ACORN

 ACORN


BAND INDEX

ACORN C1970 Heavy Rock


Source – Hobo (Coventry Music and Arts Magazine)

Drummer Jim Pryal recalls


Jim Pryal

I lent the kit to Ted Duggan,(another great Coventry drummer) on one occasion as he had almost the exact same kit. His band Acorn did a great version of  Cream’s ‘Toad’ and I think  Ted wanted to have the double kit that was just being made popular by Ginger Baker and Keith Moon. at the time.  He was playing with guitarist brother John in ‘Acorn’ at the time and Dek McConkey on bass I think. For a while they had Maggie Hall as a Go Go dancer. Good ol’ Maggie. She’s in Australia now. She was Phil Street’s girlfriend for a long time).


NEW INFORMATION FROM IAIN MacDonald

Acorn – Ted Duggan / John Duggan / Dek McConkey / Iain MacDonald

Acorn were previously known as Purple Haze and The New Fanatics and a few other names. Later, in 1970, they changed the name again to Rogation Sunday and then Liberation. Soon they would become part of Drops of Brandy.


ACADEMY MORTICIANS

 

ACADEMY MORTICIANS


ACADEMY MORTICIANS
c1995
Punk / Progressive
Simon Mastrantone – guitar and vocals Dan McKee – bass and vocals
Steve White – drums Tom Wise – guitar
4 Releases –
Forbidden Curriculum
Shadow Permanence
Consumerism is a STD
What Happened
Academy of Morticians on My Space (now deleted)
Tracks – What Are You Doing / There Must be More Than This To Life / Our Friends (RIP) / Local Neighbourhood Capitalist / Profitganda / What Happened / Acceptable / Junk Food News / Welcome to England (TM) / Playing for Air (Live) / 
Pete Chambers tells us in Godiva Rocks –
The band are from Balsall Common in Cov. Derived from the covers band Sovereign, they went on to become Who Killed Culture 3 then Dongle and finally Academy Of Mortcians.”
From Wikipedia (Now deleted)
” This band were key players in the late 90’s UK punk rock scene. During their 6 year career the Academy Morticians released two full length albums and two EP’s. 
Early years
Formed in 1997, the Academy Morticians played their first few gigs in their school canteen at nights they promoted themselves. Inspired by DIY punk bands from the USA such as The Dead Kennedys and Bad Religion, they self financed and released their first EP “The Forbidden Curriculum” in 1998. The limited run of 50 copies sold out quickly with notably, one copy going to horror author Stephen King and another ending up in the hands of Dead Kennedys frontman Jello Biafra which would come in useful at a later date. The EP was recorded across three sessions with Mckee and Mastrantone doing the bulk of the performing. Drummer Christian Rot played drums on three of the tracks with Mastrantone playing drums on the rest. Encouraged by favourable press from the UK underground, the band recorded their first album “Shallow Permanence” in summer of 1998, this time sharing the release between their own imprint Cursed, and small independent Welsh label Smokin’ Troll. With a title borrowed from the poem No More Hiroshimas by James Kirkup, the album was 14 tracks long and recorded in three days. Due to a last minute walk out by Rot, Mastrantone was forced to play drums and once more the bulk of the musicianship was done by Mastrantone and Mckee. One notable addition to the line up was Tim Cadman who guested on the track “Malleable”; Cadman would later join the band on second guitar.
The album was released in 1999 and it was at this stage that the band began its bond with the influential fanzine Fracture, who reviewed Shallow Permanence with the words “a band this country would not be the same without.” Both musically innovative with its blending of influences and lyrically ambitious with its interlinking songs themes, the album is considered by most fans to be their most consistent and entertaining. It was also well received by the UK underground press.

