JESSICA’S THEME

JESSICA’S THEME

C 1971 Heavy Rock
Jessica’s Theme were originally called Motorised Grapes


The Line up
of Motorised Grapes and Jessica’s Theme was the same except for the drummer (according to Dennis Cotter) –
Vocals – Gordon Tunnicliffe
Lead Guitar – John Mchugh
Rhythm Guitar – Paul Bodanowych
Bass Guitar – Mick Roberts
Drums – Steve Thompson (later after name change – Bernie West)

Cliff Wagstaff (of Coventry bands Tobacco Ash Sunday, Tropical Boot Company and

Quantum) – told us –
“They were managed by Mick Cubbon from Binley Woods (Mick moved to the US and is married to a singer called Gina Noelle (Google it for more info). He’s a very good producer and has a home PC-based studio.). They made a self-funded vinyl LP but I don’t have a copy – they were a very talented lot. I saw them often – notably at The Navigation on Stoney Stanton Rd. Numbers such as ‘Tally Man’ – Jeff Beck and ‘Gin House’ – Amen Corner spring to mind.”

Trev Teasdel recalls
“Jessica’s Theme played the Coventry Arts Umbrella Club, 18, Queen Victoria Road on Friday January 8th and Friday 19th February 1971 between 10pm and 2am on for the Friday night band nights. I booked them. Jan Gage and Jan Coombs made and photocopied some small leaflets to hand out around town and the gigs were advertised in the Umbrella Newsletters and in the small ads of the Coventry Evening Telegraph.”

Umbrella Club publicity –


JB’s All Stars (John Bradbury)

 JB’s All Stars (John Bradbury)


BAND INDEX


John ‘Brad’ Bradbury ‘s band after the Specials split up. Pete Chambers says in Godiva Rocks ” Just before the break up of the Specials, John Bradbury (a huge reggae and Northern Soul fan evidenced by his Specials track Sock it to ’em JB and his own record label Race Records formed the soul unit JB’s All Stars.”

Dee Sharp Lead Vocals, Percussion. Mark Hughes Harmonica. Jason Votier Trumpet, Flugel Horn. Robert Amalhi Rhythm Guitar. Steve Nieve Piano, String Synth. Big George Webley Bass Guitar. John Bradbury(JB) Drums, D.M.X, Backing Vocals

“The project was signed by RCA, allowing the releases to be put out on their RCA Victor label. Four singles were released on RCA Victor with only one reaching the UK Charts; ‘Backfield In Motion’ (RCA 384) reaching No. 48 in February ’84 was a revival of the 1969 US million-seller written and originally performed by Mel & Tim.

Their 5th & last single was released on 2 Tone becoming the label’s last single release proper. ‘Alphabet Army’ (CHS TT29) was released on 7″ & 12″ vinyl, with the 12″ featuring three versions of the song, which was a self penned comment in support of the struggle of Teachers in society.

The other three titles released by the band were ‘One Minute Every Hour’, ‘Sign On The Dotted Line’ (RCA 408) and ‘Ready Willing and Able’.” From http://2-tone.info/artists/jbs_allstars.html

JASON & THE CANAENITES

JASON & THE CANAENITES


BAND INDEX


Drummer was Tom Lane (they supported The Classix at The General Wolfe one Saturday night). Tom was also drummer in various Cov bands during the 60’s, namely:- The Fireflies, The BlueBeats, The Stringbeats, Pat Gissane Showband and Tuxedo Junction. “I did 3 gigs with a group called ‘Jason and the Canaenites’. Then formed a group we called ‘The Fireflies’, playing Shadows and Pop covers.



January Park

 

January Park


Stuart Callinan tells that January Park operated at the end of the 1980’s and beginning of the 90’s. They played the Tic Toc, Colin Campbell, Dive Bar and Dog and Trumpet to name a few venues. They played original Alternative Rock.

The line up was
Andy Smith (Drums) now a sax player in Special Brew. Evan Charles – Bass
Richard Dax – Guitar / lead vocals. Stuart Callinan – Lead / Rhythm Guitar.

Manager Pete Roland




JANET and the THREE SPIRES

JANET and the THREE SPIRES

circa 1964
Line up: Janet Wale – Lead singer. 
 Roy Wale – guitar, Cliff Emms rhythm guitar Keith Frost – Drums 

From Broadgate Gnome and Pete Chambers Godiva Rocked to a Backbeat.

Based in Bedworth and Nuneaton. From October 1963 to April 1964 – 6 months they had an amazing 38 bookings. Gigs included the Tollbar in Coventry – an all male audience.

