Column 88

 

Column 88

From Alternative Sounds c 1979


A 3 piece from Rugby.

Dave – drums / Vocals, Dave Rave guitar, Jar bass / vocals.

Not sure if this is the same band but good likely hood – around the same time 1979

“In February 1979, Anti-fascist magazine Searchlight did report on the ever-growing Punk Front, but it had very little to say. In response, British News thanked Searchlight for the publicity. Rock Against Communism booked The Dentists, The Crap, Column 88 and two other bands to play a gig in Yorkshire in March 1979, prompting an angry response from local reds and from Sounds.”
https://www.bloodandhonourworldwide.co.uk/bhww/b-h-history/punk-front-to-rac-1977-80/


Colourfield

Colourfield

BAND INDEX


Terry Hall – Vocals, Karl Shale – Bass, Toby Lyons – Keyboards.


Rex Brough tells us – “Terry Hall formed Colourfield after the Fun Boy Three. Terry then went on to ‘Terry, Blair and Anouchka’ and ‘Vegas’, and has also collaborated with Nick Heywood, Ian Broudie and Sinead O’Connor amongst others.”


Castles in the Air

http://saltyka.blogspot.com/2008/06/colourfield-terry-hall.html



Singles

– “The Colourfield” – 43 in the UK charts – 1984

– “Can’t Get Enough of You Baby” – 1984

– “Take” – 70 in UK charts – 1984

– Thinking of you – (from Virgins and Philistines) 12 in UK charts – 1985

– “Castles in the Air” – (from Virgins and Philistines) 51 in UK Charts – 1985

– “Things Could Be Beautiful” – 83 in UK charts – 1986

– “Running Away” 84 in UK chart – from Deception 1987

– “She” – from Deception – 1987

Albums

Virgins & Philistines – Released: April 1985 Label: Chrysalis – 12 in UK Album Chart

The Colour Field – Released: January 1986 – Label: Chrysalis – – in UK Album Chart

Deception – Released: March 1987 – Label: Chrysalis – 95 in UK Album chart

Singles – Released: 1995 – Label: Chrysalis – Compilation of Fun Boy Three and The Colourfield singles

Wikipedia says – http://en.wikipedia.org/wiki/The_Colourfield

The Colourfield were a British band formed in 1984 in Manchester, when former Specials and Fun Boy Three frontman, Terry Hall, joined up with ex-Swinging Cats members Toby Lyons and Karl Shale. Despite all three of them originating from Coventry, they made their homebase in Manchester.

January 1984 The Colourfield released their first single, “The Colour Field”, which just missed making the Top 40 in the UK Singles Chart and “Take”, their second single, which commercially did not come close to their debut single. The next single release would be the one that would land them a high position on the charts. “Thinking of You” released in January 1985, made it to number 12 in the UK chart, and featured Katrina Phillips on vocals.The final single, was “Castles in the Air” which reached the lower reaches of the UK chart.

1985 – Virgins & Philistines

Virgins & Philistines was released in April 1985 with twelve tracks in the U.S. release and ten in the UK – but can now be found with twenty tracks as a Japanese re-release, containing many B-sides and live tracks. It failed to gain a large audience due to difficulty in marketing an album with such a diverse sound—it mixes 1960s and early 1970s pop music with more acoustic based melodies and string arrangements. Virgins & Philistines is often regarded as the direct musical predecessor to the later work of The Lightning Seeds in the 1990s, whom Hall would later collaborate with in a song writing role whilst providing occasional vocals.

Virgins & Philistines contained all original material except “The Hammond Song” (a cover of The Roches song), and “Can’t Get Enough of You Baby” (written by Linzer/Randell), which was the only track that received much airplay. The album was recorded at Strawberry Studios in Stockport and was produced by Hugh Jones and Jeremy Green, and engineered by Chris Jones.

Additional personnel featured on the album included Pete de Freitas (Echo & the Bunnymen) on drums, Paul Burgess (ex-Camel, also drums), Preston Heyman (percussion), Ian Nelson (clarinet), Katrina Phillips (background vocals).