“ACADEMY MORTICIANS, THE – Description: One of the hardest working bands, this spritely Jello Biafra recommended lot play politically charged punk/indie with plenty of melody and quirks. Latest release details: A 7” on CRACKLE! Records called “Consumerism is an std” for $5 ppd from Crackle Records, PO Box 7, Otley, LS21 1YB, UK or direct in the USA from pshaw, PO Box 2246, Minneapolis, MN 55402-0246, USA or mutant pop, 5010 NW Shasta, Corvallis, OR, 97330, USA Also from those addresses the Crackle Records 29 track CD sampler featuring an exclusive A.M. track for a stupidly cheap $7 or lower. Also a 14 song album for $11 (cash only) direct from them (see address) Address: 86 Kelsey Lane, Balsall Common, Coventry, CV7 7GT, UK. Web: /TheAcademyMorticians.htm Email: profitganda@hotmail.com “
And from http://www.angelfire.com/punk4/brypunkrock/fuckoffanddie.html An Interview (Extracts – for the full and long interview follow the above link in which he talks about the politics) – 
” Academy Morticians are actually a pretty new band to me – I read about them in the hallowed pages of Suspect Device in either 2001 or 2002 I think, and got the Consumerism Is An STD 7″ . I thought since it was on Crackle, it would be punk-pop and nothing more, though obviously I was aware of the political message, that’s why I got the thing! I was taken aback a bit, and not since the days when I listened to Chokeword, Active Minds, the Clash and Crass non-stop did I feel a need to be an active anti-capitalist, or anarcho. I was going to write to them, intending an interview for F.O.D. 2, but then I saw that they were in Fracture, so I ignored it for a while. Then DaN, singer and bassist, left a message on my guestbook and asked why I claimed to interview AM, on this very page, when I hadn’t! So I thought up some insanely-worded questions and DaN answered promptly. Thanks to DaN and AM!
Bry: What is the current line-up of the band? How long has it been together? How many records have you got out? Is everything OK between you and Simon now, so there’ll be no more hiatuses?
Dan: Things between me and Simon are fine nowadays, in fact we’re meeting up at the anti-war march in London this weekend and he’s staying with me in Cardiff the next week to see my improvisational comedy group perform. We basically had a lot of unresolved issues from our growing up together that have now been resolved after a brief but brutal band break-up and so now we’re back, bigger and better than before.
The band has been together (save for the aforementioned break-up for a year) since 1995 with a variety of line-ups that centred around Simon and me and nowadays we have our best, or “classic” line-up of myself on bass and vocals as per usual, Simon on guitar and vocals also as per usual, and on guitar, Tom Wise, and drums, Steve White.
We first released a self-released ep called “The Forbidden Curriculum” of a very limited run of 70 back at school in about ’96 or something, but such luminaries to own one include Jello Biafra and Stephen King! Then we recorded a full length album called “Shallow Permanence” in about ’98-’99 that was released by Smokin’ Troll. Next we had the 7” on Crackle!, “Consumerism is an STD” in 2000, the joke there was supposed to be that it’s a Socially Transmitted Disease, but few people bothered to read that gem of wit inside the actual inlay so no one got it!
Then we went on to record the album What Happened? which has just come out now in 2003 on Iron Man and my own label, Who Killed Culture? Records. We started recording it in late 2000 but this CD was the most cursed release ever, from sky-high recording bills to evil record labels screwing us around and lying to us repeatedly, it took fucking two and a half years to finally get it out there (hence the title!). To set the scene of how cursed the release of this record was, you should know that the 2000 Bush “election” happened at the same time we were first finishing the recording and I am convinced that the two tragedies are related in some clusterfucked karmic way!
OK, not really, but now it is finally out, I’m really fucking proud of it for lasting the ride and still sounding as kick-ass as it did when we started on it!Bry: Obviously you’re an intelligent punk-pop (I know, it’s a shit description, but you don’t sound like Discharge or anything…so it’s the best one I can come up with at this moment in time!) band – do you see that there is a distinct lack of political or sensible punk-pop bands? Dan: Yes, I really do. We have got a lot of heat in punk rock circles for not conforming to expectations and playing poppier punk rock with melodies and four part harmonies, yet singing about serious issues. I really respect Crackle! Records for taking a chance on us back in 2000 with our ep because often pop-punk fans find us too political or some such bullshit, even though they like our music.
Saying that, it’s not that I think all bands should be serious and political etc, and I love bubblegum pop-punk about girls/boys and beer as much as the next man (and I don’t even drink!). I have a side project with Paul Raggity called The Whining Maggots and we do Screeching Weasel/Ramonesy pop-punk about love, life etc…no politics at all really and it’s a lot of fun.
What I hate is stupid closed-mindedness so that you have to sing about a certain thing if you sing a certain kind of music. I want more political pop-punk bands and more bubblegum crust bands!
We just write the music we like and sing the songs we want to sing about. Simon and I are deeply involved in political thought (I’m doing a fucking degree in politics and philosophy!) so that’s what we sing about…but we love good, tuneful music too, so we write what we write!
It’s not like we’re even always political! “Never” on the EP wasn’t political, nor was “Rebekah” or “Detta To Beth” on Shallow Permanence? Just like how my other band, Bullet of Diplomacy (which is Academy Morticians without Simon) has a love song called “Intangible Entities Don’t Leave Explanations” on our demo. We just write what comes to us, and when you’re socially aware in the world today a lot of that is going to be political unless you have your head in the sand, but we’re not going to limit ourselves to people’s small circles of expectation and their preconceptions of what a band who sound like we do should sing about!
Our debut EP, “We Are The Rascal Multitude” should be released by now. I run the label because no one has the balls to put out our stuff(Decline Records would!!! – Bry). The AM album is £7.50 and the B.O.D EP is £5, all prices are post-paid. Send orders (cheques payable to Dan McKee) care of 86 Kelsey Lane, Balsall Common, Coventry, CV7 7GT, UK. If you want to get in touch, my e-mail is whokilledculture@yahoo.co.uk and the band website is http://www.geocities.com/whokilledculture/1.html Cheers for the interview, Bry!

