European Sun

 

European
Sun


BAND INDEX


Sources –
Rex Brough – Pete Chambers

 

Line up – Chrissie
Pew
– Vocals  
Rod Goodwin
– Bass / Vocals  
John Beaufoy

 

Single
Answer Me – Iguana Records 1983 (Iguana was 
part of the Horizon Studios Group)

 

Memories
from Chrissie Pew (from Rex Brough)

 “I
sang with Flackoff after Claire Ellis left the band, and stayed with the band
until it’s demise, Rod Goodwin and myself 
formed
‘European Sun’. This line up stayed together for nearly eight years. 
I am
finding it difficult to find anything on the net. about ‘European Sun’ 
; which is
strange, as we where very well known in local band circles, and 
we also had
an indie deal”

 From Pete
Chambers – Godiva Rocks

 
European Sun came out of the remains of Leamington Spa Band Flack Off. Rod was
a kingpin on the Leamington scene and had been organising concerts in the area
and generally shouting at people to halt the apathy and do something about the
lack of gigs- Chrissie was dark and sultry and had a great rock voice European
Sun was a more sedate affair than Flack Off. At one point they looked like they
were on the verge of a big success, but when Ron Goodwin left in 1985, their
founder member and driving force had left”

 From
Ministry of Beaver site – Ron Goodwin

 “Rod
is an established and well-known bassist in the area and played bass with the
band for several 
years
before discovering the sport of running. He has very kindly offered to fill the
bass player’s shoes until a suitable full-time bass player can be found. He is
a bit of a local legend, having played in the bands Flackoff and European Sun
in his earlier days as a bass player. He has an annoying (but great) habit of
not picking up a bass for several months and then coming along to rehearsals
when depping for the band and playing songs faultlessly. When not playing bass
or running, Rod runs a P.A. hire company, TGS PA Hire.”

 An established and well-known bassist in the
area and played bass with the band for several years before discovering the
sport of running. He has very kindly offered to fill the bass player’s shoes until
a suitable full-time bass player can be found. He is a bit of a local legend,
having played in the bands Flackoff and European Sun in his earlier days as a
bass player. He has an annoying (but great) habit of not picking up a bass for
several months and then coming along to rehearsals when depping for the band
and playing songs faultlessly. When not playing bass or running, Rod runs a
P.A. hire company, TGS PA Hire.

 

 

 

Ens

Ens

BAND INDEX

Source Rex Brough


ENS came out of Analog and Bung  and became The Reluctant Stereotypes after Peter Boswell passed away.

Peter Bosworth – Guitar. Steve Haddon – Paul Sampson – Guitar  

Johan – Drums Paul Brook – Drums  Chris Dunne – Drums 
Mick Hartley – Bass Steve Edgson – Clarinet

Memories from Steve Haddon (Via Rex Brough)

“Ens was formed by Pete Bosworth (guitar – brilliant John McLaughlin look/sound-alike) and myself (Steve Haddon). The original bass player didn’t turn up for our first gig (at The Golden Cross) so he was ditched – can’t even remember his name! Our first drummer was a young guy called Johan (can’t remember surname) who also played the working men’s clubs in a drums/keyboards duo. Johan’s other commitments made it difficult for us to fit in gigs, so he was replaced by Paul Brook. Paul came to our first audition but was still playing in another Coventry band (Analog) along with Steve Edgson & Mick Hartley, so despite him being brilliant, he couldn’t join initially because of this commitment. When Paul Brook joined, we also gained Mick Hartley (Bass) and Steve Edgson (Clarinet) – actually Steve Edgson may have joined before the other two! Paul Brook still found it difficult to give us 100% of his time and, eventually, this led to us replacing him with Chris Dunne – our 3rd brilliant drummer in a row.”

“Pete Bosworth eventually decided to leave to set up a recording studio and move into production. Sadly, not long after, he collapsed whilst playing 5-a-side football and (still in his mid-twenties) died of a heart-attack.”

“In the meantime, we had recruited Paul Sampson (ex-Bung). However, Pete Bosworth had made a huge contribution to Ens and it really wasn’t the same without him – so the name was changed to the Reluctant Stereotypes.”




