{"id":27,"date":"2011-06-13T23:06:00","date_gmt":"2011-06-13T22:06:00","guid":{"rendered":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/2011\/06\/13\/umbrella-coventry-literary-journal-c1959-61\/"},"modified":"2011-06-13T23:06:00","modified_gmt":"2011-06-13T22:06:00","slug":"umbrella-coventry-literary-journal-c1959-61","status":"publish","type":"post","link":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/2011\/06\/13\/umbrella-coventry-literary-journal-c1959-61\/","title":{"rendered":"Umbrella &#8211; Coventry Literary Journal c1959 &#8211; 61"},"content":{"rendered":"<p><span style=\", sans-serif;line-height: 18px\"><b>UMBRELLA<\/b><\/span><span style=\", sans-serif;line-height: 18px\">&nbsp;<\/span><span style=\", sans-serif;line-height: 18px\">MAGAZINE was edited by<\/span><span style=\", sans-serif;line-height: 18px\">&nbsp;<\/span><span style=\", sans-serif;line-height: 18px\"><b>Terence Watson<\/b><\/span><span style=\", sans-serif;line-height: 18px\">&nbsp;<\/span><span style=\", sans-serif;line-height: 18px\">for the<\/span><span style=\", sans-serif;line-height: 18px\"><b>&nbsp;Coventry Arts Umbrella&nbsp;<\/b><\/span><span style=\", sans-serif;line-height: 18px\">in Coventry in the late 50&#8217;s and early 60&#8217;s.<\/span><span style=\", sans-serif;line-height: 18px\">&nbsp;<\/span><span style=\", sans-serif;line-height: 18px\"><b>Philip Larkin&nbsp;<\/b><\/span><span style=\", sans-serif;line-height: 18px\">was published in one issue. More of that in another post on this site. Two issues of Umbrella are available below as<\/span><span style=\", sans-serif;line-height: 18px\">&nbsp;<\/span><span style=\", sans-serif;line-height: 18px\"><b>pdf files<\/b><\/span><span style=\", sans-serif;line-height: 18px\">.Click on the links above the pictures to view or download free.<\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><br \/>\n<\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\">Described by <b>Andrew Motion<\/b> as &#8220;an obscure Coventry-based magazine&#8221; in <b>Philip Larkin&#8217;<\/b>s biography. Here are two of the issues for download \/ viewing. Further copies can be viewed at <a href=\"http:\/\/www.coventrycollections.org\/DServe\/dserve.exe?dsqIni=Dserve.ini&amp;dsqApp=Archive&amp;dsqCmd=overview.tcl&amp;dsqDb=Catalog&amp;dsqSearch=(RefNo=%27PA1939%27)\">Coventry Archives at the Herbert Museum and Art Gallery<\/a>.&nbsp;<\/span><\/p>\n<div>\n<span style=\", sans-serif;line-height: 18px\"><br \/>\n<\/span><\/div>\n<div>\n<span style=\", sans-serif;line-height: 18px\">To quote from one of the issues&nbsp;<\/span><\/div>\n<div>\n<span style=\", sans-serif;line-height: 18px\">&#8220;Umbrella&#8221;&nbsp;<i>provides a medium for expression of opinion regarding the arts and related topics. It also welcomes fiction and poetry having a contemporary relevance.&#8221;<\/p>\n<p><\/i><\/span><br \/>\n<span style=\", sans-serif;font-size: 12px;line-height: 18px\"><i><br \/><\/i><\/span><br \/>\n<span style=\", sans-serif;font-size: 12px;line-height: 18px\"><i><br \/><\/i><\/span><\/div>\n<div>\n<span style=\", sans-serif;font-size: 12px;line-height: 18px\"><i><br \/>\n<\/i><\/span><\/div>\n<div>\n<span style=\", sans-serif\"><span style=\"line-height: 18px\">Download this copy of <b>Umbrella <\/b>via this Google Docs link &nbsp;<b><a href=\"https:\/\/docs.google.com\/viewer?a=v&amp;pid=explorer&amp;chrome=true&amp;srcid=0B86kZ7RP6OWKYThiNzBkYTktOGU3Zi00MmU2LTg4ZmItMTQ0ZWQ2YzI2MTg4&amp;hl=en_US\">Umbrella Vol No 4 Autumn 1959<\/a><\/b><\/span><\/span><br \/>\n<span style=\", sans-serif\"><span style=\"font-size: 12px;line-height: 18px\"><br \/>\n<\/span><\/span><\/p>\n<div style=\"clear: both;text-align: center\">\n<a