{"id":475,"date":"2018-08-23T08:45:00","date_gmt":"2018-08-23T07:45:00","guid":{"rendered":"https:\/\/www.artsrainbow.com\/coventrybands\/2018\/08\/23\/whistler\/"},"modified":"2018-08-23T08:45:00","modified_gmt":"2018-08-23T07:45:00","slug":"whistler","status":"publish","type":"post","link":"https:\/\/www.artsrainbow.com\/coventrybands\/2018\/08\/23\/whistler\/","title":{"rendered":"Whistler"},"content":{"rendered":"<div style=\"text-align: center\">\n<span style=\"font-size: x-large\"><b>Whistler<\/b><\/span><\/div>\n<div style=\"text-align: center\">\n<span>c 1969 &#8211; 1971<\/span><\/div>\n<p><span><br \/><b>Avant Garde \/ Progressive Jazz Rock.<\/b><br \/><b>Line up:<\/b>&nbsp;<\/span><\/p>\n<div>\n<span><br \/><\/span><\/div>\n<div>\n<span><b>Kevin Harrison<\/b> &#8211; guitar,&nbsp;<\/span><\/div>\n<div>\n<span><b>Lynda Harrison &#8211; <\/b>Vocals<\/span><\/div>\n<div>\n<span><b>Gary Curtain<\/b> &#8211; drums&nbsp;<\/span><span>Later <b>Nick Trevisick<\/b>.<\/span><\/div>\n<div>\n<span><b>John Westacott<\/b> &#8211; bass,&nbsp;<\/span><\/div>\n<div>\n<span><b>Mick Gawthorp<\/b> &#8211; Alto sax, flute &amp; vocals,&nbsp;<\/span><\/div>\n<div>\n<span><b>Martin Barter<\/b> (keyboards).&nbsp;&nbsp;<\/span><\/div>\n<table cellpadding=\"0\" cellspacing=\"0\" style=\"float: right;margin-left: 1em;text-align: right\">\n<tbody>\n<tr>\n<td style=\"text-align: center\"><a href=\"https:\/\/3.bp.blogspot.com\/-pz-1yvJEYg0\/W35zAQwKzzI\/AAAAAAAAGys\/wKLGYppH164-L2HpRH7YzJX6ojo4MKJUgCLcBGAs\/s1600\/6a00cd978b8c9bf9cc00e398b8509c0004-500pi.jpg\" style=\"clear: right;margin-bottom: 1em;margin-left: auto;margin-right: auto\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"253\" data-original-width=\"176\" height=\"400\" src=\"https:\/\/3.bp.blogspot.com\/-pz-1yvJEYg0\/W35zAQwKzzI\/AAAAAAAAGys\/wKLGYppH164-L2HpRH7YzJX6ojo4MKJUgCLcBGAs\/s400\/6a00cd978b8c9bf9cc00e398b8509c0004-500pi.jpg\" width=\"278\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\"><span>Kevin Harrison<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div>\n<span><b>Rick Woods<\/b> (Trumpet)<\/p>\n<p><b>Martin Barter<\/b> went on to <b>Coconut Mat<\/b>,&nbsp;<b>Just Jake<\/b>&nbsp;and many others &#8211; now with <b>Joe O&#8217;Donnell&#8217;s Shkayla<\/b>. <b>John Westacott<\/b> played blues harp and violin for <b>Last Fair Deal <\/b>and with <b>Kevin and Lynda Harrison<\/b> in <b>Urge<\/b> (1979 &#8211; 81)<\/p>\n<p><b>Kevin Harrison<\/b> tells us: &#8220;We were basically a progressive jazz-rock group playing tricky time signatures. I remember playing some dodgy venues, but we (mostly) fared well with local audiences.&#8221;<\/p>\n<p><b>Whistler<\/b> were often seen to be rehearsing, hanging out or playing at the <i><a href=\"https:\/\/coventryartsumbrella.blogspot.com\/\">Coventry Arts Umbrella<\/a><\/i>. Among many local venues they played the <a href=\"https:\/\/covdiscoarchive.blogspot.com\/2013\/11\/warwick-university-arts-festivals-early.html\">Warwick University Arts festival<\/a> in 1971 on Sunday March 7th with <b>Skin Alley, Pink Fairies, Bubastis <\/b>and <b>Asgard<\/b>.<\/p>\n<p><b>Recordings<\/b><\/p>\n<p>In terms of recordings <b>Mick Gawthorpe<\/b> commented on Vox in 2007 &#8221; <i>I&#8217;ll speak to Kev about whatever recordings might be possible, but we did record something at a studio in Snitterfield.