EMF (Coventry Ska Band 1980)

 EMF (Coventry Ska Band 1980)

(EMF stands for Elctro-Motive-Force)

Front Cover of their 1981 RCA single – Photo by John Coles.

This Coventry b and from the very early 80’s are not to be confused with the alternative dance band who had a hit with Unbelievable in the 1990’s!

BAND INDEX

EMF was a
Ska band created c 1979 by Tony (Mojo Morgan) in Coventry.

Ska with elements of blues, Jazz and punk.

Line Up

Donna
Elkington
, vocals. 
Sharon
Elkington,
vocals. 
Jim Allen,
sax and vocals.

Tony (Mojo) Morgan, bass. Fitzroy
Wilson
rhythm guitar, Leroy
Wright
, drums.

Dave
Gordon
, lead guitar.

Tony Mojo Morgan is now vocalist with his current outfit The Hoochie Coochie Blues Band in south wales.

The band were finalists in the Battle of the Bands 1981 and their CND inspired track Ante

Tony Mojo Morgan bass


bellum  was f
eatured on the RCA Battle of the Bands album. Teesside band Carl Green and the Scene won the competition.year. 

The track was the A side of the RCA single

A side Ante Bellum ( Anti-Bellum = to be opposed to war) B side One Way Girl both written by EMF.


















PHOTOS FOR THE COVER OF THE SINGLE TAKEN BY TWO TONE PHOTOGRAPHER JOHN COLES.


Cuttings below from Coventry Telegraph

Sharon and Donna Elkington went on to do backing vocals for Isabelle Antena Mediterranean Songs. Check them out here

 




John Peel liked the single see here https://peel.fandom.com/wiki/E.M.F.
The site mentions Peel singled out E.M.F. as being the “best by some distance” on the Battle of the Bands LP, featured mostly “tedious” bands. He remarked that the track was “a bit 1980, but jolly enough

There are several threads to the story of how the band came together in 1980 – I will try to bring the two stories together here.

Trev Teasdel recalls – I’d known Tony Mojo Morgan from the City of Coventry Boarding School, Cleobury Mortimer in the mid 60’s and in the early 70’s re-met him at the Coventry Arts Umbrella Club. He was playing bass in a three piece band The Mick Green Blues Band. The drummer, Steve Harrison asked me for some lyrics for the band and Tony had put music to one of them when the band split up.

Fast forward to 1980 I once again bumped into Tony Morgan outside the Dog and Trumpet in Coventry – The Specials and Selecter had broken through and Tony told me he was putting together a new band called EMF (Electro Motive Force). Tony was a blues man but said he intended that EMF would be a ska band but with blues bass lines.

He had some musicians lined up including Jim Allen on sax who had played with Tony in the past and through musician Amos Anderson (a relation of Charley Anderson of the Selecter) had recruited the other musicians but not the two female singers Donna and Sharon Elkington.

Tony invited me back to his flat in Hillfields to talk about me writing a couple of songs for the band, which i did – With Someone Nice Like You (rough demo and lyric below) and Saturday Night with the lyric set in the Dog and Trumpet cellar involving a drunken brawl – at a time when there was racial tensions and cities were becoming violent. I remember had ska style verses and a 12 bar bridge to fit in with Tony’s concept of using blues bass lines.

After writing the songs, Tony told me that Elkington sisters had joined the band and had their own material – I met them all down the Dog and Trumpet.

Donna and Sharon had been busy writing songs and trying to form a band themselves and had advertised in the Coventry Telegraph. Tony had seen the advert and contacted them.

In the Coventry Telegraph the narrative goes that Donna and Sharon started everything off but putting the ad in the paper but according Tony and my own memory, there were two parallel and independent developments which came together when Tony responded to the girls advert.

20 year old Sharon Elkington of Woodshires Road, according to the article, wrote songs about her own and her friends experiences.  Apart for the two sides of the single, her songs included Don’t Push me, Black Girl, White Boy, Cheesed Off. Things that were happening at the time like Anorexia.

Although my songs didn’t get in, EMF were a lesser known but great Ska band. I used to go to their gigs at the Dog and Trumpet and a regular gig in Tile Hill and mostly was the frist one up dancing trying to encourage others to join in.