1986 – The Colour Field (EP)


January 1986 The Colourfield become a four-man group, adding Gary Dwyer (ex-The Teardrop Explodes) on drums. Around the same time, the band’s U.S. label compiled a six track EP entitled The Colour Field (sic) containing the new UK single and B-side “Things Could Be Beautiful” / “Frosty Morning” produced by Ian Broudie; two live tracks recorded at the Hammersmith Palais, “Pushing Up The Daisies” and “Yours Sincerely”; and two older tunes produced by Hugh Jones, “Armchair Theatre” and “Faint Hearts”. “Things Could Be Beautiful” did not make the UK or U.S. charts and it was another year before the public would hear anything new.
1987 – Deception
The Colourfield returned in the spring of 1987. They were now just a duo augmented by Raquel Welch’s band and session musicians. Hall had to hire Welch’s band after Lyons left during the sessions. The content of Deception was different from Virgins & Philistines. It is almost as if Hall formed a new band but kept the same name. Since then Hall has voiced his displeasure with the recording of the album, because he did not feel he had control of the session musicians and producers the way he needed to preserve The Colourfield’s sound. Deception was produced by Richard
Gottehrer and Jeffrey Lesser at Wool Hall Studio, New York City.
The first two singles released from Deception were both covers: “Running Away,” an original by Sly & the Family Stone, from the album There’s a Riot Goin’ On, released in 1971 on Epic; and “She,” a song composed by the songwriting duo of Tommy Boyce and Bobby Hart. “She” was released as a 12” and contained the additional track “Monkey in Winter” with lead vocals by Sinéad O’Connor. The track “Miss Texas 1967” is considered Hall’s best vocal performance on the album.[citation needed]
Additional personnel featured included Gregg Mangiafico (keyboards); Sammy Merendino (drum programming); Roland Orzabal (Tears for Fears) (guitar on “Running Away” and “Confession”); Dollette McDonald; Deborah Malone and Janice Pendarvis (background vocals on “Digging It Deep”).
After The Colourfield
Hall has gone on to do many other projects since The Colourfield. In 1990, with a few ladies under the name of Terry, Blair and Anouchka, he released the album Ultra Modern Nursery Rhymes which contained a cover of the Captain & Tennille’s “Love Will Keep Us Together”. In 1992 he collaborated with Dave Stewart (Eurythmics) under the name Vegas. In 1995 he released his first solo album, Home. He has worked with The Lightning Seeds, Stephen Duffy, Gorillaz, and Tricky. He has also appeared live with The Ordinary Boys.
On 21 July 2003, Hall released his album The Hour of Two Lights which is a collaboration with Mushtaq (Fun-Da-Mental), a twelve-year-old Lebanese girl singer, a blind Algerian rapper, a Syrian flautist, Hebrew vocalists, a group of Polish Gypsies and Damon Albarn (Blur, Gorillaz).
Lyons is now a university tutor of graphic design at Sheffield Hallam University in South Yorkshire. Karl Shale went on to join The Candyskins. After they broke up he started working in a record shop.

The CLOUDS

 

The CLOUDS

BAND INDEX


The CLOUDS
circa 1965 – 1966

R&B/Beat group

From Broadgate Gnome

Line up: Roger Lomas (vocals, guitar), Tony Lucas (bass, vocals), Nigel Lomas (drums).

Lucas AKA Martin. previously in Tony Martin And The Echo Four went on to form The Storytellers.

Lomas ex-George And The Dragons.

From Pete Clemons

“Tony Martin, as well as working as a driver, went on to join a band called The Clouds (after The Pickwicks) in 1965, alongside both Roger and Nigel Lomas.” From this Coventry Telegraph Article. http://coventrygigs.blogspot.co.uk/2014/05/the-ecko-four-and-pickwicks.html

CLOSE TO TEARS

CLOSE TO TEARS

BAND INDEX

Riikk Allsopp (Drummer) “I was the drummer in the original line up of ‘Close to Tears’ & we were awesome at our best. 