href=\"http:\/\/1.bp.blogspot.com\/-4g83-PG0aio\/TfcOT1MC-aI\/AAAAAAAAADk\/XFbolSYJmsw\/s1600\/6a00cd978b8c9bf9cc00d4142d3564685e-500pi.jpg\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"320\" src=\"https:\/\/1.bp.blogspot.com\/-4g83-PG0aio\/TfcOT1MC-aI\/AAAAAAAAADk\/XFbolSYJmsw\/s320\/6a00cd978b8c9bf9cc00d4142d3564685e-500pi.jpg\" width=\"214\" \/><\/a><\/div>\n<p><span style=\", sans-serif\"><span style=\"font-size: 12px;line-height: 18px\"><br \/>\n<\/span><\/span><\/div>\n<div>\n<span style=\", sans-serif\"><span style=\"font-size: 12px;line-height: 18px\"><br \/>\n<\/span><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<span style=\", sans-serif\"><span style=\"line-height: 18px\">Download this copy of&nbsp;<b>Umbrella&nbsp;<\/b>via this Google Docs link<\/span><span style=\"font-size: 12px;line-height: 18px\">&nbsp;&#8211; <b>Umbrella Vol 2 Spring 1960&nbsp;<\/b><\/span><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<span style=\", sans-serif;font-size: 12px;line-height: 18px\"><b>NOTE &#8211; If you downloaded this before March 29th 2015 &#8211; this is a complete version &#8211; the previous version had pages missing but I&#8217;ve obtained a complete version now.<\/b><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<span style=\", sans-serif;font-size: 12px;line-height: 18px\"><b><br \/><\/b><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<span style=\"font-size: 12px;line-height: 18px\"><b><span style=\", sans-serif\"><\/span><br \/>\n<\/b><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<span style=\", sans-serif;font-size: 12px;line-height: 18px\"><b><br \/><\/b><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<span style=\", sans-serif;font-size: 12px;line-height: 18px\"><br \/><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<span style=\", sans-serif;font-size: 12px;line-height: 18px\"><br \/><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<a href=\"http:\/\/4.bp.blogspot.com\/-olhJf-3sScA\/VQLY47EUvpI\/AAAAAAAAD40\/_X6isfV2c3Y\/s1600\/Umbrella%2Bmagazine.jpg\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"640\" src=\"https:\/\/4.bp.blogspot.com\/-olhJf-3sScA\/VQLY47EUvpI\/AAAAAAAAD40\/_X6isfV2c3Y\/s640\/Umbrella%2Bmagazine.jpg\" width=\"412\" \/><\/a><\/div>\n<div style=\"clear: both;text-align: center\">\n<span style=\", sans-serif;font-size: 12px;line-height: 18px\"><br \/>\n<\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<a href=\"http:\/\/3.bp.blogspot.com\/-qGZGsmuXJjk\/VQLaPUvF0rI\/AAAAAAAAD5A\/wrIVdm2NaXw\/s1600\/Umbrella%2BMag002.jpg\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"640\" src=\"https:\/\/3.bp.blogspot.com\/-qGZGsmuXJjk\/VQLaPUvF0rI\/AAAAAAAAD5A\/wrIVdm2NaXw\/s640\/Umbrella%2BMag002.jpg\" width=\"444\" \/><\/a><\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<a href=\"http:\/\/3.bp.blogspot.com\/-jVUwz6fdTWo\/Tt0CXhK9z3I\/AAAAAAAAAYE\/R7uXE2NDPoI\/s1600\/Umbrella+larkin-+1.jpg\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"640\" src=\"https:\/\/3.bp.blogspot.com\/-jVUwz6fdTWo\/Tt0CXhK9z3I\/AAAAAAAAAYE\/R7uXE2NDPoI\/s640\/Umbrella+larkin-+1.jpg\" width=\"432\" \/><\/a><\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both\">\n<span style=\", sans-serif\"><br \/><\/span><\/div>\n<div style=\"clear: both\">\n<span style=\", sans-serif\">Umbrella &#8212; Volume 1, Number 3, Summer 1959<\/span><\/div>\n<div style=\"clear: both\">\n<span style=\", sans-serif\">LARKIN, Phllip, Paul Jennings, R. Bryan Tyson, Ian Lovelock, John Hewitt, Alan Oliver, Taner Baybars, A.E. Burrows, Stephen Joseph, Owen Leeming, and Gerald Morrish) WATSON, T.C., edited by<\/span><\/div>\n<div style=\"clear: both\">\n<\/div>\n<p><\/p>\n<div>\n<div style=\"clear: both;text-align: center\">\n<a