<\/i>&#8220;<\/p>\n<p>This is Kevin Harrison&#8217;s musical history <a href=\"http:\/\/marzimprint.co.uk\/history\/index.html\">http:\/\/marzimprint.co.uk\/history\/index.html<\/a><\/p>\n<p>An extract from Kevin Harrison&#8217;s <i>Marzimprint<\/i> about the lead up to forming <b>Whistler<\/b> <\/p>\n<p>&#8221; 68-72 &#8211; I&#8217;m at the local Art School, fall in love with Pop-Art, Dadaism, Girls, Cigarettes and<\/p>\n<table cellpadding=\"0\" cellspacing=\"0\" style=\"float: right;margin-left: 1em;text-align: right\">\n<tbody>\n<tr>\n<td style=\"text-align: center\"><a href=\"https:\/\/3.bp.blogspot.com\/-6zBHIswdxG8\/W35zNLSLo1I\/AAAAAAAAGyw\/wdK6rhlavW0UVcLwy-WDtTT2MqmVl02mACLcBGAs\/s1600\/6a00cd978b8c9bf9cc00e398b841b60002-500pi.jpg\" style=\"clear: right;margin-bottom: 1em;margin-left: auto;margin-right: auto\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"261\" data-original-width=\"176\" height=\"320\" src=\"https:\/\/3.bp.blogspot.com\/-6zBHIswdxG8\/W35zNLSLo1I\/AAAAAAAAGyw\/wdK6rhlavW0UVcLwy-WDtTT2MqmVl02mACLcBGAs\/s320\/6a00cd978b8c9bf9cc00e398b841b60002-500pi.jpg\" width=\"215\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">Lynda Harrison<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Alcohol. I get into trouble with girls parents, play my battered acoustic guitar and go to see and hear lots of good bands at <a href=\"http:\/\/en.wikipedia.org\/wiki\/Mothers\">&#8216;Mothers&#8217;<\/a>, in Erdington. Psychedelic\/underground music is now de rigueur and a passion, so, bored with the snobby and strait jacketed conventions of further education I decide instead to rent an Art Studio in Stockingford with my friends Geoff and Aidan. Geoff &amp; I play a bit of acid-folk &amp; record a demo at <b>Fresh Maggots<\/b> <b>Mick Burgoyne&#8217;s<\/b> Home studio (Incredible String Band, Third Ear Band, Tyrannosaurus Rex are an inspiration), I then join &#8216;<b>Whistler<\/b>&#8216;, and play some progressive jazz-rock with tricky time signatures (Mothers of Invention, Caravan, Soft Machine)&#8221;<\/span><\/div>\n<div>\n<span><br \/><\/span><\/div>\n<p><span><b><\/p>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<a href=\"https:\/\/2.bp.blogspot.com\/-y0ubP0-MQa8\/W35ztbUAuhI\/AAAAAAAAGzE\/sCgtFMlPJhAsOD9SsuF8UEXXQhpIcMtOACLcBGAs\/s1600\/whistler.jpg\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"690\" data-original-width=\"538\" height=\"640\" src=\"https:\/\/2.bp.blogspot.com\/-y0ubP0-MQa8\/W35ztbUAuhI\/AAAAAAAAGzE\/sCgtFMlPJhAsOD9SsuF8UEXXQhpIcMtOACLcBGAs\/s640\/whistler.jpg\" width=\"498\" \/><\/a><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<p>Whistler&#8217;s film project (from the above cutting)<\/b><\/p>\n<p><b>Music for the Fools<\/b><\/p>\n<p>&#8220;An all instrumental Coventry pop group has been asked to write the score for an american<\/p>\n<table cellpadding=\"0\" cellspacing=\"0\" style=\"float: right;margin-left: 1em;text-align: right\">\n<tbody>\n<tr>\n<td style=\"text-align: center\"><a href=\"https:\/\/4.bp.blogspot.com\/-KqiMUWu4sNY\/W35zZuQMBQI\/AAAAAAAAGy4\/euAoA16UQrc0pxbBOnP6ZXMkVLK_yBn2ACLcBGAs\/s1600\/6a00cd971075874cd500d09e54a043be2b-500pi.jpg\" style=\"clear: right;margin-bottom: 1em;margin-left: auto;margin-right: auto\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"500\" data-original-width=\"469\" height=\"320\" src=\"https:\/\/4.bp.blogspot.com\/-KqiMUWu4sNY\/W35zZuQMBQI\/AAAAAAAAGy4\/euAoA16UQrc0pxbBOnP6ZXMkVLK_yBn2ACLcBGAs\/s320\/6a00cd971075874cd500d09e54a043be2b-500pi.jpg\" width=\"300\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">Mick Gawthorpe &#8211; Flute &#8211; Alto-Sax<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>surrealist film.