Alex Easton Vocals / Guitar. 
Steve  Vocal / Guitar. 
Kev Hellier Vocal / Bass 
Phil Byrne Vocal / Drums 

ROGER LOMAS DID MOST OF OUR MIXES AT GIGS AND RECORDED DEMOS IN HIS GARAGE IN ALLESLEY.”

Clique

 

Clique

BAND INDEX


Clique
c 1979
Gordana – Vocals replaced by Caron Joyce – Vocals
Brian Hewetson- Bass
Alan – Drums replaced by
Pete King – Drums
Chris – Guitar
Andy Phillips – Guitar

Photo from Alternative Sounds


Brian Hewetson was brother of Martin who did Private Enterprise fanzine at the time, according to Alan Rider.

“Mothers Never Know” featured on Sent From Coventry 1979 / 80


Music by Andrew Phillipson / Lyrics by Joyce Caron.


Below are some comments by John Peel about this track via Sound Cloud. 

Sent From Coventry – Kathedral Records –


Clique were Reviewed in Martin Bowes Alternative Sounds


The Cliffords

 

The Cliffords


The Cliffords


1975 – 78Club & Function Band – based Kenilworth

Chris Allen, bass player of the Mustangs and The Cliffords has sent this information regarding the line of the band in Nov 2015.


The band was fronted by John Clifford, formerly of Johnny Clifford and the Presidents. I played with The Cliffords as bass from 1975-1980. The picture on their page, L-R, shows Moss (can’t remember his other name) L. guit, John Clifford R/L guit & vocs and Chris Allen bs & vocs, with Dave Jones drums.

CLIFF COWLING TRIO

 

CLIFF COWLING TRIO

BAND INDEX


circa 1969 -71 – Source Hobo


Cliff Cowling (piano/vocals).

Regularly practised and performed at Cov Arts Umbrella. Played blues and 50’s Rock n Roll. Were centred around the rock n roll and boogie piano playing of Cliff Cowling.They may have started in the 1950’s, not sure. Cliff Cowling was involved with putting on the live music at the Coventry Arts Umbrella Club until 1970 when Al Docker and Trev Teasdel took over the role. Cliff still rehearsed at the Umbrella in the early 70’s, probably playing the clubs accompanied by upright string bass and snare drum – almost skiffle.


More recently Pete Clemons wrote an article about Danny and the Heartthrobs who played at the Lanchester Poly in Coventry in 1971 featuring Cliff Cowling on piano. Initiated by Malc Harker – one time bassist with Indian Summer and in Coventry and later heading his father’s engineering firm in Stockton on Tees – Harkers.


“Danny and the Heartthrobs was based on Zappa’s Reuben and the Jets, about an old-time rock & roll band who awake from hibernation unaware that it’s no longer the late ‘50’s. Danny was Paul, Ultra/Sam’s singing drummer. We had a real boogie piano player, Cliff Cowling, plus a brass section (including Tim James on lip-synch alto), bass, two drummers (me & the Other Guy) and a great blues guitarist who had just joined Indian Summer – Steve Cotterill. Steve was left-handed and temporarily between guitars, so I loaned him my right-handed Gibson 330. Steve re-strung it, put a sock in it to stop the feedback – and learned Bill Haley’s Rock Around The Clock guitar solo note-for-note. We only ever played 2 gigs – both at the Lanch. The first was the last in the upstairs refectory, as the audience cracked the foundation walls. The second was in the main hall, supporting Free, Yes and Mott the Hoople. We went on last – and on and on – until the plug was literally pulled. We also had a last-minute addition to the line-up: The Throbettes – Bob & Paul from Indian Summer in drag.”

THE CHUCKLES

 

THE CHUCKLES


BAND INDEX


Via Pete Chambers – Godiva Rocked to a Backbeat.


From Nuneaton in 1960 – Via their Birmingham agent they became the backing band for the legendary Gene Vincent who was on tour in the UK for a while.

George Beardmore – Lead Guitar
Len Bayly – Bass Guitar
Dave Dyde – Drums
Barry Spruce – Organ.
Alan Hale – Road manager


From Pete Chambers – Backbeat column – Coventry Telegraph.