href=\"http:\/\/1.bp.blogspot.com\/-o4HEkLOGrjQ\/TgSBwePMQyI\/AAAAAAAAAG4\/O7-sCtqcOoA\/s1600\/Streetpoem4063.jpg\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"640\" src=\"https:\/\/1.bp.blogspot.com\/-o4HEkLOGrjQ\/TgSBwePMQyI\/AAAAAAAAAG4\/O7-sCtqcOoA\/s640\/Streetpoem4063.jpg\" width=\"432\" \/><\/a><\/div>\n<div style=\"clear: both;text-align: center\">\n<a href=\"http:\/\/4.bp.blogspot.com\/-JZIfHZCz5FI\/TuDmsEeFslI\/AAAAAAAAAY0\/QdQ5dbm8_7g\/s1600\/Umbrella2.jpg\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" height=\"297\" src=\"https:\/\/4.bp.blogspot.com\/-JZIfHZCz5FI\/TuDmsEeFslI\/AAAAAAAAAY0\/QdQ5dbm8_7g\/s400\/Umbrella2.jpg\" width=\"400\" \/><\/a><\/div>\n<p><span style=\", sans-serif;font-size: 12px;line-height: 18px\"><i><br \/>\n<\/i><\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><b>New material March 2014<\/b><\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\">(There may be some mistakes &#8211; the notes are hard to read)<\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\">Vol 1 No1 Oct 1958 &nbsp;&#8211; Contents<\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><br \/><\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><b><a href=\"http:\/\/en.wikipedia.org\/wiki\/E._M._Forster\">EM Forster<\/a><\/b> &#8211; C.P. Cavafy 1883 &#8211; 1937 P5<a href=\"https:\/\/www.blogger.com\/goog_950579784\">&nbsp;<\/a><\/span><span style=\", sans-serif\"><span style=\"line-height: 18px\"><a href=\"http:\/\/en.wikipedia.org\/wiki\/Constantine_P._Cavafy\">http:\/\/en.wikipedia.org\/wiki\/Constantine_P._Cavafy<\/a><\/span><\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><b>Owen Leeming<\/b>&#8216;s Connet P7<\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><b>R.B. Greenwood<\/b> &#8211; Lit and crit<\/span><br \/>\n<span style=\", sans-serif\"><span style=\"line-height: 18px\"><b>George&nbsp;Macbeth<\/b> &nbsp;<\/span><\/span><span style=\", sans-serif\"><span style=\"line-height: 18px\"><b><a href=\"http:\/\/en.wikipedia.org\/wiki\/George_MacBeth\">http:\/\/en.wikipedia.org\/wiki\/George_MacBeth<\/a><\/b><\/span><\/span><br \/>\n<span style=\", sans-serif\"><span style=\"line-height: 18px\"><b>Geoffrey Dendline<\/b>(?) &#8211; Smedley&#8217;s Hydro (Matlock) &nbsp;<\/span><\/span><span style=\", sans-serif\"><span style=\"line-height: 18px\"><a href=\"http:\/\/www.andrewsgen.com\/matlock\/pix\/matlock_smedley_1906.htm\">http:\/\/www.andrewsgen.com\/matlock\/pix\/matlock_smedley_1906.htm<\/a><\/span><\/span><br \/>\n<span style=\", sans-serif\"><b>A.E Burrows<\/b>&nbsp;&#8211; Product of&nbsp;Shakespeare&nbsp;<\/span><br \/>\n<span style=\", sans-serif\"><b><a href=\"http:\/\/en.wikipedia.org\/wiki\/Edward_Lucie-Smith\">JEM Lucie-Smith<\/a>&nbsp;&#8211; <\/b>Cardinal Bird<\/span><br \/>\n<span style=\", sans-serif\"><b>GF Smerrish<\/b> &#8211;&nbsp;Satellites and Spivs&nbsp;<\/span><br \/>\n<span style=\", sans-serif\"><b>John Overton<\/b> &#8211; Another Old Coup<\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><b>W.F. Holland &#8211; <\/b>Separate Buildings<\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><br \/><\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><br \/><\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\">Vol No 2 Spring 1959<\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><b><a href=\"http:\/\/en.wikipedia.org\/wiki\/John_Hewitt_(poet)\">John Hewitt<\/a><\/b> &#8211; Art critic, literary historian, poet and Art director of the Herbert Art Gallery and Museum in Coventry.