{"id":45,"date":"2012-11-29T13:59:00","date_gmt":"2012-11-29T13:59:00","guid":{"rendered":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/2012\/11\/29\/ebenezer-elliott-and-george-markham-tweddell\/"},"modified":"2012-11-29T13:59:00","modified_gmt":"2012-11-29T13:59:00","slug":"ebenezer-elliott-and-george-markham-tweddell","status":"publish","type":"post","link":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/2012\/11\/29\/ebenezer-elliott-and-george-markham-tweddell\/","title":{"rendered":"Ebenezer Elliott and George Markham Tweddell"},"content":{"rendered":"
\n<\/div>\n

Paul Tweddell<\/b> wrote ( in a bio of George Markham Tweddell)<\/b> and in response to Tony Nicholson’<\/b>s research into ‘Cultural Encounters’ research –<\/span>
\n
<\/span>
\nNetwork of  Interlinking Northern Radical Thinkers and Poets.<\/span><\/b><\/p>\n\n\n\n\n
<\/span><\/a><\/td>\n<\/tr>\n
Ebenezer Elliott<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

” It is likely that research into Victorian intellectual activity in Yorkshire and the North East would find Tweddell\u2019s life and work serving as a paradigm for its study. Tweddell’s work in North Yorkshire and South County Durham, for example, is part of a network of interlinking clusters of radical thinkers (or men sympathetic to their ideology) and interested in literature. Tweddell could be a candidate for Cleveland\u2019s representative; William Andrews<\/b> in Hull, Ebenezer Elliott<\/b> in South Yorkshire, James Montgomery in West Yorkshire, John Critchley Prince<\/b> and Charles Swain<\/b> over the Pennines in North East Cheshire and South East Lancashire (respectively), William Hall Burnett<\/b> in Blackburn; all of whom could be shown to know each other. Nor would it be surprising to find one in Newcastle upon Tyne, perhaps Joseph Cowan<\/b> (1831-1901), the local newspaper owner and radical M.P. who harassed Gladstone<\/b> about the unsatisfactory agreement between his administration and politically-aware working-class men toward the end of the 19th century.<\/i>“<\/span>
\n
<\/span>
\nOne of these ‘cultural encounters<\/i>‘ involved Ebenezer Elliott <\/b>– variously known as the Corn Law Rhymer, the Poet of the People or The Rabble’s Poet.<\/i><\/span>
\n
<\/i>
\nWho Was Ebenezer Elliott?<\/b><\/span>
\n
<\/b>
\nAccording to the Ebenezer Elliott<\/b> website<\/span><\/p>\n

\n<\/span><\/a><\/div>\n

” Ebenezer Elliott was born at Masbrough, Rotherham (UK) in 1781. Early on, he developed an interest in nature & poetry. While working in a Masbrough iron foundry, he started to get the odd poem published & began a long correspondence with Robert Southey, the eminent poet. In politics & religion, he was a non-conformist who hated injustice & had an interest in the condition of the working man & poor people in general. After going bankrupt in Rotherham, he moved to Sheffield where he did well as an iron & steel merchant. The greatest interest of Elliott’s life was in bringing attention to the Corn Laws & getting them repealed. His fierce indignation against the Bread Tax (as he called the Corn Laws) inspired his “Corn Law Rhymes” which made him nationally & internationally famous after their publication in 1831. He died in 1849 & was buried at Darfield Churchyard in the Barnsley area.<\/i>” Read more and some of Ebenezer Elliott’s poems here – http:\/\/www.judandk.force9.co.uk\/elly.htm<\/b><\/a> <\/span><\/span>
\n(An excellent and informative site!).<\/span>
\n
<\/span>
\nThis poem by Ebenezer Elliott<\/b> sums up in his own words, the spirit of the man –<\/span>
\n
<\/span>
\n
<\/span>
\nThe Poet’s Epitaph<\/span><\/b>
\n
<\/span>
\nStop, Mortal! Here thy brother lies,<\/span>
\nThe Poet of the Poor.<\/span>
\nHis books were rivers, woods and skies,<\/span>
\nThe meadow and the moor,<\/span>
\nHis teachers were the torn hearts’ wail,<\/span>
\nThe tyrant, and the slave,<\/span>
\nThe street, the factory, the jail,<\/span>
\nThe palace – and the grave!<\/span>
\nThe meanest thing, earth’s feeblest worm,<\/span>
\nHe fear’d to scorn or hate;<\/span>
\nAnd honour’d in a peasant’s form<\/span>
\nThe equal of the great.<\/span>
\n
<\/span>
\nBut if he loved the rich who make<\/span>
\nThe poor man’s little more,<\/span>
\nIll could he praise the rich who take<\/span>
\nFrom plunder’d labour’s store.<\/span>
\nA hand to do, a head to plan,<\/span>
\nA heart to feel and dare –<\/span>
\nTell man’s worst foes, here lies the man<\/span>
\nWho drew them as they are…………………………………………….<\/span>
\n
<\/span>
\nFollowing a conversation with Labour historian – Professor Malcolm Chase<\/b> of Leeds University, Paul Tweddell<\/b> became more aware of his ancestors radical work as a Stokesley Chartist and contributor to the Chartist Newspaper Northern Star<\/i>. In relation to this Paul referred me to the Ebenezer Elliott website. Elliott was also a contributor to the paper and I felt sure they must have at least been aware of each other’s work even in they didn’t know each other. When I communicated this to Paul and Malcolm we soon established that not only was there a mutual awareness but there had been both a poetic and letter exchange between the two. Paul searched his Tweddell data base and sent the following poem by Tweddell in response to one by Elliott – (Although both radical poets, both had a love of nature –<\/span>
\n
<\/span>
\nThe Bramble (Rubus Vulgaris)<\/span><\/b>
\n
<\/b>
\nBrave Elliot loved “thy satin-threaded flowers,”<\/span>
\nDear Bramble! All who appreciate those things<\/span>
\nOf beauty which Nature as largess flings<\/span>
\nSo freely over valleys, plains, and moors,<\/span>
\nMust share the Corn Law Rhymer’s healthy love.<\/span>
\nAnd who in Autumn does not like to taste<\/span>
\nThy pleasant Dewberries? There is no waste<\/span>
\nThroughout the universe; for all things move<\/span>
\nIn strict obedience to the unchanging laws<\/span>
\nWisely laid down by Him who cannot err;<\/span>
\nAnd He alone is His true worshipper<\/span>
\nWho studies to obey them. The Great First Cause<\/span>
\nAdorns our very brakes with fruit and flowers,\u2013<\/span>
\nAs if to teach us all that happiness may be ours.<\/span><\/p>\n