Janet and Spires keep it in the family;

BACKBEAT: 1963: BECAUSE THEY DON’T MAKE MUSIC LIKE THEY USED TO!

Pete Chambers – Backbeat Cov Telegraph

IN the early 60s Warwickshire, like the rest of the country, was waking up to pop music, most bands towed the line and allied themselves to various booking agents and promoters. Bedworth and Nuneaton-based Janet and the Three Spires, however, stayed independent, running the whole thing like a family business not an easy path for a young group to take. PETE CHAMBERS investigates.

IT’S no surprise that the group was run as a family business when you realise that’s what it indeed was.

The lead singer was Janet Wale. There was her brother Roy Wale on guitar, their cousin Cliff Emms played rhythm guitar and Keith Frost (who was no relation to the others) played the drums.

With an age span of 14 to 20 they were about to make a big impact on those early concerts of the 60s.

Keith Frost explains, “I joined the group in 1963, it was the most brilliant time, playing at all those venues, we had so many bookings.

“You see this is how successful we were as an independent group, keeping away from promoters and agents. It was just a family-run outfit.”

Janet was very much the focal and vocal point of the band. Attractive, blue-eyed and blonde, she stood out from the crowd. While Cliff was apparently speedway mad and a 16-year-old apprentice hairdresser based in the Stoke area of Coventry.

Although they became based in Bedworth and Nuneaton they called themselves Janet and the Three Spires because of their connections with Coventry from where they all originally came.

From October 1963 to April 1964, a time span of just six months, they had an amazing 38 bookings.

Places such as The New Inn, Longford, The Hare and Hounds, Keresley, The Barras Green WMC and Woodlands WMC in Bedworth were all covered.

Their parents played a big part in their success, with all the bookings being handled by Cliff’s mother Millie Emms. She also made certain that she travelled along with them on all their dates. Not a bad idea for a group so young.

She believed that the band’s success was down to their ability to adapt to different audiences wherever they played.

One of the most memorable gigs was at The Tollbar in Coventry. “We were playing to an all-male audience,” Keith says. “They absolutely loved us. When we came out though, it got really frightening, they mobbed our van, banging on the roof and windows and nearly tipped it over.

“For a moment we knew how the Beatles felt, and what it was like to be that popular.”

The band became so popular, in fact, that a group of fans began to organise a petition in the hope of getting them a spot on ITV’s For Teenagers Only, a TV show based in Birmingham.

History tells us it never happened, but like many bands of the time they had a true belief in themselves and their dream was to write that elusive hit and establish themselves as a top pop group in the area.

Keith left the band after just six months, with “musical differences” being the main factor.

“It was hard being the only non-family member of the group,” admits Keith. “Sometimes you felt you didn’t fit in, but I loved those days, and I wouldn’t have missed them for the world”.

The band continued for a while, Janet went on to have a high-profile wedding when she married fellow musician Malcolm Watts who was with the Stringbeats and had previously been a member of Tony Martin’s Echo Four.

The press covered the day with a photo of the happy couple in a guitar guard of honour pose.

The couple would eventually move to Australia, as did her brother Roy who became a hotel manager there.

As for Keith well he had this to say: “When I left I toyed with the idea of forming a band, I recruited Colin Armstrong in on guitar, but it never happened.

“Though I’m glad I was part of Janet and the Three Spires, I would recommend any youngster have a go at it. You never know until you try”.

Music is still important to Keith, but in a slightly different way. He collects antique gramophones and by all accounts has quite a collection.

JALOPY RIDE

JALOPY RIDE



JALOPY RIDE
circa 1967 – 1968 – Source – Broadgate Gnome. 
Leamington based ‘commercial soul’ band.

Line up; Mick Doyle (vocals), Paul Shanahan (guitar), John Rivers (organ), Andy Dancer (bass), Steve Blundell (drums).

Shanahan later joined Cupids Inspiration. Bob Smith played keyboards after John Rivers.

Rivers later started Rhythm Studios.





KING SIZE KINGS

KING SIZE KINGS

circa 1965 – Source Broadgate Gnome
Line up: Ray King (vocals), plus others. Barry Kingsbeer played a few gigs on bass with this band. Barry helped form The Chicanes.

BACK TO THE BAND INDEX
Large soul outfit who became RAY KING SOUL BAND


See the entry for The Ray King Soul Band https://coventrygigs.blogspot.com/2012/05/ray-king-coventry-music-legend.html


New article by Pete Clemons


King Size Kings 1964 / 65

by Pete Clemons

Around ten years ago I went to a fascinating chat with local soul singing legend Ray King. During the talk he mentioned how, before his own Soul Band, he had linked up with a band called Suzi and The King Size Kings. At that time he was still known by his birth name of Vibert Cornwall.

