The Motion

 

The Motion
Circa 1968-1969 

 
Line up ‘Sabu’ Allen Parsons  replaced by Paul Kennelly (vocals), Dave Sutton (guitar), ‘Lil’  Reg Galland (bass), Granville (Con) Barber (drums). Kennelly replaced ‘Sabu’ Allen Parsons. Became Revolution in 1969.
Paul Kennelly replaced Allen Parson and after only one gig the band changed their name to Revolution. Later Revolution was reformed for a while with Allen Parsons on vocals again. This time they called themselves Revolution 69. (See the post for Revolution)
Paul Kennelly tells us ” The bass player, who had a rather nice Beatle Bass Hofner, was called Reg Galland. He was a neighbour of the drummer, Granville Barber. Dave Sutton used to calll Reg ” Lil ” … that was Reg’s mothers name.
After Dr Slagg’s Confessions were consigned to the bin I went to The Navigation,  Sunday 19th January 1969 for a pint of Mrs Arkle’s fine Ale and to see what the Scene  was.  A band from Bedworth were playing. They were called The Motion. Their vocalist was “ Sabu ” Allen Parsons who used to jump over several chairs in a line as part of his stage act. I don’t recall Sabu being there on that night.  At the end of the evening, guitarist Dave Sooty Sutton approached me and asked was I interested in joining. The band were a bit rough at the edges and I really wasn’t sure. On the following Tuesday I rang and agreed to do a gig with them as a try out. This was at The Hare and Hounds in Keresley.
I agreed to join on the understanding that the name be changed. I honestly think they did not realise the alternative meaning of the word “MOTION”.  On January 26th The Motion changed it’s name to “REVOLUTION”. Within a week of seeing the band at the Navgation, we had re-named and re-launched.   I replaced singer Alan ” Sabu ” Parsons in the band The Motion in January 1969.   One problem with The Motion was that they were all very young (when I joined Dave Sutton was still at school ). Revolution lifted the band on to a new level and it ceased being a School mates band and became semi pro standard. This did not suit everyone (some had studies etc to attend to) and so , Reg Galland left the band and he was replaced on Bass guitar by Pete Smith (ex NEW CITY SOUNDS). ” From  https://www.facebook.com/pages/Peppermint-Kreem/136585376392428

Sabu – Allen Parsons




Allen Parsons (Sabu) on drums


Allen and Julie Parsons

This is The Motion – reformed and live after 40 years in Bedworth much with Allen Parsons on Harmonica and Vocals.


Click back to You Tube for more Allen Parson’s YouTube.


More about Paul Kennelly and Peppermint Kreem background.

MORNING FREEDOM

 

MORNING FREEDOM

Morning Freedom playing Renold Chain Social Club Coventry 1969. This band is basically Journey of a Lifetime mark 2, with the addition of new member Tony Morgan on bass.

Formerly Journey of a Lifetime circa 1968


Tony King, vocals. Ray Borkowski Rhythm Guitar. Terry Flanagan guitar 

Brian Froud – drums. Dave Cobb – Bass / Mojo Tony Morgan (When it became Morning Freedom) , bass

Info supplied by Mojo Morgan and photo via Ray and Terry.


From The Broadgate Gnome

Ray tells us: “In 1968 we played all over Coventry but had a virtual residency at the Navigation, Stoney Stanton Road, in the summer of ’68. We believe we were the first band in Coventry to use heavy makeup on stage, and the first band in Cov to use a custom built ‘Strobe’ (made by Don O’Brian – manager) comprising a record deck, a 150 watt bulb and a cardboard disk. It worked like a dream and was superior to later ‘electronic’ commercially available models!”

Memories from Ray Borkowski from Rex Brough site

“I’m Ray Borkowski, former rhythm guitarist of ‘Journey of a Lifetime’. The group played many venues around Coventry 1968 -1969. It was at the Navigation that we virtually held a residency. It was there that we tried out the first ever strobe used in Coventry. Our manager Don cobbled one together using a huge bulb a carboard disk and a record player! It worked to great effect and was much better than later electronic models.
We used to hang out with Peppermint Kreem and other bands.”

