CATS GRAVE
Neol Davies (Later of Selecter) (guitar), Mick Gawthorpe (Also of Whistler and
guest with Asgard) (Sax) and others.
CATS GRAVE
THE CATARACTS
Bass player Stuart Colman in his later band The Beat Preachers.
THE
CATARACTS c 1963 – Stuart Coleman (bass), Geoff Parsons (guitar), Graham
Rolaston (drums). The Beat Preachers 1964 formed out of The Cataracts and The
Boothill 6 – Source Broadgate Gnome
Ian
Crawford adds –
When the
Beat Preachers moved on with Stuart Coleman his old band, The Cataracts,
comprising Roger Meakin – Guit / vocals, Mick Pearson – Guitar, Johnny Armitage –
drums and Colin ? -bass played Woolpack Beat Club and other venues in the Rugby
area. We were all AEI apprentices & contemporaries of Stuart Coleman
c.1963-64
They played
many local gigs including Nuneaton’s Co-op Hall.
Article
on Stuart Colman by Pete Clemons Here http://coventrygigs.blogspot.co.uk/2014/01/stuart-colman-cataracts-beat-preacher.html
CAROL AND
THE ELECTRONS
circa
1964-5 Source – Broadgate Gnome / Pete Chambers Godiva Rocked to a Backbeat.
Beat group
Line up:
Carol Saunders (vocals), Brian Whittle (guitar) (Later with Eyes of Blue),
Allan Johnson, Barry Meek, Mick Peters.
Won 1964
‘Big Beat Contest’. Manager was Don Peters.
Formed at
school in the early 60s as The Electrons with addition of girl vocalist Carol
Saunders became Carol and the Electrons. Demoed for Tony Hatch at Pye. Played at lot on the Leicester club Scene built a huge fan base there. Carol sand at
the Hen Lane Club prior to the band and it was their first gig around 1963.
Barry Meek
The Cardinals
circa 1964 (Source Broadgate Gnome) Beat group
Line up: Terry Anders (female vocals), Dick Morden (lead guitar), Gil Bowden (rhythm guitar), Keir Godwin (bass), Dick Cosman (drums).
‘Springfields-ish’ beat group (according to Midland Beat) who came 4th in ‘Sound Of ’64’ contest at the Cavern club in Liverpool in July 1964, with song Handful Of Hearts .
Cosman previously played with Tommy Steele .
Cardinal
Nigel Clark (guitar/vocals). (Maybe spelt Clarke – not sure). Duo from Harbury / Southam c 1969 / 72. Acoustic duo.
Trev
Teasdel’s recollections –
Played various types of venue including folk clubs, St Osburg’s,. Coventry Arts
Umbrella club for the HUMPOESIC HAPPENING July 12th 1972, which I organised.
Not to be
confused with The Cardinals operating in Coventry in 1964
Nigel was
from Harbury / Southam near Coventry. I first met him in a non musical setting at the Coventry Butts Tech College in 1967 / 8 – both apprentice electricians. Nigel
was apprenticed to the Electricity board and I to DF Gibbs (next to the General
Wolf pub). We were both on a day release course.
We became mates through music – Nigel played guitar, Simon and Garfunkel and I wrote
song lyrics. Nigel had an interest in Psychology and in the lunch hour we’d go to the collage library and he’d get me to take out psychology books which I thought would be good for my writing. RD Laing, The Forgotten language Erich Fromm (An Introduction to the Understanding of Dreams, Fairy Tales, and Myths), Psychology of Thinking, Fundamentals of Psychology and I started to buy a psychology magazine and wrote two songs from the case studies The Ups and Downs in the Life of Mr Toil and Strife which Nigel put to music later on and performed as far as I know at their gigs at St.Osberg’s. The other was Mrs Stress and Strain – video below.
Erich Fromm was useful as an introduction to symbolism and Paul Simon’s songs of the time were depictions of social forms of alienation.
Nigel left the Electricity Board and came to DF Gibbs as a TV engineer in 1969. Here he introduced
he lent me Dylan and Beatles songbooks to encourage my lyric writing,
In 1972, I bumped into Nigel again at the Lanch Polytech gigs and invited him to do a gig with Cardinal at the Coventry Arts Umbrella Club.
No idea what Nigel went on to do musically as we lost touch.
Below is
one of the songs Nigel put music too back in 1968 (although I never heard him
play it.). Maybe influenced by Paul Simon’s Big Bright green Pleasure Machine a
bit.
THE UPS AND
DOWNS IN THE LIFE OF MR TOIL AND STRIFE (Trev Teasdel 1968)
He’s
sittin’ on his posterior, feeling
he’s inferior
with a sudden
burst of hysteria, he acts
upon an impulse.
Chorus
One day
he’s up and around
Next day
you’ll find he’s fallen down.
He cannot
keep his feet on the ground.
The Ups and
Downs in the life of Mr Toil and Strife
The Ups and
Downs in the life of Mr Toil and Strife
He’s
sittin’ on the railings, contemplating
his failings,
Unable to
reach compromises
with the
problems that he so despises.
To him his
virtues are inconspicuous
He feels he
is ridiculous
The grass
is greener over yonder
Of that he
likes to ponder.
(Chorus)
On
occasions his gusto tends to ascend
but on many
things that does depend
Company and
success
inspire him
more than words can express.
The figures of authority are the
root of his inferiority
His hurt he
tries to hide as they
tread upon his pride.
An endless
life of labour
An
unsociable next door neighbour
A life of
little variety, A life
that’s full of anxiety.
