{"id":210,"date":"2019-12-15T15:34:00","date_gmt":"2019-12-15T15:34:00","guid":{"rendered":"https:\/\/www.artsrainbow.com\/coventrygigs\/2019\/12\/15\/the-flys-coventry-pioneers\/"},"modified":"2019-12-15T15:34:00","modified_gmt":"2019-12-15T15:34:00","slug":"the-flys-coventry-pioneers","status":"publish","type":"post","link":"https:\/\/www.artsrainbow.com\/coventrygigs\/2019\/12\/15\/the-flys-coventry-pioneers\/","title":{"rendered":"The Flys \u2013 Coventry Pioneers"},"content":{"rendered":"<p><\/p>\n<div style=\"text-align: center\">\n<b><span style=\"font-family: Arial, Helvetica, sans-serif;font-size: x-large\">The Flys \u2013 Coventry Pioneers<\/span><\/b><\/div>\n<div style=\"text-align: center\">\n<b><span style=\"font-family: Arial, Helvetica, sans-serif;font-size: large\">by Pete Clemons<\/span><\/b><\/div>\n<div style=\"text-align: center\">\n<b><span style=\"font-family: Arial, Helvetica, sans-serif;font-size: large\"><br \/><\/span><\/b><\/div>\n<div style=\"clear: both;text-align: center\">\n<a href=\"https:\/\/1.bp.blogspot.com\/-Zf3LpRZ4Wu0\/XfZMg0zEjSI\/AAAAAAAAH40\/BLeBOVtTDhkbt8wU4j9kldtHZavKeIX2wCLcBGAsYHQ\/s1600\/The%2BFlys%2BToday%2BBelongs%2Bto%2BMe.jpg\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1200\" data-original-width=\"1200\" height=\"640\" src=\"https:\/\/1.bp.blogspot.com\/-Zf3LpRZ4Wu0\/XfZMg0zEjSI\/AAAAAAAAH40\/BLeBOVtTDhkbt8wU4j9kldtHZavKeIX2wCLcBGAsYHQ\/s640\/The%2BFlys%2BToday%2BBelongs%2Bto%2BMe.jpg\" width=\"640\" \/><\/a><\/div>\n<div style=\"text-align: center\">\n<\/div>\n<div style=\"text-align: center\">\n<span style=\"font-family: Arial, Helvetica, sans-serif;font-size: large\"><b>Get the album here<\/b><\/span><\/div>\n<div style=\"text-align: center\">\n<a href=\"https:\/\/www.cherryred.co.uk\/product\/the-flys-today-belongs-to-me-the-complete-recordings-1977-1980-2cd\/\"><span style=\"font-size: large\"><b>https:\/\/www.cherryred.co.uk\/product\/the-flys-today-belongs-to-me-the-complete-recordings-1977-1980-2cd\/<\/b><\/span><\/a><\/div>\n<p><span style=\"font-family: Arial, Helvetica, sans-serif\"><br \/>The four piece Flys burst onto the power pop and new wave battlefield during mid 1977. The boom in Power Pop and New Wave followed the Punk Rock explosion and The Flys were one of the pioneers of that field.<\/p>\n<p>The Flys were Dave Freeman &#8211; lead guitar, Joe Hughes \u2013 bass, Pete King \u2013 drums and Neil O&#8217;Connor \u2013 rhythm guitar and vocals. Their musicianship was melodic and imaginative and, with a regular slot at La Chaumiere in the Burges during August and September 1977, their future looked assured. Especially after an early break for them when they hooked up for a support slot alongside Buzzcocks at Mr Georges club during October 1977.<\/p>\n<p>That particular night was meant to be a one off but it went so well that the Buzzcocks invited The Flys to do most of the remaining tour dates. Especially those around the Midlands. So the band ended up doing around six more dates with them.<\/p>\n<p>Before that Buzzcocks gig The Flys had laid down the tracks that made up their self financed debut, the &#8216;Bunch of Five&#8217; EP on Zama Records. And all this early activity had alerted EMI who promptly signed them up. Zama Records was also the home for Black Parrot Seaside and their epic EP release.