Ray Borkowski was later in Sasp’rilla – a 70’s duo with Mark Rider (now of Skawaddy)

Terry Flanagan was later bass player with The Chris Jones Aggression





MORNING DEW

MORNING DEW
circa 1968

Card supplied by Cliff Wagstaff

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This band started in the mid 1960’s with George Stevens and Mike Howe and Steve Cotterill (lead guitar). They were around at the same time as the Matadors and played the Walsgrave, Navigation and the General Wolfe and were told that they did Baby, Now that I’ve Found You by the Foundations, (a 1967 hit) every bit as good as the original.

We were a tight group and played around the local pubs, even daring to play for the admission door money at the Wolfe. We did venture once or twice out of the city. Group split when lead guitarist, Steve Cotterill, was poached by Indian Summer. Happy days..but like so many bands arguments about what direction we should continue musically caused the split. Mike Howe.

The MP’S

The MP’S

(Ska) (Above – From Alternative Sounds)



“The MP’s are a new Ska band or something from Coventry with 3 blacks and 3 whites including a saxophone player. They wore smart modish suits, silly plastic bowler hats and red carnations. The lead singer used an umbrella on stage.

Mick Roberts (also was a member of Team 23 and later the hit band – King)
The MP’s released a single Life on the Dole.
Other songs – Madhouse, Crowded City, She’s a Goer

“Mike Roberts was a classically trained pianist who had just finished a stint playing with

reggae legends The Pioneers. As a teenager he’d earned his crust backing American touring acts such as The Crystals, Chantelles and Velvelettes. An adept player who could move with ease across soul, ska and rock, he fitted perfectly into Paul’s vision of a hybrid dance group.

“The first time I saw Mick he was in band called the MPs, supporting the Reluctant Stereotypes. When the show finished and everyone was packing down, he got on a piano and started playing – it was then I realized that he was very talented. When King came together we needed a versatile keyboard player; an anchorman. Mick came through on all levels.” Paul King – Music Maker Magazine


 

Life on the Dole – The MP’s – 1980

Moon

 MOON

Cult soul / funk band – 1976 – 77


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Moon were not a Coventry band as such but at least three of its members were from Coventry. Possibly four with Bob Jackson – of Indian Summer – later Badfinger and many other bands – Bob Jackson has confirmed that he guested on Moon’s album.

Members – (at various stages as far as I can tell) John ShearerNoel McCalla (vocals), Loz Netto (guitar, vocals), Doug Bainbridge (wind), Graham Colyer (guitar), Dave Dennis (vocals), Bob Jackson (keyboards) Bob guested on Moon’s album, Ron Lawrence (bass), Gary Moberley (keyboards), Nicky Payne (wind), Luigi Salvoni (drums) https://jazzrocksoul.com/artists/moon/

About

The group were short lived and didn’t become commercially successful, despite signing to Epic, a major record label but produced two albums and several singles between 1976 and 1977. The group did four sessions for Peel’s show during the 70’s.

Pete Clemons has some additional material about Moon Here https://coventrygigs.blogspot.com/2021/09/moon.html


Loz Netto – From Pete Chambers in Coventry Telegraph April 2009


Pete Chambers “You joined the band Moon who had a strong Coventry connection”

Loz Netto – ” I got a call from a friend Noel McCalla, also from Coventry. He had got a gig with a new band in London called Moon and they were holding auditions for a guitar player and bass player. So Ron Lawrence and myself went along, got the gig and started playing the London pub scene. We played pretty much every major town in the UK and Wales, travelling up and down the motorways in our bashed up Transit van. We also played The Butts College in Cov and The Lanchester Poly.

We were doing lots of live radio shows for John Peel, I guess all that helped us get signed

Moon supported War on tour via Nick Knibb

to CBS records. We recorded two albums for the label. We were then doing bigger venues like The Hammersmith Odeon and The Fairfield Halls in London, The Glasgow Apollo, Odeon cinemas etc, supporting bands like War, Thin Lizzy, Boxer, Crawler, Gill Scot Heron and many others. I guess the band was together about three years before we called it a day. We played pretty much every major town in the UK and Wales, travelling up and down the motorways in our bashed up Transit van. We also played The Butts College in Cov and The Lanchester Poly.”

