tou<\/b>r in &#8217;67, with<b> Otis Redding, Sam and Dave, Arthur Conley <\/b>and <b>Wilson Pickett.<\/b>  I think it might have been as promoters of the <i>Finsbury Park Astoria concert<\/i>, I can&#8217;t remember exactly.  It was very exciting working with such major league artists, but in December 1967, I was offered the job of General Manager at <i>Bron Artistes Management<\/i>, who looked after <b>Gene Pitney,<\/b> <b>Manfred Mann <\/b>and the <b>Bonzo Dog&nbsp;Doo Dah Band<\/b>. I like the idea of working with such a diverse range of artists, plus it was another step up for me.<\/p>\n<p><\/span><\/p>\n<div style=\"clear: both;text-align: center\">\n<span style=\"font-family: arial\"><object><\/object><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<span style=\"font-family: arial\"><br \/><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<span style=\"font-family: arial\"><br \/><\/span><\/div>\n<p><span style=\"font-family: arial\"><object><\/object><br \/><\/span><br \/>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>6\/18\/2009 Visit Colin Richardson&#8217;s blog &#8211; here&nbsp;http:\/\/colinrichardsonjazz.typepad.com\/blog\/ Colin Richardson Interview Pt 4 &#8211; Booking Agencies Continuing from part Three we look at Colin Richardson&#8217;s development as a Booking Agent in the music business.. At some point you became a Booker &hellip; <a href=\"https:\/\/www.artsrainbow.com\/covdiscoarchive\/2013\/11\/08\/colin-richardson-interview-part-4-bron-booking-agent\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/wp-json\/wp\/v2\/posts\/23"}],"collection":[{"href":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":0,"href":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/wp-json\/wp\/v2\/posts\/23\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/wp-json\/wp\/v2\/media?parent=23"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/wp-json\/wp\/v2\/categories?post=23"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/covdiscoarchive\/wp-json\/wp\/v2\/tags?post=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}