……………
A follow on
song from this in Mrs Stress and Strain 1969 (re written in the mid 70’s)
The Candy Thieves
From Creation Records
Wil: “I formed Bubblegum Flesh (their first band) as an English student at the University of Warwick back in 1988, I think. I sang and played guitar, Pete played bass. Pete then went on to form the Candy Thieves without me, this time with him on guitar and vocals. When they sacked their bassist shortly after, I was drafted in.” 1
Pete: “The Candy Thieves, which I had formed in 1988 with my friend Wayne Peters on guitar, when we were on a Film Studies course together at Warwick University.” 1
Wil: “We wrote a number of songs during this period, which went on to appear on Adorable singles including Homeboy and I’ll Be Your Saint. Candy Thieves became Adorable and Robert became guitarist.” 2
Their first and only single released on a flexi-disc was a version of Homeboy later recorded as Adorable.
Pete: “I can still remember the day we wrote it. Wil started playing the bass line, and Kevin joined in on the floor tom. I sang a whole load of lines culled from other discarded songs, Wayne picked some notes, and then when it felt right I stepped on my distortion pedal to make it start feeding back, Kevin sensed it was time to move onto the snare and we all crashed in – it was beautiful.”
Dubotion
The Dubotion collective consisted in various shapes & forms of; Darren Wood, Simon Herbert, Martin Watts and John Docker.
A collection of recordings made during the mid 1990s by Coventry’s ambient dubsters
credits released October 1, 2011
John Docker below
This Was …. DUBOTION by Dubotion
In the early 90’s Dubotion were supported by The IS at the Colin Campbell in Coventry which was John Docker’s brother’s band – albeit a Cornish reggae band but Al Docker himself was a Coventry lad and active on the Coventry Music scene in the early 1970’s both in various bands and at the Coventry Arts Umbrella Club as an gig organiser. here’s a track Starfish by the IS.
The Duck Thieves
Website https://www.duckthieves.co.uk/?fbclid=IwAR2xNIuNjv0xxeBnOw4UkM_xnLhCXodYc2XCYuijtwqD8rwbMmK8SlcS0IU
Facebook https://www.facebook.com/duckthieves/
“The Duck Thieves supported The Specials on their triumphal return playing Coventry Cathedral ruins, and they warmed up the crowd very nicely with their brand of funky alternative dance, prank-rock, and downright groovy tunes. I was impressed enough to track down their latest release: Dance Like A Duck Thief.
DUB JAM
FORCE
Dub / Punk / Reggae
Find them on Reverbnation
http://www.reverbnation.com/artist/song_details/603482#!/dubjamforce
More tracks including King of the World
Since: 2006
Members:
George Goode…Drums/Percussion/ Backing vocals Fred Waight Guitar/ Vocals Tim Healey Bass/ backing vocals ..nk dubber – Fred Weight says the band came out of his involvement with Criminal Class in the late 70’s early 80’s.
From My Space Bio
” DUB JAM FORCE are Coventry Punks & Skins since est 1976 ….. Reggae comes in many forms, Ska, bluebeat; Roots, rock ,ragga and then we have DUB.JAM.FORCES’reggae a relentless brutal take on the gene. In your face you ? you bet and they wouldn’t have any other way. The band themselves (that’s Fred “PUNKDUBBER” Waight -LEAD GUITAR and VOCALS; and Tom Harris LEAD GUITAR BACKING VOCALS; George “LEAFS” Goode- DRUMS ) Tommy Sedated BASS GUITAR describe their sounds as; “like 4 NATTY DREAD PUNKROCKERS ……………………………………………………………….”DUBBER ..SAY . : INTO PUNK REGGAE THE LIKES OF THE GREAT “BIG YOUTH ,THE CLASH,THE RUTS REGGAE SOUND SYSTEMS. BEING ENGLISH AND FROM WORKING CLASS STOCK YOU CAN UNDERSTAND THAT THIS MUSIC IS IN ME,I HAVE LOVE REGGAE FROM THE AGE OF 14 YRS. THEN CAME PUNK SO I HAD TO BE IN A BAND. LEARNED MYSELF GUITAR FORMED CRIMINAL CLASS U.K .OI PUNK BAND “BLOOD OF THE STREETS” CD YOU CAN HEAR THE REGGAE IN THAT CD THEN IT ALL WENT MENTAL SO HAD TO LEAVE ,BUT STILL HAD THIS SOUND IN MY HEAD .SO 1990 STARTED “DUB.JAM.FORCE” TOOK THE PUNK WITH ME AND ADDED IT TO THE REGGAE PLAYED WITH THIS BAND FOR 19 RS. NEVER MAKING ANY MONEY OR FAME BUT WHO WANTS IT ANYWAY!” IT ALL ABOUT THE MUSIC WHATS IN ME HEAD THANK YOU FOR TAKING THE TIME TO HAVE A LOOK ATB FRED……..NATTY DREAD PUNK ROCKER Fred Waight – Dub Jam Force.. .. .. .. .. ….”
Tracks on My Space were
Blood on the Streets / Happiness / Police Call 7 Red mix / This is a Coventry Song / Begging Hat (Song for the Condems) / Heathen Bones /
Judas –
Hole
DS Band
Late 70’s Coventry band – I don’t know the full line up except
Steve Harrison – (2nd from left in photo) Drums (Formerly with The Mick Green Blues Band and later with L’homme de Terre
Martin Slater – in the white jacket on photo.