Moon’s Peel Sessions (From here https://peel.fandom.com/wiki/Moon)

1. Recorded: 1975-07-15. Broadcast: 28 July 1975

Lone Ranger / My Old Friend / Don’t Let Me Be Lonely Tonight / You’ve Got The Love

2. Recorded: 1976-01-13. Broadcast: 20 January 1976. Repeated: 16 March 1976

My Kinda Music / Makin’ Love / It’s Getting Better / Don’t Wear It

3. Recorded: 1976-07-27. Broadcast: 23 August 1976

Too Close For Comfort / Day Dreaming / Cold Nights

4. Recorded: 1977-06-08. Broadcast: 20 June 1977

Only Sad Boys Cry / Name Of The Game / This Is Your Life (Take 2)


Records


1976
13 July 1976: Lone Ranger (7″ – Lone Ranger / Back To Your Old Ways) Epic

Too Close for Comfort (1976)
Turning the Tides (1977)














Lone Ranger

Too Close For Comfort

Cold Nights written by Loz Netto

Desolation Alley

 Drivers Seat by Sniff n the Tears with Loz Netto lead guitar, Noel McCalla backing vocals

Below – Day Dreaming by Moon.

Broken Hearts at High School – Moon


Coventry Members of Moon

Noel McCalla

Born 4 November 1956 in London, is a British rock singer. He was the lead vocalist for

Manfred Mann’s Earth Band from 1991 until September 2009. 

McCalla was born to Hubert Sylvester McCalla, a minister in a gospel church, and Elizabeth Victoria McCalla, North London, England. There were eight children. He attended Alexandra Park infant school in London, but was withdrawn at the age of nine, as the family moved to Coventry, where he attended Hillfarm Junior School and began studies at Barkers Butts Secondary School.

At 15, McCalla dropped out of school to work with a band called Black and White Notes. They gigged and eventually supported The Shadows. He then joined Moon, who were signed to Epic Records. After splitting from the band, he stayed with Epic Records, releasing a solo album. In 1972, McCalla left his family in Coventry to move to London.

From 1977, he worked as a backing vocalist for Sniff ‘n’ the Tears. During this time, he worked as a freelance musician. He sang on Mike Rutherford’s solo album Smallcreep’s Day and on Morrissey-Mullen’s 1985 This Must Be the Place. By 1981, he had decided to form his own band, which he had named Contact. They played a series of gigs, producing a cassette. In 1993, the band’s name changed to McCalla, and they released “Push and Pull”, followed by “Hot From The Smoke” in 1995.

Manfred Mann

McCalla first became involved with Manfred Mann’s Earth Band in 1990, featuring on the Plains Music album, and thereafter toured extensively with them, also featuring on the studio albums Soft Vengeance and 2006, and the live album Mann Alive. From mid 2006, he collaborated with jazz band Dave Lewis 1Up.

His fifteen-year-old son Mali Michael-McCalla competed for a place in the fifth series of the UK talent competition X-Factor in 2008, but did not progress to the Live Final stages. Mali auditioned for the 2009 series, but did not get past the ‘bootcamp’ stage.

From http://en.wikipedia.org/wiki/Noel_McCalla

Ron Lawrence Played bass in Coventry bands in the 60’s including Monday’s Children and East Side Protection and April, a folk rock outfit

Ron Lawrence in April 1970 3rd from left


originally with guitarist Roy Butterfield in the band who had played with the original Indian Summer and later wrote and played with the Tom Robinson band and even with Horace Panter in an early Pre-specials band Alive and Kicking. In the 70’s Ron played bass on the album of another Coventry area folk outfit Gothic Horizon – the album was called Jason Lodge Poetry Book 1971 – here https://coventryfolkclubs.blogspot.com/2013/04/gothic-horizon.html 
More about April here https://coventryfolkclubs.blogspot.com/2012/08/april-coventry-folk-rock-band-1969-70.html In the mid 70’s he joined Moon with Loz Netto and played on Fickle Heart album by Sniff n the Tears and went on to do session work including with the Kinks and Dave Davies  –  more on his discogs profile https://www.discogs.com/pt_BR/artist/1464622

Loz Netto Is covered by the Pete Chambers interview below but early Coventry bands

include Nack ed En 1970 – a three piece with Loz, John Bradbury – later of the Specials and bassist Neil Richardson later of Drops of Brandy. Loz also played in Al Docker’s 1970 bands Tsar and Love Zeus before leaving Coventry to join Moon etc. His website is here http://loznetto.net/



The Full Pete Chambers Interview with Loz Netto April 2009 Coventry Telegraph.