By 1981, I had moved to Teesside to do a degree and found the Battle of the Bands album with EMF’s Ante bellum on in WH Smiths in Middlesbrough. Teesside band Carl Green and the Scene had one but EMF had a single out – not a hit but nonetheless a single on RCA.

Tony Mojo Morgan recalls “EMF supported The Specials, Bad Manners, The Beat, and the Bodysnatchers. I was doing a lot of blues riffs in the band on bass. We played all over the country, and just had a great time. 

With EMF. I just wanted to do something different! I had just met Amos Anderson who knew Fitzroy Wilson – rhythm guitarist and Fitzroy knew Leroy Wright – drums.I alredy knew Jim Allen (Sax) and I think Dave Gordon – lead guitarist heard what we were doing and just turned up. The first practice we had all together was in Hillfields in one of the flats! and it just came together like that. It just jelled straight away!

After a while we got under Oak Agency from Birmingham, and then the gigs started rollin in, playing all over the country in collages and then we started supporting all the Two Tone acts which was a great buzz!


I can’t remember how we got into Battle of the Bands in 1981 but we had to go to The Odeon in Birmingham for the first heat with all the Area bands, and we came first. RCA put us up in London to go in the studio to do a single which went on to a compilation album for the best of Battle of the bands, and was given a trophy of Battle of the bands. There was a lot of bickering in the band by then, and you don’t need that in a band, so then i put an advert in the shop to start another band, Yea! A blues band! I left my own band and started The Travelling Riverside Blues Band with John Alderson. EMF got hold of another bass player and did the final battle of the bands. After 2½ years I had itchy feet anyway to get back to my blues roots. 
……

Trev Teasdel’s early song for EMF before Donna and Sharon joined the band.


For interest this is the acoustic cassette demo of one of the songs I wrote for EMF before the girls joined the band. You can listen to it on bandcamp. The demo was pub lished by Broadgate Gnome’s Gnome Label in 2007 on Trev Teasdel’s CD Songs From the Coventry Underground consisting of 17 of his writing demos.


WITH SOMEONE NICE LIKE YOU

©Trev Teasdel 1980 Coventry.

I torture myself, with pent up fears,

I brood a lot, I brew tea for one

I ask myself “How come”,

How come I just can’t face the pots.

I tie myself right up in knots,

Chorus

And I long to spend my time

And I long to spend my time

Yes I long to spend my time

With someone nice like you.

I smashed a cup, washing up.

I burnt the toast, I missed the post.

I ask myself “Whyfore”

Whyfore I haven’t fixed the drafty door.

I’m frozen right through to the core.

Chorus

And I long to spend my time

And I long to spend my time

Yes I long to spend my time

With someone nice like you.

Oh the nights are cold.

Oh the nights are long.

All I do, it comes out wrong.

I wash my clothes but still they pong.

How come I just can’t get it right?

Sadness got me in his long-range sights,

To chorus..

Bridge

When I see a lover by your side,

I turn my love lights low.

Take my part in a melancholy show.

Oh I just don’t know

Don’t know how to show that I just don’t care,

When my feeling set fire to my hair.


 

 





ELI

 

ELI


ELI

circa 1973 Source Hobo

Mick Green (guitar/vocals) (of Mick Green’s Blues Band), Johnny Adams (guitar/vocals), Simon Lovegrove (drums), Ant Callaghan (vocals) Tony (Mojo) Morgan – bass

Eli changed name to Raine Chantree (not sure of spelling!) at some stage in this year.

Played the Navigation Inn Feb 1973 – supported by Trev Teasdel & Don’t Talk Wet (with Johnny Adams on lead guitar & Simon Lovegrove on percussion.)

There were several permutations of this band over a short period of time. At one stage, In 1971 they reformed for a brief period as Railroad / later as Raine Chantre (excuse my French as they say). Probably others too. They did a version of the Midnight Special.

Mostly playing blues material, standard and original songs, sometimes with harmonica. They Coventry pub venues such as the Navigation, Hand in Heart.

The EGGY

 

The EGGY

The name Eggy started off as a bit of yoke! The four Coventry pop group members thought it was all white but their manager thought it was eggcellent.

L to r Bill Bates Vocals, from Wyken. Bill Campbell bass, from Stoke. Brothers Roger (guitar) and Nigel Lomas (Drums) from Foleshill decided to lay their faith in the name.