<\/span><\/p>\n<div>\n<span><br \/>The group &#8211; comprising Kevin Harrison (guitar), Michael Gawthorpe (Flute, alto sax), Rick Woods (Trumpet) and John Westacott (bass), met the californian director of the film through a mutual friend.<\/span><\/div>\n<div>\n<span><br \/>Mr Howard Minshk listened to them play their avant garde jazz and rock music&#8230;and the group &#8211; Whistler &#8211; got the job.<\/span><\/div>\n<div>\n<span><br \/>The film Le Compte De Foix (The Count of Fools) will probably last for two and half hours. Whistler will write one and a half hours of music for the film, which will be shown throughout universities in the States.<\/p>\n<p><b>From Coventry evening Telegraph &#8211; Diary page c 1969 \/ 70<\/b><\/span><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div>\n<span>Below &#8211;<b> Kevin and Lynda Harrison <\/b>and<b> John Westacott <\/b>years later in <b>Urge<\/b>.<\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<a href=\"https:\/\/3.bp.blogspot.com\/-ivMqIyt5pcI\/W35z2lNvPgI\/AAAAAAAAGzI\/gHRD0MzBdX42FUFnyn-lmoD6HOhKEIFqwCLcBGAs\/s1600\/urgex.jpg\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"275\" data-original-width=\"414\" height=\"424\" src=\"https:\/\/3.bp.blogspot.com\/-ivMqIyt5pcI\/W35z2lNvPgI\/AAAAAAAAGzI\/gHRD0MzBdX42FUFnyn-lmoD6HOhKEIFqwCLcBGAs\/s640\/urgex.jpg\" width=\"640\" \/><\/a><\/div>\n<div>\n<span><b><br \/><\/b><\/span><\/div>\n<div><span style=\"font-family: arial\"><b><a href=\"https:\/\/coventrybands.blogspot.com\/p\/coventry-bands-index.html\">BACK TO BAND INDEX<\/a><\/b><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Whistler c 1969 &#8211; 1971 Avant Garde \/ Progressive Jazz Rock.Line up:&nbsp; Kevin Harrison &#8211; guitar,&nbsp; Lynda Harrison &#8211; Vocals Gary Curtain &#8211; drums&nbsp;Later Nick Trevisick. John Westacott &#8211; bass,&nbsp; Mick Gawthorp &#8211; Alto sax, flute &amp; vocals,&nbsp; Martin Barter &hellip; <a href=\"https:\/\/www.artsrainbow.com\/coventrybands\/2018\/08\/23\/whistler\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artsrainbow.com\/coventrybands\/wp-json\/wp\/v2\/posts\/475"}],"collection":[{"href":"https:\/\/www.artsrainbow.com\/coventrybands\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsrainbow.com\/coventrybands\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrybands\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrybands\/wp-json\/wp\/v2\/comments?post=475"}],"version-history":[{"count":0,"href":"https:\/\/www.artsrainbow.com\/coventrybands\/wp-json\/wp\/v2\/posts\/475\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsrainbow.com\/coventrybands\/wp-json\/wp\/v2\/media?parent=475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrybands\/wp-json\/wp\/v2\/categories?post=475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrybands\/wp-json\/wp\/v2\/tags?post=475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}