FORMED in Nuneaton in 1960 The Chuckles were one of many rock bands playing the local circuit….The band had begun in the 1960s as a straight rock band, but by the mid-60s they had reinvented themselves as an R&B band…….

Former bass player Len Bayly takes up the story: “It was during a gig in Cheltenham Cellar Club that our manager, Alan Hale, received a call from a Birmingham agent we had just started working for and, typical of Alan, when he was asked if we were still a rock ‘n’ roll group, he replied with a positive ‘yes’.

“This seemed at odds with the direction we were taking at the time since our aim was an R&B band and we had just secured the Cheltenham gig on the basis of being a top R&B group.

“However, being quite a versatile set-up and having been on the road for two years we could play just about anything.

“Our line-up had changed over that time, from the start with shiny suits with black velvet collars (Beatles-style) to the more trendy gear of the late 60s (Rolling Stone-style). I remember wearing a black leather waistcoat and jeans that evening (funny how some things stick in your mind).

“Our Birmingham agent was seeking a typical rock group to back none other than the legendary Gene Vincent who was on a UK tour at the time. (He was having problems with his standard backing group for the northern part of the tour) so our manager Alan said we were the guys that could make up the shortfall and consequently were asked to appear at the Midland Hotel in Birmingham the next day for an interview.”

They met the legendary Gene Vincent at the Midlands Hotel and all hit it off. The day finished with The Chuckles going through the set with Gene in the basement of Brum’s Rotunda Hotel. Such was their musicianship it wasn’t long before a rather happy Vincent declared they were spot on and immediately booked the band for the final part of his tour.

“Our first date was at Birmingham University,” reveals Len. “We played to a packed house. Being the only group booked we did the first warm-up hour before Gene came on. I’ll never forget Dave (Dyde) our drummer doing his drum solo, he brought the house down and when we introduced Gene Vincent the place was in uproar.

“After the Birmingham spots we were off to Manchester (at the time we could only describe our bookings as large social clubs), but we had seen nothing like these in the Midlands.

“The clubs were huge. They had a full cabaret listing with a DJ, a variety act, a comedian, and sometime more than one group.

“Obviously we took star turn but because the way the agents handled things in the north we found we were usually doing more than one spot a night. Needless to say we had all developed our own Yankee drawl by the end of the tour.

“I’ll never forget how Gene would prepare to go on stage, first wetting his hair down with water then discarding his crutches, his only support being his leg irons. That’s why on stage Gene never moved from one position and always held on to the microphone for extra support, and had that forward stance to the audience while singing.”

The next week they were to come back down to earth with a bump, and were back playing at The Pilot in Radford, Coventry.

Gene had promised more dates in the future, but in the meantime Len and Dave had become apprentices at the then Rootes Motor Company and had committed 100 per cent to their work careers.

“To this end,” says Len, “I finished my engineering training and went off to live in Canada for about four years. I lost touch with the group and since returning have only seen Dave Dyde who now sings with a Nuneaton group.

The rest have gone their own way and it seems that Barry Spruce our keyboard player went on to play on cruise liners.”



CHRIS JONES BAND

 

CHRIS JONES BAND

BAND INDEX


Chris Jones (Guit / Vocals) Rick Medlock – Drums Adam Sheehan, Samuel Powell.
After this band in c 2010 Chris Jones went acoustic with K2 – Chris and Samuel Powell

Chris Jones began with the Chris Jones Aggression (blues band) c 1969, playing venues like the Umbrella club and many more around Coventry. Through jazz rock outfits based at the Earlsdon Cottage – Just Jake / Wave / Khayyam / Quanna Parker / Side Effect all in the 70’s.

Khayyam toured Europe and had a residency in Ronnie Scotts. Side Effect backed visiting Talma stars touring the UK.

Crossroads by K2

Cypress Grove Skip James cover by K2

Emily Woodbine Cusdin’s party – Chris Jones.
J S Bach+Beats.Chris Jones