From their My Space – 
” Academy Morticians.. oh what to say. Quirky, inventive, ahead of their time, unique, geddy lee(??)… What do other people reckon… “Wow! And I mean that in the fullest sense of the word, in that I’m pleasantly surprised at the quirky sound of the Academy Morticians. Imagine a disturbed young kid growing up with parents that constantly play Queen & Dead Kennedys records all the time and you might understand what he sounds like. The tracks ‘Welcome To England’ and ‘It’s Not a Small World’ actually demonstrate this pretty well with bizarre melodies that include Bad Religion/ Queen style vocal harmonies with that DK punk rock backbone which makes you realise this is no ordinary band… Probably one of the quirkiest punk bands in the UK right now so definitely worth seeing live if you get the chance. ” – Drowned in Sound “It could so easily be alienating, yet like their forebears the razorblades are wrapped up in sweet candy: three-part harmonies, dive-bombing guitars and hailstorm drumming combining to vigorous effect. The production run of their DIY debut EP stretched to a mere seventy copies, yet both Jello Biafra and Stephen King have copies, which is a recommendation only a halfwit could ignore.” – LOGO magazine “A band this country would not be the same without” -FRACTURE

When Flowers Grow Fangs – Academy Morticians

Never / Capitalism Sucks – Academy Morticians

ACADEMY MORTICIANS – PROFITGANDA (LIVE!) July 4th, 2009

3 AM

 

3 AM


3AM 
c 1966 – 67  (Sources Broadgate Gnome / Jim Pryal)
Blues rock
Line up: Derek Wilson (guitar, vocals), Nicky Hawkswell (bass), Jimi Longworth (drums).
Formed in 1966 as heavy/progressive blues band with Cream / Mayall / Beck influence.
The group are strongly opposed to the current soul music trend‘ said manager Rodney Joyce in early 1967.
Wilson left February 1967 replaced by Joe Beale. They were augmented by Tim James on vocals and harmonica. Eventually they moved to London and split in late 1967.
Wilson later formed Ning.
From drummer Jim Pryal
” I left home about 1969 and moved into a flat in Whitley village with a local guitar hero of the time, ‘Beck’ who’s real name was Derek Wilson. He had played in ‘3 am blues’  band with Nicky Hawkswell on bass and Rodney Joyce on congas.  Living in that flat was a life changing experience for me.  Nicky visited the flat and had a Fender bass guitar he’d painted lime green with Wooleys gloss paint and burned the word ‘F**K’ upside down into  the wood. He was an amphetamine addict  from Keresley village and I don’t what happened to him in the end. He seemed like an exciting guy to know at the time. “


Bung

Bung

Photo of Bung by Lin Goodwin – I think this is at Studio 51 in Spon End, Coventry with Bill Keller in the forefront.


BAND INDEX

Paul Sampson – Guitar. Bill Keller – Bass. Dave Budd (saxophone) Gary Kirton (drums)

Jazz-rock. “Guitarist Paul Sampson used a drum stick against the strings to make ethereal noises. Paul Sampson Joined Ens.” Rex Brough

Bung, Live at the Walsgrave, Coventry 1977 Part 1 from Coventry Music Scene on Vimeo.