Suzi left the King Size Kings and, at the same time, Vibert became known by his stage name of Ray King. The King Size Kings changed their name to the Ray King Soul Band. This would have been toward the end of 1965 and early 1966.

At face value I took it that The King Size Kings were named so because of Ray King’s involvement. But that does not appear to be the case. In fact, if anything, Vibert possibly gained the Ray King name through being with the band.

It seemed as though The King Size Kings were formed and had a life of their own before Ray King ever became involved with them.

An article I came across from October 1964 mentioned: – ‘A Coventry group who have been playing together for only four months won the first heat of a beat music contest. The group will now appear in the semi finals of the competition along with The Barry James Four, another Coventry group, who finished in second place. The heat was staged at the Police Ballroom, Coventry’.

The article went on to name the band members: ‘The five member of King Size Kings, Tony Ashton (lead singer), Barry Toal (drummer), Rick Bradford (bass guitar), Paul Price (lead guitar) and Bob Neal (rhythm guitar) hope that the contest will lead to a recording contract and, perhaps, a professional career’. No mention of Ray King – or Suzi for that matter.

Fast forward to July 1965 and the King Size Kings had just taken third place at their quarter final heat at the Wimbledon Palais with six original numbers including one composed by all members of the group titled, ‘I’ve Been Wrong’.

It was reported that: ‘The five members of a Coventry group, the King Size Kings – in it’s present form, only came together two months ago, but the group has won its way through to the semi finals of the ‘Melody Maker’ national beat contest’.

The article continued that ‘The Kings will take part in a semi final on August 1st and, if successful, in the finals on August 15th. Paul Price (17) is lead guitarist of the group, which has existed for about eighteen months but the present members, all from Coventry, only recently came together. They practice and perform most nights in the week. Mr E.W. Price, Paul’s father and manager of the group, told the Coventry telegraph that they enjoy it. ‘Any other life would be boring’ he said’.

Sadly the Kings were unsuccessful in the contest. They were beaten at the semi final stage held, once more, in Wimbledon. However they were voted top group in the Midlands popularity poll of 1965.

Incidentally, as for the outcome of this most prestigious of competitions: 550 groups had initially entered the various heats. Prizes for the winners of the national contest include a Decca recording contract. A new Hammond organ worth (at that time) £525. An appearance on ABC-TV’s ‘Thank Your Lucky Stars’. And a set of stage clothes from the tailors Cecil Gee (later to become a chain). For the runners up a Vox PA system worth £180 and third place won a Premier drum kit worth £140.

The final, yet again at the Wimbledon Palais, was judged by, among others, Graham Nash of the Hollies, TV producer Muriel Young and DJ Kenny Everett. The panel voted a group called St Louis Union as the overall winners. St. Louis Union went on to have one top twenty record, when they covered the Beatles song ‘Girl’ in 1966. King Size Kings need not have been disappointed in being beaten at the semi final stage. They were in good company. Amboy Dukes, the UK band (not the US version) also fell at the semi final hurdle As did another band who achieved real fame and fortune. And they were called The Pink Floyd.

Not knowing the exact time Ray King joined The King Size Kings means it is difficult to establish if he was involved with the Melody Maker national beat contest of 1965.

Overall all though, despite the King Size Kings being short lived, they quickly established themselves. They became incredibly busy and very popular in a short space of time.

Also it is not clear how many, if any of King Size Kings followed Ray King into his Soul Band. So some mysteries still remain.



KHAYYAM

KHAYYAM


Circa 1973 – 75 – Source Hobo ‘Funky rock’ according to Hobo. Toured Europe.

Jazz Rock
Obviously the names comes from the poet Omar Khayyam.


Line upChris Jones – Lead Guitar, Steve Tayton – Sax / Clarinet / Flute. Harry Heppinstall – drums and percussion / later Jim Pryal. Dave Wickes – Bass guitar
Rodney Joyce – Congas
Later members Jim Pryal drums – Rick Medlock drums – Terry Brown
Chris Jones had a blues outfit called The Chris Jones Aggression in the early 70’s and had played with Just Jake.

Steve Tayton played at the Cov Arts Umbrella Jazz club in the late 60’s and had been a member of Stavely Makepeace of which Lieutenant Pigeon was intended as a less serious offshoot. and Wave. Later with Quanna Parker and other outfits. 

Harry Heppinstall had played in Wave and many other bands.

Dave Wickes had played in Just Jake

Rodney Joyce had managed 3AM c 1966/67

Both Hobo and the Coventry Evening Telegraph reported on this dynamic Jazz rock outfit who were resident at the Earlsdon Cottage and played London venues The Speakeasy and Ronnie Scotts, toured the continent and negotiated a record deal and appeared on Belgian and French network TV.