\n
<\/span>
\nGeorge Markham Tweddell<\/span><\/b>
\n
<\/span>
\n
<\/span>
\nHere is the relevant poem from Ebenezer Elliot:<\/span><\/div>\n
\n
<\/span>
\nTo the Bramble Flower<\/span><\/b>
\nThy fruit full-well the schoolboy knows,<\/span>
\nWild bramble of the brake!<\/span>
\nSo, put thou forth thy small white rose:<\/span>
\nI love it for its sake.<\/span>
\nThough woodbines flaunt and roses glow<\/span>
\nO\u2019er all the fragrant bowers,<\/span>
\nThou needst not be ashamed to show<\/span>
\nThy satin-threaded flowers;<\/span>
\nFor dull the eye, the heart is dull,<\/span>
\nThat cannot feel how fair,<\/span>
\nAmid all beauty beautiful,<\/span>
\nThy tender blossoms are!<\/span>
\nHow delicate thy gauzy frill!<\/span>
\nHow rich thy branchy stem!<\/span>
\nHow soft thy voice, when woods are still,<\/span>
\nAnd thou sing’st hymns to them;<\/span>
\nWhile silent showers are falling slow<\/span>
\nAnd, ‘mid the general hush,<\/span>
\nA sweet air lifts the little bough,<\/span>
\nLone whispering through the bush!<\/span>
\nThe primrose to the grave is gone;<\/span>
\nThe hawthorn flower is dead;<\/span>
\nThe violet by the moss’d grey stone<\/span>
\nHath laid her weary head;<\/span>
\nBut thou, wild bramble! back dost bring,<\/span>
\nIn all their beauteous power,<\/span>
\nThe fresh green days of life’s fair spring,<\/span>
\nAnd boyhood’s blossomy hour.<\/span>
\nScorn’d bramble of the brake! once more<\/span>
\nThou bid’st me be a boy,<\/span>
\nTo gad with thee the woodlands o’er,<\/span>
\nIn freedom and in joy.<\/span><\/div>\n
\n
<\/span><\/div>\n
\n………………………………………<\/span><\/div>\n
\n
<\/span><\/div>\n
\nEbenezer Elliott<\/b> was also well acquainted with the area Tweddell was born in and loved so well – Cleveland – and Roseberry Topping<\/b> (the landmark conical hill on the edge of the North Yorkshire Moors). <\/span><\/div>\n
\n
<\/span><\/div>\n
\nThis is from Ebenezer’s poem on Roseberry Topping <\/b> quoted by John Walker Ord<\/b> in his History of Cleveland (1846)<\/i><\/span><\/div>\n
\n<\/span><\/a><\/div>\n
\n
<\/span><\/i><\/div>\n
\n“When Cook, a sailor’s boy, with aching eye,<\/i><\/span><\/div>\n
\nGazed from the deep and oft-climbed Roseberry;<\/span><\/i><\/div>\n
\nWhile trembling as she listened to the blast,<\/span><\/i><\/div>\n
\nThe anxious parent sea-ward wishes cast,<\/span><\/i><\/div>\n
\nAnd fervent prayer was mute, but not surpressed<\/span><\/i><\/div>\n
\nThough love was resignation in her breasts.<\/span><\/i><\/div>\n
\nWhy did thou not\u2014thou happiest name of joy\u2014<\/span><\/i><\/div>\n
\nBid her cheered spirit see that that deathless boy<\/span><\/i><\/div>\n
\nBear round the globe Britannia’s flag unfurled,<\/span><\/i><\/div>\n
\nAnd from the abyss unknown call forth a world.<\/i>\u201d<\/span><\/div>\n
\n………………………………………………..<\/span><\/div>\n
\n
<\/span><\/div>\n
\nI did think that a relevant comparison between the poetry of George Markham Tweddell would be between him and Ebenezer Elliott given the shared perspective and interests. Malcolm Chase agreed and offered some interesting observations –<\/span><\/div>\n
\n
<\/span><\/div>\n