<\/p>\n<p>With so many talented bands around, at that time, you needed that little extra boost like a session on the John Peel show. And there was no shortage of opportunity. The Flys appeared on his show at least three times. The first being during March 1978 when they performed &#8216;New Hearts&#8217;, &#8216;Fun City&#8217;, &#8216;We Dont Mind the Rave&#8217; and &#8216;Living in the Sticks&#8217;.<\/p>\n<p>Further Peel Sessions were recorded during November 1978 when they performed &#8216;Love and a Molotov Cocktail&#8217;, &#8216;Name Dropping&#8217;, &#8216;I Don&#8217;t&nbsp;Know&#8217; and &#8216;Waikiki Beach Refugees&#8217;. And once more during September 1979 when, by then, drummer Pete King had left and Graham Deakin had replaced him. For that session the band aired &#8216;Lets Drive&#8217;, &#8216;Energy Boy&#8217;, &#8216;Frenzy is 23&#8217; and &#8216;I&#8217;ll Survive&#8217;.<\/p>\n<p>And almost all those tunes, along with many others, \u2013 the complete studio recordings 1977 to 1980 in fact \u2013 can be found on a wonderful release titled &#8216;Today Belongs to Me&#8217;. Additionally this release contains seven previously unheard songs.<\/p>\n<p>In hindsight, the punk rock and new wave era was an incredibly short window of time. As such, timing was crucial. By the end of 1978 people were already saying that punk and new wave was dead. It just seemed to have run its course.<\/p>\n<p>Power pop was mainly applied to UK bands and had no real legs overseas. So it was limited in its appeal. Having said that the likes of Elvis Costello and Squeeze faired well. But by and large the new wave soon became the old wave.<\/p>\n<p>A lack of real commercial success led to internal bickering. And, despite a valiant effort, it was always a struggle. The Flys called it a day during the spring of 1980. But, and as this new release proves, what a legacy they left us. Listening to these songs 40 years on they still sound so fresh and not at all dated. And this double CD package comes with a wonderfully informative booklet.<\/p>\n<p>Post Flys, Neil O&#8217;Connor joined his sister Hazel&#8217;s band. Bass player Joe Hughes and guitarist Dave Freeman would team up again in The  Lover Speaks. They also penned the ballad &#8216;No More I Love You&#8217;s&#8217; for Annie Lennox and took her into the charts during 1985. Pete King joined After the Fire but sadly passed away during 1987 aged just 26.<\/span><br \/>\n<span style=\"font-family: Arial, Helvetica, sans-serif\"><br \/><\/span><\/p>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<p>\n<span style=\"font-family: Arial, Helvetica, sans-serif\"><br \/><\/span><\/p>\n<div style=\"background-color: white;color: #555555;font-family: Lato;font-size: 16px;line-height: 1.6;margin-bottom: 1.43rem;padding: 0px\">\n<strong style=\"margin: 0px;padding: 0px\">TRACK LISTING&nbsp;<\/strong><\/div>\n<div style=\"background-color: white;color: #555555;font-family: Lato;font-size: 16px;line-height: 1.6;margin-bottom: 1.43rem;padding: 0px\">\n<strong style=\"margin: 0px;padding: 