COVENTRY-BORN Loz Letto, was the man behind one of rocks most enigmatic songs Drivers Seat, although a huge hit in America for his band Sniff ‘n’ Tears, the song that failed to break the charts in the UK . PETE CHAMBERS caught up with him recently, and chatted to him about his extraordinary career in the world of music.

“So you were Coventry born, tell us about your formative years?

 “I was born in Coventry. In my grandmother’s bed at Clifford Bridge Road, to be precise.

“I started playing guitar when I was 13. I eventually became quite fanatical and practised so much that my fingers bled.

“My father could not afford to buy me a guitar so he made one for me; a solid body electric with two pickups which he also made himself! “Literally the only thing that mattered in my life was music to the point where one day when I was 16, I was ushered into the headmaster’s study at Caludon Castle School and was asked to leave. I met the drummer John Bradbury (Specials drummer).

We used to rehearse above a pub, then later we were involved with a little four piece band. We did a couple of gigs but nothing much came of it. We were just mates really and I have some fond memories of that time”.

You joined the band Moon who had a strong Coventry connection I believe. How exciting was it to sign to CBS? “I reluctantly joined various showbands to earn some cash and it proved to be a very good musical education indeed.

“I eventually secured a job with Ben E King (ex Drifters) as his guitar player.

Then I got a call from a friend Noel McCalla, also from Coventry. He had got a gig with a new band in London called Moon and they were holding auditions for a guitar player and bass player. So Ron Lawrence and myself went along, got the gig and started playing the London pub scene.

We played pretty much every major town in the UK and Wales, travelling up and down the motorways in our bashed up Transit van. We also played The Butts College in Cov and The Lanchester Poly. We were doing lots of live radio shows for John Peel, I guess all that helped us get signed to CBS records.

We recorded two albums for the label. We were then doing bigger venues like The Hammersmith Odeon and The Fairfield Halls in London, The Glasgow Apollo, Odeon cinemas etc, supporting bands like War, Thin Lizzy, Boxer, Crawler, Gill Scot Heron and many others.

I guess the band was together about three years before we called it a day.” Sniff ‘n’ Tears, Drivers Seat, a superb song, does it bug you that it never did the business in the UK? What was the best part of being in the band? “I then got a job as house guitar player for a now defunct label called Imagination records. I did a bunch of albums before becoming one of the original members of a band called Sniff ‘n’ the Tears. The first single Drivers Seat became an international hit but the UK public were a bit sniffy, excuse the pun.

Despite Steve Wright continuously playing it and appearing on Top of The Pops, the single never took off here. The band also played The Old Grey Whistle Test. We did a fair amount of TV in Europe plus tons of touring in Spain, Franc , Germany and the US. We were managed at this point by Bud Prager who was also Foreigner and Bad Company’s manager.

So what is the Loz Netto up to at the moment? My main job at present, other than running my website www.loznetto.co.uk, is composing and recording soundtracks for film and TV..

Loz Netto trivia ONE night in Coventry Loz stumbled on a rock band playing at the TUC building to a rather unappreciative crowd. The band turned out to be Black Sabbath. However the Irish show band the TUC had actually booked that night, were wondering what they were doing playing at a Satanist convention. That’s agents for you.

Drivers Seat got to number 15 in the US charts in 1979..” 

The MONEY SPIDERS (The CHICANES)

 The MONEY SPIDERS (The CHICANES) – later as The Beautiful People 1968


The CHICANES
December 1963 – 1965 (Source Broadgate Gnome)

Beat Group

Members: Roger Gunn (lead guitar), Robert Cumner (rhythm guitar), Bernie Tompkins (bass), Kevin Connelly (drums). Barry Kingsbeer

Barry Kingsbeer formed the band with Kevin Connelly– see note below.

Formed in December 1963 and managed by Gordon Williams. Signed with Joe Meek as their recording manager. Became The Money Spiders in 1965 and the Beautiful People 1968.


Barry Kingsbeer
I was flattered to see a kind mention of The Chicanes here, schoolmate Kevin Connolly got a drum kit and took me round to his house to see it. At that point, being young and without fear (some might sat without a clue) we decided to form a band. I didn’t play any instrument at that time but ended up on bass which has been my first instrument ever since. On leaving the band I joined The Establishment, formerly The Stormbreakers from Nuneaton. Left Coventry 65/66 and lost touch. I’ve lived in Stratford for the last 20 years and am still playing.