\u201cI think Trevor\u2019s right, Ebenezer Elliot is the point of reference against whom GMT should probably be read – rather than the better known chartist poet Ernest Jones who wrote in a more obviously Gothic style. Another point of reference – again replete with classical allusions and similarly very deferential to Shakespeare – is the Chartist Thomas Cooper, whose epic poem Purgatory of Suicides (1846) circulated very widely. There is a very sophisticated but readable LitCrit of chartist poetry by Anne Janowitz, Lyric and Labour in the Romantic Tradition (Cambridge University Press, 1998). But she never notices Tweddell!<\/i>\u201d<\/span><\/p>\n

\n
<\/span><\/div>\n
\n……………………………<\/span><\/div>\n
\n
<\/span><\/div>\n
\nSoon the links between Tweddell and Elliott multiplied. They were there all along in references in his books and in Horsfall’s essay on Tweddell on another post on here.<\/span><\/div>\n
\n
<\/span><\/div>\n
\nI contacted the Ebenezer Elliott site and in an exchange between Keith Morris who runs the site and Paul Tweddell and I, it was revealed that Tweddell had written to Elliott in 1844 by which time he had started Tweddell’s Yorkshire Miscellany and wanted to include some of Elliott’s work in the magazine. Elliott obviously held Tweddell in high regard but was doubtful about the possible success of Tweddell’s new literary project in the light of how such magazines had fared before. Keith has since set up a page on the Elliott site for the letters and poems between the two and you can read them here on the page George Tweddell and the Rabble’s Poet<\/b> http:\/\/www.judandk.force9.co.uk\/Tweddell.html<\/span><\/a><\/b><\/span><\/div>\n
\n
<\/span><\/div>\n
\nOn the above page you can also read three further poems by Tweddell in honour of Elliott after he died in 1849 – with a note which reads –<\/span><\/div>\n
\n
<\/span><\/div>\n

“Sonnets 1 & 2, first published December 15th 1849, were written on hearing of the Death of my esteemed Literary Correspondent, who I was to have visited in his “Den,” as he humorously called his retired abode at Hargitt Hill<\/i>.”<\/span>
\n
<\/span><\/p>\n

\n<\/span><\/a><\/div>\n

Whitby Playwright, poet, Chartist John Watkins<\/b> married daughter and wrote a biography of Elliott which is available free on line here<\/span> http:\/\/openlibrary.org\/books\/OL23312977M\/Life_poetry_and_letters_of_Ebenezer_Elliott_the_Corn-law_rhymer)<\/b><\/span><\/a><\/span><\/p>\n

\n
<\/span><\/div>\n
\n
\n
<\/span><\/div>\n
\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Paul Tweddell wrote ( in a bio of George Markham Tweddell) and in response to Tony Nicholson’s research into ‘Cultural Encounters’ research – Network of  Interlinking Northern Radical Thinkers and Poets. Ebenezer Elliott ” It is likely that research into Victorian intellectual activity in Yorkshire and the North East would find Tweddell\u2019s life and work serving […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/wp-json\/wp\/v2\/posts\/45"}],"collection":[{"href":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":0,"href":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/wp-json\/wp\/v2\/posts\/45\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/wp-json\/wp\/v2\/media?parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/wp-json\/wp\/v2\/categories?post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsrainbow.com\/georgemarkhamtweddell\/wp-json\/wp\/v2\/tags?post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}