<\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\"><br \/><\/span><br \/>\n<span style=\", sans-serif;line-height: 18px\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<\/span><br \/>\n<span style=\", sans-serif\"><span style=\"line-height: 18px\"><br \/><\/span><br \/>\n<span style=\"line-height: 18px\">Vol 2 &#8211; 1961 No 7<\/span><\/span><br \/>\n<span style=\", sans-serif\"><span style=\"line-height: 18px\"><br \/><\/span><br \/>\n<span style=\"line-height: 18px\"><b>Gianni Zambardi<\/b> &#8211; Drive to Saltburn<\/span><\/span><\/p>\n<p>\n<b><span style=\", sans-serif\">A DRIVE TO SALTBURN &#8211; by Gianni Zambardi<br \/>Published in Umbrella Magazine Vol 2 &#8211; 1961 No 7<\/span><\/b><br \/>\n<a href=\"http:\/\/writerscafe.typepad.com\/.a\/6a0133f435c0c1970b0133f435d150970b-pi\"><img loading=\"lazy\" decoding=\"async\" height=\"257\" src=\"https:\/\/writerscafe.typepad.com\/.a\/6a0133f435c0c1970b0133f435d150970b-200pi\" width=\"320\" \/><\/a><br \/>\n<a href=\"http:\/\/writerscafe.typepad.com\/.a\/6a0133f435c0c1970b0133f435d150970b-pi\">Huntcliffe at Saltburn<\/a><\/p>\n<p>\n<span style=\", sans-serif\">(From&nbsp;<i>The magazine of the Coventry Arts Umbrella Club<\/i>)<\/span><br \/>\n<span style=\", sans-serif\"><br \/><\/span><br \/>\n<b><span style=\", sans-serif\">A DRIVE TO SALTBURN&nbsp;<\/span><\/b><br \/>\n<span style=\", sans-serif\">County of coves, osiers, red banks<\/span><br \/>\n<span style=\", sans-serif\">Threaded by switchback roads, curling<\/span><br \/>\n<span style=\", sans-serif\">into sandy-shelves, over ridge, rocks, cliffs,<\/span><br \/>\n<span style=\", sans-serif\">stabbed by a criss-crossed shafthead &#8211;<\/span><br \/>\n<span style=\", sans-serif\">Distant tips of gouged iron-earth-ranks<\/span><br \/>\n<span style=\", sans-serif\">of miners homes, smoke wisps fluttering.<\/span><br \/>\n<span style=\", sans-serif\">In an inshore wind, staunched by church towers<\/span><br \/>\n<span style=\", sans-serif\">Black, time-muffled stone under the sky&#8217;s tread <\/span><br \/>\n<span style=\", sans-serif\">We feed our eyes, speed for a snatched hour<\/span><br \/>\n<span style=\", sans-serif\">Break the customary formality of daily<\/span><br \/>\n<span style=\", sans-serif\">Dying in regular doses, to thrill along.<\/span><br \/>\n<span style=\", sans-serif\">Past pink pubs, wash the sour <\/span><br \/>\n<span style=\", sans-serif\">sluggishness form our steps; pick up wet briny<\/span><br \/>\n<span style=\", sans-serif\">seaweed, and learn a salty land&#8217;s song.<\/span><br \/>\n<span style=\", sans-serif\"><br \/><\/span><br \/>\n<span style=\", sans-serif\"><b>Gianni Zambardi 1961 <\/b>&#8211;<\/span><br \/>\n<span style=\", sans-serif\">Travel writer BA King&#8217;s College London,<\/span><br \/>\n<span style=\", sans-serif\">Now (1961 that is!) Living in Finsbury. Written two novels Time to Go and Me and My Friend. He also published his poetry in the sixties.<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>UMBRELLA&nbsp;MAGAZINE was edited by&nbsp;Terence Watson&nbsp;for the&nbsp;Coventry Arts Umbrella&nbsp;in Coventry in the late 50&#8217;s and early 60&#8217;s.&nbsp;Philip Larkin&nbsp;was published in one issue. More of that in another post on this site. Two issues of Umbrella are available below as&nbsp;pdf files.Click on &hellip; <a href=\"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/2011\/06\/13\/umbrella-coventry-literary-journal-c1959-61\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/wp-json\/wp\/v2\/posts\/27"}],"collection":[{"href":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":0,"href":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/wp-json\/wp\/v2\/posts\/27\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/wp-json\/wp\/v2\/media?parent=27"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/wp-json\/wp\/v2\/categories?post=27"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventryartsumbrella\/wp-json\/wp\/v2\/tags?post=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}