Bung, Live at the Walsgrave, Coventry 1977 Part 1 from Coventry Music Scene on Vimeo.


Bung – Part 2 Live at the Walsgrave, Coventry 1977 from Coventry Music Scene on Vimeo.

 




 Memories from Bill Keller (From Rex Brough site)

“I was the bass guitarist in Bung. Paul Sampson and I were mates at primary school, and went on to form a number of bands in Coventry in the 1970s and (very early) eighties. Along with Clive Layton (absolutely fantastic keyboard player –his father Archie Layton was a well known pianist and composer in Coventry) we performed as Temple (very prog-rock). Later, I formed Bung as a Jazz-Rock combo with Dave Budd (saxophone), Paul Sampson (guitar) and Gary Kirton (drums). Later line-ups involved an alternative sax player called Ed (can’t remember his surname), and Amanda Pask on flute. We played regularly at the Lady Godiva (the Dive) and the City Centre pub (alas, no more).

I really stopped playing in bands around 1980, around the time Paul got involved with Ens (great mates of ours) and I went off to pursue other things at University. However, I did do a few things before ‘retiring’ completely. So, you might note that I was the bass player on the earliest of the commercial Reluctant Stereotypes singles (i.e. not ‘The Lull’, but on ‘She has changed not you/etc.’). I recorded on both the A and B side of the single, along with Paul, Steve Edgson and Paul Brook (brilliant drummer, much missed) at the former Horizon studios in Coventry (no longer there, sad to say). My bass playing survives only on the B-side of the single, however; the bass line for the A-side was re-recorded by the Stereotype’s incoming bass player (but he took my line!). Around this time, I also played a one-off gig in Coventry with the outfit that became the Jazz Rock group Pzazz. That was great fun, but of course their eventual bass player really was brilliant!”

Memories from Dave Gilbert (Again from from Rex Brough site)

“I was a big fan of Bung at the time, (still am). I was at college with Paul Sampson. I remember Bill played an old Burns Jazz Bass, quite valuable even then. I must have seen them over 20 times. They were all absolutely stunning musicians, Bill not playing anymore is a tragedy. They did an instrumental “Flight of the Waterboatman in 21/8”, Thats the time signature! Try counting it out, god knows how they did it! I’ve got a tape of them playing at The Walsgrave pub, late ’77 i think, (maybe’78?). Vocals are poor, but the rest is stunning! Paul wrote the set-list out for me, which i’ve still got, “Boatman” is on it too! Cheers, Dave”

Photos from Lyn Goodwin



Photo of Bill keller – Lin Goodwin.

Dave Budd by Lin Goodwin

Dave Budd by Lin Goodwin



Bron Area

Bron Area

BAND INDEX

BRON AREA

Line up


Steve Parker
– Electric piano / Vocals

Martin Packwood – Vocals / Bass /Keyboards (Went on to Martyn Bate’s band Cry Acetylene Angel)


 Help from: Steven Bialik: Saxophone. Christopher Dunne: Drums.

They are featured on the Eyeless in Gaza website – here http://www.eyelessingaza.com/bron.html

Bron Area: a short biography from Glass Records (included with their LP).