And Eggy are now trying for a lion’s share of the charts with their first record on the Spark label called “You’re Still Mine”

Formed after The Sorrows split in late 1967 by Roger Lomas. Both sides of the single had previously been demoed by the Sorrows .

Bates previously with The Boll Weevils. Bill Campbell later with Coconut Mat c 1970.


Single:

A: You’re Still Mine / B: Hookey (Spark SRL1024 1969)



Picture of Egg poster via Pete Chambers – it can be seen in The Coventry Music Museum.

Tracks found on Compilation CDs – You’re still mine – on “Circus Days Vol 1/2. Rex Brough comments – ‘one of the loudest sounding pop songs I’ve heard. Lots of wah-wah guitar, excellent!’



The End

The End

BAND INDEX


Panic in the Night The End from Sent From Coventry LP 


The End

Source – Rex Brough

Line UpJerome Heisler – Guitar Vocals. Dave Gedney – Guitar Vocals
Bill Gough – Drums replaced by John Hewitt (later drummer with King)

Mark Harold – Bass.  Adrian Vaughn – Keyboards, Guitar
Jerome formed Team 23. Dave formed The Mix, and Bill Gough joined the Swinging Cats.

The page above is from Alternative Sounds

Memories from Jerome Heisler

“Myself and Adrian Vaughn had been at school together since we were about 11 years old. We always played some music together and as time went on this became full bands. By the summer of 77 this band was called the Guests and included John Hobley ( later of Squad and Gods Toys ) on drums. We played here and there, La Chaumiere, Mr Georges and even supported the Buzzcocks at Tiffany’s. John left, and in the autumn of 78 Adie and myself found ourselves on the art course at College of F. E. which is where we met Dave Gedney and formed The End. Mark Harold (from what was previously known as the Dave Gedney Band) played bass and Bill Gough joined on drums, learning the job practically from scratch. This was the definative line up. By the Autumn of 79 Bill and Geduz had left (turbulent times). We stole John Hewitt, drums, (a.k.a Stonki) from Blown Fuze (later with King) and continued as a four piece managing, along with all the other gigs, a support slot with God’s Toys at the Music Machine ( I think there were about seven people there). February 1980 we were at a pretty low ebb (drugs) when Graham Smith (previously of the X-Certs) asked myself, Adrian and John to form a band with him and Dave Pepper. This, under watchful the watchful eye of Dave Chalmers (Mr.C.) friend/manager/sound technician is what became Team 23.” 

ED’s KITCHEN

 

ED’s KITCHEN
Sax John Ryan

BAND INDEX


ED’s KITCHEN


Blues band based in Willenhall. 1990’s?

Line up Sax John Ryan sax. Ed harmonica and vocals/ bone rhythm g

Dave Coyle
lead. Paul Daleman trumpet. Greg Taylor tenor sax. 

Dave Lines alto sax (just passed away so heard)

cant remember others defo blue

Tim James – Says ” Greg Taylor, son of a well known master bricklayer, a trade Greg still carries on today – go look at Coventry Bus Station or the new Canal Basin buildings, all Greg’s work. As a tenor sax player Greg ‘s sound was raunchy and unique. I bumped into him a few years ago at the opening of the Cask & Bottle, encouraged him to start playing again and got him a job with Ed’s Kitchen, a local R&B/Soul Band who were great until their eventual demise. Greg is a genuine lovable nutter and I hope he will keep playing”

Sax John “we`d all practice in the kitchen and get wrecked – i played with them at the Winnall for the reunion”



The Editors

The Editors

BAND INDEX

The Editors c 1979 – 82

Tony White – Guitar. John Bradley – Guitar  Rex Brough – Bass

John Kenzie – Drums

Earlier members were:- Martin Birch – Guitar/Bass. Guy….? – Vocals
This was Rex Brough’s band who is the main source of this entry.