In Issue 2 of HOBO August 1973 we reported on the break up of Just Jake

Chris Jones, lead guitarist and Dave Wickes, bassist, have joined the Jazz Rock group Khayyam(formerly Wave). The group have residencies at the Earlsdon Cottage on Thursdays and the Carousel in Hinckley on Monday nights. Other bookings include Ronnie Scotts, Pheasantry, Speakeasy and possibly the Rainbow.

In Febuary 1974 HOBO reported

“KHAYYAM formed from the Jazz/ Rock band Wave, are now set to make an album, privately, which will be produced by Roger Eames, who produces the jazz club on zee radio. Members Khayyam are, for persons interested – Steve Tayton – Saxaphones, clarinet, flute; Harry Heppinstall – drums and percussion; Rodney Joyce on congas and ‘paint cans! ; Chris Jones on lead guitar and vocals. Dave Wickes on bass and keyboards.”

HOBO spring 1974

“KHAYYAM seem set to knock the rocks off the music scene.. A group of very accomplished musicians making some incredible music in the Jazz rock field. They are currently negotiating a recording deal and a fortnight’s residency in both Brussels and Amsterdam. After blowing the minds of the clientele who frequent the Speakeasy and Ronnie Scotts in London, they are set for regular spots at these venues. Said Sound Mixer John Bargeant (BO) (former HOBO co- editor) ” Most places we’ve played have agreed to rebook us, it’s incredible”. Catching them in the act at Coventry’s new rock venue – THE STEAM PACKET at the Tree Tops on sundays, I spoke to some of the audience to see what they thought. Some felt their music was ‘too complicated’ for them while the
majority were amazed at the sounds theat were emanating from the stage. All agreed though that the musicianship was a of a very high standard. The audience at the Tree Tops was not the audience Khayyam normally play to it has to be said. Hobo wishes Khayyam success in the future.”

HOBO summer 1974

KHAYYAM – STIRRING THE DUST
On the outskirts of Coventry, fair city, looms a big world which Khayyam have been pioneering, leaving their mark firmly embedded in the eardromes of their audiences in colleges and universities around the country, not to mention the Speakeasy and other haunts in the City of Royal! Word reaches me that they are one of the most talked about up and coming bands. The band are full of enthusiasm for the continental scene too, where they played LE PUSSYCAT ROCK in Brussels; The TIME MACHINE in Lieges; The RITZ in Antwerp. Their enthusiasm and that of their promoters is so great that already they have another tour arranged for Belgium and Holland. And a certain caged bird whispered to me on the quiet that a tour of the continent could occur in the near future, depending on developments. Those familiar with Khayyam’s music from the Golden Cross or the Earsldon Cottage in Coventry maybe interested to know that their music is retaining that essential Khayyam sound, although it has become more funkier and rocky, loosing some of it’s jazziness. This is owing to the recent departure of Sax player Steve Tayton. The stage performance has become funkier too.”

In the foreground of this picture of Khayyam from the Earlsdon Cottage (Cov Evening Telgraph pic) you can see the editors of HOBO. On the left (back of the head view) is Trev Teasdel and on the right is John Bargent (BO). Bo was both co-editor of Hobo and promotor / manager of Trev Teasdel & Don’t Talk Wet at the time but soon afterwards left Coventry to become road manager for Khayyam on their European tour. Later Bo returned to HOBO helping out at the Hobo Workshop in 1975

Memories from Jim Pryal
” In 1975, I joined a band called Khayyam, who were a funk/jazz group with Chris Jones on guitar (Chris did quite a lot of work with Smackee later) and Rodney Joyce on congas and a bass player named Dave Wickes. They originally had a sax player named Steve Tatum and a jazzy drummer who left so the sound changed quite a bit with my style of drumming. This was another great band for me and was very well received by audiences. We played some great gigs of the day including The Speakeasy club, London (an exclusive club for pop stars et al – a bottle of whisky was 15 quid even then) The Greyhound Croydon, upstairs at Ronnie Scotts, London. Really quite exciting times. I got to meet ‘Speedy’ – Georgie Fame’s bongo player and shared a couple of spliffs with him in his flat in London thanks to Rodney, the chief mover and groover. We got a few standing ovations but broken vans, on the dole – the usual musos tale of woe!! and it stopped. I’d quit my job and with a mortgage……….”


Steve Tayton




John Bargent (Bo) Road manager and former Hobo Editor

Chris Jones


KHAYYAM 1975 With Rick Medlock – Drums, Terry Brown – Chris Jones guitar.