Full Album 



Bron Area
started life as a duo March 1979, emerging from an embryo of musicians in Nuneaton. Martin Packwood and Steven Parker had been involved in a number of these before meeting a wider and more competent group of musicians. Notably among these was Peter Becker who supported and encouraged them in the early stages of Bron Area. With the reorganization of The Reluctant Stereotypes, resulting in the departure of Martyn Bates and Chris Dunne (later to drum on all later Bron Area records) the former arrived at a Bron gig to be introduced to Peter and thus Eyeless In Gaza came into being. Ambivalent Scale Recordings was later established and saw the release of Bron Area’s One Year cassette album and Fragile Sentences Ep as well as Eyeless In Gaza’s Kodak Ghosts Run Amok Ep and Kevin Harrison’s On Earth 2 cassette (later released as a Cherry Red album [remixed]). As Eyeless moved on to greater glory via their deal with Cherry Red Records, the momentum of Nuneaton’s music scene diminished, Bron Area subdued their efforts somewhat until David Barker of Glass Records, having heard 2 songs from the Alternative Sounds fanzines compilation tape Facet 1 asked them to appear on his Wonderful World of Glass Vol. 1 Lp at the end of 1981. So impressed was Mr. Barker that on the strength of a recent demo tape Bron Area were signed to Glass at the beginning of 1982. The first vinyl was a 12” Ep entitled ‘Different Phrases’ released in March ’82 and later released as a 7” on Posh Boy Records in the USA. Now, after the best Above Review from Alternative Sounds part of 1982 being spent in the recording studio Bron Area’s first album is ready. The album is The Trees and the Villages – a title which suggests the sentiments of their present music. Although not quite as described in Stringent Measures fanzine “a modern day country music … with a little organic additive” it does through different means seek to fulfil the same role as that music. Martin Packwood: “The album doesn’t take risks, but I really don’t see how any music could claim to do so. The only thing you risk in being avant garde is that no one is going to buy the record and listen to what you have to offer. People take risks in their lives – in their decisions, their lifestyles and so on – not when they listen to a record.”

Discography (From Eyeless in Gaza Website – above)

One Year (ASR 003, 1980, C45)

Part One: You’d be Amazed/The Long Dream/Unknown Friends/1977/Yes She Knows/Love Song/Images

Part Two: Sunday Morning/Walking/You’d be Amazed*/Swarm/The Car/1945*/Calling Michael/Genette*/Green Avenue/“Jazz”/Where is She Now?


Some songs included in part two are from our days as a duo. These have been reworked into the present set with a (*)

Steven Parker: Voice, Keyboards. Alain Royer: Guitar, Voice. Martin Packwood: Bass, Voice.
Recorded live and with Kevin Harrison. Vocal on ‘Calling Michael’ by Isabelle. Saxophone (you’ll be lucky) by Dave. Commentry on ‘Where is She Now?’ by John.

Bron Area began in March 1979 as a duo playing songs at small gigs mostly to friends. Steven had been playing piano for 4 years and sang in a punk band Addix through ’77. Martin had played ‘My Way’ to drunks in social clubs on the organ for some time, and played punk R&B band Radiation One before joining Bron Area. The music from those days as a duo are summarised in part one.

Since then their music has become somewhat more agressive, and they have acquired a guitarist, Alain. He played in several bands in France until he moved to Brighton and was a founder member of The Squares. He then moved to Coventry and joined Bron Area after a jam. The music of this period is catalogued in part two.

Fragile Sentences (ASR 012, 1981, Ep 7”)

Fragile Sentences – Green Avenue/The Unfortunate Reply/System

Steven Parker: Vocals, Keyboards, Recorder. Martin Packwood: Bass, Vocals, Recorder.

Recorded at Woodbine Street in Nov/Dec 1980. Produced by Bron Area and John Rivers.

Different Phrases (Glass 012, 1982, 12”)

Different Phrases/You Would be Amazed/Dancing

Martin Packwood: Vocals, Bass, Keyboards. Steven Parker: Vocals, Keyboards.

Help from: Steven Bialik: Saxophone. Christopher Dunne: Drums.

Trees and Villages recently available from Kevin Harrison’s Marz Imprints (although Marz site seems to be down at the moment). Possibly available here on http://mutant-sounds.blogspot.com/2007/01/bron-area-trees-and-villages-lpuk-1983.html


The Trees and the Villages (Glalp 5, 1983, Lp)

Les Arbes/Love Stories/As Midday Screams/This Year/Dancing/Sometimes in Water …/Caught then Drowned Affection/Elegy to Innocence/Secret Places/In Victory/Separate Rooms

Martin Packwood, Steven Parker with help from: Chris Dunne: Drums. Steve Biolik: Saxophone, Liz Seal [Martyn Bates’ wife]: Voice. John A Rivers and Jonathan dee: Studio.

Compilations

Facet 1 ( ?, 1981, C?/Magazine)

Drift Away/Fragile Sentences

The Wonderful World of Glass Volume One (Glass 010, 1981, Lp)

You Would be Amazed



Below from Alternative Sounds

Broken Dolls

 Broken Dolls


BAND INDEX


From Wiki

Broken Dolls are from Coventry.