0px\">DISC ONE<\/strong><\/div>\n<div style=\"background-color: white;color: #555555;font-family: Lato;font-size: 16px;line-height: 1.6;margin-bottom: 1.43rem;padding: 0px\">\n1. WE DON\u2019T MIND THE RAVE<br style=\"margin: 0px;padding: 0px\" \/>2. BEVERLEY<br style=\"margin: 0px;padding: 0px\" \/>3. LOOKING FOR NEW HEARTS<br style=\"margin: 0px;padding: 0px\" \/>4. SHE\u2019S THE ONE<br style=\"margin: 0px;padding: 0px\" \/>5. MONSOON SKY<br style=\"margin: 0px;padding: 0px\" \/>6. FUN CITY<br style=\"margin: 0px;padding: 0px\" \/>7. DON\u2019T MOONLIGHT ON ME<br style=\"margin: 0px;padding: 0px\" \/>8. SOME KIND OF GIRL<br style=\"margin: 0px;padding: 0px\" \/>9. I DON\u2019T KNOW<br style=\"margin: 0px;padding: 0px\" \/>10. WAIKIKI BEACH REFUGEES<br style=\"margin: 0px;padding: 0px\" \/>11. SATURDAY SUNRISE<br style=\"margin: 0px;padding: 0px\" \/>12. DARK NIGHTS<br style=\"margin: 0px;padding: 0px\" \/>13. LOVE AND A MOLOTOV COCKTAIL<br style=\"margin: 0px;padding: 0px\" \/>14. CAN I CRASH HERE?<br style=\"margin: 0px;padding: 0px\" \/>15. ME AND MY BUDDIES<br style=\"margin: 0px;padding: 0px\" \/>16. JUST FOR YOUR SEX<br style=\"margin: 0px;padding: 0px\" \/>17. CIVILIZATION<br style=\"margin: 0px;padding: 0px\" \/>18. FUN CITY (single version)<br style=\"margin: 0px;padding: 0px\" \/>19. E.C.4.<br style=\"margin: 0px;padding: 0px\" \/>20. WAIKIKI BEACH REFUGEES (single version)<br style=\"margin: 0px;padding: 0px\" \/>21. BEVERLEY (edited single version)<br style=\"margin: 0px;padding: 0px\" \/>22. NAME DROPPING<br style=\"margin: 0px;padding: 0px\" \/>23. FLY V. FLY<br style=\"margin: 0px;padding: 0px\" \/>24. ADRIAN (DON\u2019T CALL ME JIMMY)<br style=\"margin: 0px;padding: 0px\" \/>25. I\u2019LL SURVIVE<br style=\"margin: 0px;padding: 0px\" \/>26. LIVING IN THE STICKS (first demo version)<\/div>\n<div style=\"background-color: white;color: #555555;font-family: Lato;font-size: 16px;line-height: 1.6;margin-bottom: 1.43rem;padding: 0px\">\n1-12 The album Waikiki Beach Refugees, EMI EMC 3249,<br style=\"margin: 0px;padding: 0px\" \/>released October 1978<br style=\"margin: 0px;padding: 0px\" \/>13-14, 17 Single, EMI 2747, released January 1978<br style=\"margin: 0px;padding: 0px\" \/>15-16 From the EP Bunch Of Five, Zama ZA 10, released<br style=\"margin: 0px;padding: 0px\" \/>December 1977<br style=\"margin: 0px;padding: 0px\" \/>18-19 Single, EMI 2795, released May 1978<br style=\"margin: 0px;padding: 0px\" \/>20 Single, EMI 2867, released October 1978<br style=\"margin: 0px;padding: 0px\" \/>21 Single, EMI 2907, released January 1979<br style=\"margin: 0px;padding: 0px\" \/>22-23 Single, EMI 2936, released April 1979<br style=\"margin: 0px;padding: 0px\" \/>24-26 Previously unreleased<\/div>\n<div style=\"background-color: white;color: #555555;font-family: Lato;font-size: 16px;line-height: 1.6;margin-bottom: 1.43rem;padding: 0px\">\n<strong style=\"margin: 0px;padding: 0px\">DISC TWO<\/strong><\/div>\n<div style=\"background-color: white;color: #555555;font-family: Lato;font-size: 16px;line-height: 1.6;margin-bottom: 1.43rem;padding: 0px\">\n1. LET\u2019S DRIVE<br style=\"margin: 0px;padding: 0px\" \/>2. ENERGY BOY<br style=\"margin: 0px;padding: 0px\" \/>3. FASCINATE ME<br style=\"margin: 0px;padding: 0px\" \/>4. TALKING TO THE WALL<br style=\"margin: 0px;padding: 0px\" \/>5. 