{"id":283,"date":"2018-06-27T13:13:00","date_gmt":"2018-06-27T12:13:00","guid":{"rendered":"https:\/\/www.artsrainbow.com\/coventrygigs\/2018\/06\/27\/elvis-costello-blenheim-palace\/"},"modified":"2018-06-27T13:13:00","modified_gmt":"2018-06-27T12:13:00","slug":"elvis-costello-blenheim-palace","status":"publish","type":"post","link":"https:\/\/www.artsrainbow.com\/coventrygigs\/2018\/06\/27\/elvis-costello-blenheim-palace\/","title":{"rendered":"Elvis Costello \u2013 Blenheim Palace"},"content":{"rendered":"<div style=\"text-align: center\">\n<span style=\"font-size: x-large\"><b>Elvis Costello \u2013 Blenheim Palace<\/b><\/span><\/div>\n<div style=\"text-align: center\">\n<span style=\"font-size: x-large\"><b><br \/><\/b><\/span><\/div>\n<div style=\"text-align: center\">\n<span><b><span style=\"font-size: large\">by Pete Clemons<\/span><\/b><\/span><\/div>\n<div style=\"text-align: center\">\n<span><b><span style=\"font-size: large\"><br \/><\/span><\/b><\/span><\/div>\n<div style=\"clear: both;text-align: center\">\n<a href=\"https:\/\/3.bp.blogspot.com\/-YIeNvOgvWd0\/WzOKFVP9csI\/AAAAAAAAGak\/7AFaGoPNC7U3gnK9Suxsj2P3CUyGmoz-ACLcBGAs\/s1600\/Elvis%2B1.jpg\" style=\"margin-left: 1em;margin-right: 1em\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"768\" data-original-width=\"1365\" height=\"360\" src=\"https:\/\/3.bp.blogspot.com\/-YIeNvOgvWd0\/WzOKFVP9csI\/AAAAAAAAGak\/7AFaGoPNC7U3gnK9Suxsj2P3CUyGmoz-ACLcBGAs\/s640\/Elvis%2B1.jpg\" width=\"640\" \/><\/a><\/div>\n<div style=\"text-align: center\">\n<span><b><span style=\"font-size: large\"><br \/><\/span><\/b><\/span><\/div>\n<p><span><br \/>On an overcast but, thankfully, rain free summers evening, set within the majestic surroundings of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Blenheim_Palace\">Blenheim Palace<\/a>, Elvis Costello and his band The Imposters recently performed a diverse yet career defining selection of songs confirming his status as the main attraction of a series of events billed as the Nocturne Festival. <\/p>\n<p>The stage they played upon had been constructed within the courtyard of this Oxfordshire country retreat. The positioning for the audience seating was arranged in such a way that you are surrounded, on three sides by the grandest of eighteenth century architecture, and on the fourth, to your left, by lush rolling fields, lakes and trees as far as the eye could see. <\/p>\n<p>The event began with a solid performance\u2019s firstly from Nick Lowe and then a band I admit to being unfamiliar with, The Waterboys. Given the nature of the gig and some of the songs played it passed my mind that Dave Edmunds may have been waiting in the wings for some kind of guest appearance. But my thoughts were, as suspected, fanciful and more in hope than expectation. <\/p>\n<p>Soon after 9pm, and without any hesitancy, the band meandered onto the stage and went straight into \u2018Wonder Woman\u2019 recorded from his period with Allen Toussaint. This was followed by songs that included \u2018Girls Talk\u2019 and \u2018Radio Radio\u2019 and a reworked \u2018Tears Before Bedtime\u2019. Clearly, Elvis was very comfortable to be in the familiar company of Steve Nieve on a whole range of keyboards, Pete Thomas on drums and Davey Faragher on bass. <\/p>\n<p>At one point, in between songs, Elvis mentioned that it had been very nice to be invited to perform in such a grand venue. He had had his toenails painted and had taken an afternoon nap in one of the four posters. He also pointed out that this would be the nearest he would ever get to playing at the palace. I assumed he meant the other one, 65 miles southeast. <\/p>\n<p>The middle section of the gig was where Elvis played more stripped back and less frenetic tunes. Songs getting this treatment included \u2018Watching the Detectives\u2019, \u2018You Shouldn\u2019t Look at me That Way\u2019, \u2018(I Don\u2019t Want to Go to) Chelsea\u2019, \u2018Every day I Write the Book\u2019, \u2018Pump it Up\u2019 and the ever wonderful \u2018Alison\u2019 where he was joined by backing singers Kitten Kuroi and Briana Lee. <\/p>\n<p>Not that I am guessing Elvis would have noticed, but during this time, the audience were also being treated to the most wonderful of sunsets where the sky was almost red in colour. <\/p>\n<p>Gradually the band began to re-join Elvis on stage. Firstly Steve Nieve accompanied him on another re-worked classic \u2018Accidents Will Happen\u2019. By the time we had got into \u2018Waiting for the End of the World\u2019 and the finale of \u2018(What\u2019s So Funny \u2018bout) Love, Peace and Understanding\u2019, a song that Nick Lowe had also performed earlier, the full contingent had reappeared. <\/p>\n<p>Overall the whole evening felt of one of contentment. There was not quite the fire, that had once been, when a lot of these songs were written. But then Elvis Costello is approaching his mid-60\u2019s so why would there be. Let\u2019s celebrate his achievements. <\/p>\n<p>That said though, there was more than a certain irony, I guess, in hearing songs like, the ever thought provoking \u2018Shipbuilding\u2019 and \u2018Oliver\u2019s Army\u2019, being played at this impressive venue which had once been frequented by Sir Winston Churchill.<\/span><\/p>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div style=\"clear: both;text-align: center\">\n<\/div>\n<div>\n<span><br \/><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Elvis Costello \u2013 Blenheim Palace by Pete Clemons On an overcast but, thankfully, rain free summers evening, set within the majestic surroundings of Blenheim Palace, Elvis Costello and his band The Imposters recently performed a diverse yet career defining selection &hellip; <a href=\"https:\/\/www.artsrainbow.com\/coventrygigs\/2018\/06\/27\/elvis-costello-blenheim-palace\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/posts\/283"}],"collection":[{"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/comments?post=283"}],"version-history":[{"count":0,"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/posts\/283\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/media?parent=283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/categories?post=283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/coventrygigs\/wp-json\/wp\/v2\/tags?post=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}