They signed a five-album deal with Southern Fried Records in 2004, and toured extensively playing such events and shows as Get Loaded in the Park, Glastonbury, Hyde Park (O2 festival), Radio One Big weekend/ Live Lounge, NME awards, Radio 1, Radio 2 and 6Music.

The band was also featured on the E! True Hollywood Story of Kate Moss, and featured their song, “Here We Go,” in reference of Moss’ drug problem.

Their first album was produced by Jim Abbiss (Arctic Monkeys, Kasabian, Editors) and Jagz Kooner (Primal Scream, Infadels).

“Here We Go,” was also featured on the Test Drive Unlimited soundtrack.

Their album Broken Dolls was released on 23 July 2007, to rapturous reviews and excellent support from top national radio DJs.

They have starred as mentalists in a video for their “Here We Go” song, which was published on YouTube in November 2007.

” Frontman Neil Lole and guitarist Jay Langdell, ever-influenced by the psychedelic blues of Zeppelin and the urgent rock and roll of The Sex Pistols, played in numerous local bands and flirted with success. It wasn’t, however, until the late 90’s that they met. After sharing tales of late night boozing, smiley faces and cold sweaty mornings they decided to get back to their roots and play in a band once again. Jay called me so many times I thought he either wanted to fuck me or I owed him money.” Says Neil. Fast forward. Long nights and days spent in dingy basements, smoky blues parties and liquor sodden after hours clubs give rise to ‘Rock and Roll’ a three minute celebration of excess and a worthy addition to the pantheon of Midlands born anthems. Well-crafted guitar-driven songs, fused with breaks and synths, tussle with soaring vocals performed with that cheeky punk rock sensibility. Broken Dolls have endured a rollercoaster of a ride over the past 4 years with many highlights such as playing Glasto and some not-so-highlights such as losing band members/friends along the way. The end result is, however, the way Broken Dolls had always envisaged and with an album produced by Jim Abiss (Arctic Monkeys) and Jagz Kooner (Infidels) in the bag they are a kickass rock band ready to get those fists pumping airborne again. Broken Dolls are: Neil Lole-Vocals Jason Langdell-Guitar Chris Pemberton-Keyboard Vas Stylianos-Bass Ash Hancox-Drums “Broken Dolls are the best band since sliced bread and I’ve met Sting.” David-South Wales ..”

Broken Dolls – Stronger

Broken Dolls – Shot to the Head

Broken Dolls:”Here We Go” Promo Video: Directed By Jon Pratt
Rock and Roll

Godiva Festival interview 2008

The Brethren

The Brethren

THE BRETHREN circa 1965 Beat group.


 


Line up: Ian Elson (guitar), Simon Aston (bass), Howard Smith (Vocals), Paul Hughes (Drums) and Edward Tudor (Ted) Crum ( Vocals and mouth organ). 

Originally “The Exclusive Brethren”. Ian went on to join The Heart of England Folk Group in 1968, a popular folk group based in Leamington. Ted Crum joined Sneaks Noise

Source – Broadgate Gnome

Breaker

 Breaker


Breaker was Horace Panter’s Soul / club band before the Specials. 

Line up of Breaker
Margo Buchanan – vocal, Gordon Reaney – guitar, Geoff Conway – drums, Horace Panter – bass.


A little bit of the history and lead up taken from his book Ska’d for Life and from the Hobo Magazine archives.


Horace was born in Croydon in 1953 and brought up in Kettering. His first band, c 1970 was “Mobius or Mobius Strip after the MC Escher called the Mobius Strip. Horace did “vocal and bass duties”. They played live 6 times and Horace’s own words “we were awful”.

He landed a place at Coventry’s Lanchester Polytechnic studying Fine Art in October 1972. Geoff Conway was his first musical contact in his 2nd year 73 – 74 – he was Social Secretary and a drummer. One of the first year recruits was Jerry Dammers, born in India in 1955, his father was a clergy man. Together with Bob Carter and Roy Butterfield (who had played lead in the early version of Indian Summer and later wrote songs with Tom Robinson, they formed a band called Alive and Smilin’ – short lived though.

In June 1973, I, Trev Teasdel and John Bargent (who ran Rougestar Music Promotions and Disco), set up Hobo Coventry Music and Arts Magazine. We received an advert from Horace in the August. It appeared in the February .1974 issue. 

Funding for Hobo was difficult with printing costs rising rapidly, so Horace had already found a band by then as his follow up letter indicates.