16 DOWN<br style=\"margin: 0px;padding: 0px\" \/>6. FORTUNES<br style=\"margin: 0px;padding: 0px\" \/>7. NIGHT CREATURES<br style=\"margin: 0px;padding: 0px\" \/>8. WHEN 2 AND 5 MAKE 9<br style=\"margin: 0px;padding: 0px\" \/>9. UNDERCOVER AGENT ZERO<br style=\"margin: 0px;padding: 0px\" \/>10. CHEAP DAYS<br style=\"margin: 0px;padding: 0px\" \/>11. WALKING THE STREETS<br style=\"margin: 0px;padding: 0px\" \/>12. THROUGH THE WINDSCREEN<br style=\"margin: 0px;padding: 0px\" \/>13. FREEZING<br style=\"margin: 0px;padding: 0px\" \/>14. FRENZY IS 23<br style=\"margin: 0px;padding: 0px\" \/>15. WE ARE THE LUCKY ONES<br style=\"margin: 0px;padding: 0px\" \/>16. LIVING IN THE STICKS<br style=\"margin: 0px;padding: 0px\" \/>17. NIGHT CREATURES (single version)<br style=\"margin: 0px;padding: 0px\" \/>18. LOIS LANE<br style=\"margin: 0px;padding: 0px\" \/>19. TODAY BELONGS TO ME<br style=\"margin: 0px;padding: 0px\" \/>20. WHAT WILL MOTHER SAY?<br style=\"margin: 0px;padding: 0px\" \/>21. UNDERCOVER AGENT ZERO (single version)<br style=\"margin: 0px;padding: 0px\" \/>22. COME ON STUPID<br style=\"margin: 0px;padding: 0px\" \/>23. PROGRAM<br style=\"margin: 0px;padding: 0px\" \/>24. DOWN YOUR END OF THE PHONE<br style=\"margin: 0px;padding: 0px\" \/>25. HANG ON<br style=\"margin: 0px;padding: 0px\" \/>26. I SAY<br style=\"margin: 0px;padding: 0px\" \/>27. LIVING IN THE STICKS (second demo version)<\/div>\n<div style=\"background-color: white;color: #555555;font-family: Lato;font-size: 16px;line-height: 1.6;margin-bottom: 1.43rem;padding: 0px\">\n1-14 The album Own, EMI EMC 3316, released<br style=\"margin: 0px;padding: 0px\" \/>October 1979<br style=\"margin: 0px;padding: 0px\" \/>15-16 Single, EMI 2979, released July 1979<br style=\"margin: 0px;padding: 0px\" \/>17-19 From the EP Four From The Square,<br style=\"margin: 0px;padding: 0px\" \/>Parlophone R 6030, released February 1980<br style=\"margin: 0px;padding: 0px\" \/>20-21 Single, Parlophone R 6036, released May 1980<br style=\"margin: 0px;padding: 0px\" \/>22-27 Previously unreleased<\/div>\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Flys \u2013 Coventry Pioneers by Pete Clemons Get the album here https:\/\/www.cherryred.co.uk\/product\/the-flys-today-belongs-to-me-the-complete-recordings-1977-1980-2cd\/ The four piece Flys burst onto the power pop and new wave battlefield during mid 1977. The boom in Power Pop and New Wave followed the Punk &hellip; <a href=\"https:\/\/www.artsrainbow.com\/coventrygigs\/2019\/12\/15\/the-flys-coventry-pioneers\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/posts\/210"}],"collection":[{"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/comments?post=210"}],"version-history":[{"count":0,"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/posts\/210\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/media?parent=210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/categories?post=210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/tags?post=210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}