Memories from John Bradley
“….I Remember the 1979 International year of the Child gig at Tiffany’s where they pulled the plug on us and the Battle of the bands gig, downstairs at the Lanch where we played at 2 million miles an hour. Also remember the recording session at Leamington where we produced a very strange sounding tape and turning Tony White’s folks house into a studio for a weekend while they were on holiday. – Long time ago!
Musically, I went on to join a jazz funk band – Nightflight and we had a single out in 84 (Growing up / Out of the game) Did a demo with Tony and Tracy Tracy (The Primitives) (Crystal Carnival) Then played in a Tex mex band (The O’Pablos) as a bit of fun. Still strumming away and currently trying to master Jazz + Flamenco guitar (I’ve got a very long way to go !). I’m now living in Southsea and working for an ISP in Fareham as an electronic messages manager.”
Memories from Tony White
“After I left the Editors I played with L’homme de Terre for a short while. Caron Joyce was the lead singer before she went on to join Dave Ged in the Mix.
After that I played with with Bassist Mark Harold (Ex The End/The Rest) in a Jazz Funk band called Nightflight. Johnny Bradley ex-Editors was lead singer. We did quite a few gigs in Cov and recorded an independent single at Horizon – ‘Growing Up’ on Iguana.
After that John and I formed Crystal Carnival (only 2 gigs but had some Paul Samson-engineered demos played on Radio Mercia) Actually, whats-her-name from the Primitives sang backing vocals with us before she found fame and fortune with the Prims.
In between somewhere, Mark Harold (Bass) and I formed Reflections – a really cheesy (but good) club-band – we needed the dosh. I mention this ‘cos Julie the lead singer went on to sing with Smackee, who I see you’ve mentioned.
Anyway, around 1985 ish – Pauline formed The Supernaturals.
2 years ago I bumped into JK (John Kenzie) the old Editors Drummer and we started to mess about again with a few songs. We drafted in Dave Nicholls on Bass (Ex-Cov band Spider Murphy) and have recorded a CD which at some point I’ll get a copy of to you. We’re still called The Editors (Didn’t want to tarnish any great memories, but couldn’t think of a better name) and the CD is appropriately called Older Not Wiser.”
John Bradley
I was in Cov band’s The Editors (1979-82), Nightflight (83-84) and The O’Pablo’s who used to host the Monday Night club at the Earlsdon cottage. Fave band at the time had to be the Mix with Dave, Rob and Barry. (from http://www.bbc.co.uk/coventry/content/articles/2004/11/05/music_godiva_rocks_feature.shtml

EDGAR BROUGHTON BAND

EDGAR BROUGHTON BAND

BAND INDEX

EDGAR BROUGHTON BAND  circa 1967 – 1976
Edgar Broughton website
Heavy blues based rock
Line up: Edgar Broughton (vocals, guitar), Victor Unitt (guitar), Arthur Grant (bass), Steve Broughton (drums).
Warwick based band, both Broughtons were ex-Tony And The Talons and Original Roadrunners R&B/Blues outfits. This band was formed around 1967 and they based themselves in London in 1968, although retained strong links with Warwick. Unitt left before they signed with Blackhill Enterprises and recorded for Harvest.

They were
frequently to be found at festivals throughout the late ’60’s and early ’70’s,
famously playing through the streets of Warwick on the back of a flatbed truck,
when Warwick District Council wouldn’t let them play in the park.

 Known for
their ‘Out Demons Out’ chant, which they appropriated from The Fugs, the
definitive version of which can be found on the Glastonbury Fayre album.



Albums:

Wasa Wasa (Harvest 1969 SHVL757)

Sing Brother Sing (Harvest 1970 SHVL772)

Edgar Broughton Band (Harvest 1971 SHVL791)

Oora (Harvest 1973 SHVL810


 

The EDDY JAMES SOUND

 

The EDDY JAMES SOUND


Circa 1973
and long before – Source Hobo 

Beat / Tijuana  /Old Tyme and Swing.

Advertised
in Hobo in 1973 (but they had been around the club circuit for a lot of years).
Advert is from Hobo No 1 June 1973.

 Trev
Teasdel
recalls – I met Eddie James walking his dogs. He lived in Lorenzo
Close, Willenhall where I visited John Bargent (Bo) – Co-editor of Hobo – who
knew him. Eddie also lived opposite John Alderson of Wandering John (Etc). He put
an ad in Hobo. His band had been going for ages. It wasn’t the normal sort of
band we promoted in Hobo but we supported all musicians.