He doesn’t mention the name of the band in the letter but i assume it was Alive and Smilin’. I sent some possibilities for local gigs.


Breaker began in 1975 when Horace finished his degree. He and Geoff Conway remained when Alive and Smilin’ split up and Horace met Margo Buchanan and her boyfriend Gordon Reaney. Margo had done vocals with Alive and Smilin’ latterly and both her and Gordon had been in a band from Matlock in Derbyshire called SMACK back in 1973 and they moved to Coventry for the music scene and signed up with Craig ward’s Sunshine Music agency in Gulson Road Coventry. Olllie Oliver aka Doc Mustard and Nick Trevisthick complete the line up. The original band back in Matlock was called Pug Ma Ho.

Horace says of Breaker, in his book Ska’d For Life.”The plan was to form a band that was versatile enough to play funky / soul stuff in discos but had a ‘standard’ repertoire to do Working Men’s Clubs. The band was to be called Breaker which had an American CB kind of vibe…We emptied dance floors all over the country. We couldn’t possibly compete with the new funk 12-inch releases that the DJ’s were playing..Working Men’s Clubs were another universe completely. Three half hour spots in between several games of bingo. No fast tunes until the end, please. One time we got sent packing because people got up and danced when they weren;t supposed to, Newcastle, Sunderland and Middlesbrough. “And tonight, ladies and Gentlemen, all the way from…where are you from again?..The Breaker Showgroup!’

In retrospect, Breaker was on a hiding to nothing from the start, but I wanted to play, and if anything good came from my stay in the band, it was that I learnt to be comfortable on stage.

Breaker had a Monday night residency at the Smithfield Arms in Coventry, in 1976 and it was there Jerry Dammers came to see them and asked Horace to work on some songs he had written and eventually to join the Coventry Automatics who became The Special AKA.

Horace Panter

Craig Ward of Coventry’s Sunshine Music Agency, Gulson Road Coventry, wrote a history of the band SMACK featuring Gordon Reaney and Margo Buchanan later of Breaker.



The BOYS BLUE

The BOYS BLUE

The BOYS BLUE
circa 1964-5 R&B / Beat group


This site explains some of the confusion between this band The Boys Blue and The Sorrows.

The Sorrows had a UK hit in 1965 with Take a Heart but another Coventry Band The Boys Blue covered this Miki Dallon song before the Sorrows and also You Got What I want – another Dallon song. 45 Cat site says “The Boys Blue – Biography


Jeff Elroy (vocals)
Michael Holloway (guitar)
Tony Hart (bass)
Paul Colletto (drums)

Although The Boys Blue were the first group to record Miki Dallon’s “You Got What I Want” and “Take a Heart“, with both tracks later recorded by The Sorrows, The Boys Blue had no connection to The Sorrows as has sometimes been suggested. 

Coventry band The Boys Blue were formed in 1964 by vocalist Jeff Elroy. Bass player Tony Hart knew a guitarist, Michael Holloway who knew a drummer, Paul Colletto with this quartet becoming The Boys Blue. Singer Jeff Elroy was friends with budding songwriter Miki Dallon, resulting in the group recording two of his compositions for their lone single with Miki also producing the two tracks. 

The Boys Blue backed Miki Dallon during his own vocal sessions on at least six occasions. The Boys Blue also appeared on Thank Your Lucky Stars in June 1965 with The Rolling Stones, The Kinks and Lulu. A scheduled tour in 1965 with Chuck Berry with The Boys Blue as a support act was cancelled at the last minute, resulting in their having to give back all the new equipment they had just received. The group disbanded soon after in 1965.

Lead singer, Jeff Elroy recorded a single “Honey Machine” released in November 1966 credited to Jeff Elroy and Boys Blue. However, bassist Tony Hart claims the original Boys Blue split in 1965 and the band backing Jeff Elroy in 1966 may have been a new group.”

And

It was the only single by the Boys Blue, although their singer, Jeff Elroy, did a single in 1966 for Philips that was credited to Jeff Elroy and the Boys Blue. Both tracks have been reissued on a number of British Invasion obscurity compilations. ~ Richie Unterberger, Rovi

Take a Heart – The Boys Blue

The Boys Blue – You Got What I Want

Jeff Elroy And Boys Blue – Honey Machine