Mondays Children

Mondays Children

 

Mondays Children circa 1966 – 1967


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From Broadgate Gnome and Bryan Fisher.


Line up was Ron Lawrence (guitar), Chris Smith (Vocal and keyboards), Dave Pennycook (guitar), Bryan Fisher (bass guitar) and Graham ?  Gray Richardson(drums). We did record for Polydor at Ivy Studios but the record got nowhere fast. (Picture attached showing us on steps at The Racehorse in Warwick)

Bryan Fisher says “A Small Faces style band which we did recording at Iver Studios in London, the same studio where Donovan did his first hits as well as The Ivy League. Unfortunately our management screwed things up and our record deal came to nothing.”




Beat group – ‘Five piece Small Faces- type combo’ , said Midland Beat in November 1966

Modern Zoo

 Modern Zoo


Modern Zoo circa 1980 – 1983



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Which were one of the first “electronic bands” from Coventry, who maybe had more success out of Coventry rather than in it. The Band comprised of:-

Lead vocals and Synthesisers – Stuart Knapper – ex of Riot Act.
Vocals, Bass and Synthesisers – Mark Toomer
Saxophone and Synthesisers – Ian Haines

Gigged all around Coventry, and the first to gig at “Guys” Club in lower precinct when this was changed into a Band venue for Avant Garde type Bands in the 80’s

The band actually split in 1983 and was re-formed with
Mark Toomer – Keyboards and vocals
Nick Hadley – Keyboards and vocals
Ian Haines – Saxophone and Keyboards
Steve Jones – Bass

This format of the Band had a few success’s with “Studio work” however split in late 1985 to take alternative directions.

Information from Salvador Foxx (with thanks).

Mobolicious

 Mobolicious



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From Leigh Malin “Another good band I was in for a stretch between roughly 2005-2007 was Mobolicious. We had residency at the Escape Bar & played weddings, corporate gigs, bars & other stuff again, all funk & soul covers.”

Line up was –
Paul Skyers – lead vocals
Rachel Sherriff – backing vocals
Emily Sherriff – backing vocals
Andrew Mcintyre – trumpet
Leigh Malin – tenor / baritone sax
Chris Redwood – trombone
Sean Kapusta – guitar
Wayne Matthews – bass
Matt Bramhall – keyboards
Ben Haynes / Joe Manger – drums





The MOB

The MOB



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The single Send me To Coventry.

Line Up include
Bob Jackson on Keys / vocals – (ex Indian Summer / Badfinger / Ross / John Entwhistle Ro Ro / Monster Magnet / Dodgers).

Arun Bhandari (also vocalist with Stiletto)
Jim Pryal – drums

The B side Mobbed

Pete Chambers writes in Godiva Rocks
” A blatant 2 Tone bandwagon jumper has to be Send Me to Coventry, by The Mob, there were 9 of them, including Bob Jackson. It’s a song that really has no right to be so catchy. With lyrics such as, “I can see no naked lady, riding on her horse now”, and, ”C-O-V-E-N try our new horizon”, a blatant plug for Horizon studios probably, not it was recorded there but at Woodbine Studios! The Mob was the brainchild of Arun Bhandari. Who not long before the Two Tone explosion was fronting a rock band called Stiletto doing a blooming good Phil Lynott impersonation at the Dog and Trumpet. This is certainly my favourite Coventry song of the time, a kitsch classic.”


From Marco on Bass (a great site for Ska fans) and drummer Jim Pryal
http://marcoonthebass.blogspot.com/2010/12/unsung-bands-of-2-tone-era-mob-9-piece.html


Marco writes ” In the wake of the 2-Tone explosion, the story of The Mob is one that happened all across the U.K. In this case, the band — made up of nine established rock musicians, including a member of noted 60’s rock band Badfinger —  was actually based in the epicenter of Coventry.  Despite its rather blatant attempt to jump on the 2-Tone bandwagon, it’s a song that really has no right to be so catchy. With lyrics such as, ‘I can see no naked lady, riding on her horse now’ (referencing Lady Godiva who is an icon in Coventry) and, ‘C-O-V-E-N try our new horizon’, its a great guilty pleasure.”

Jim Pryal says in an interview with Marco ” At the time of the 2-Tone explosion, I was drummer in a Coventry rock band Stiletto, doing mainly covers and playing bars and clubs. The bass player, Arun Bhandari had written several songs and the band was always experimenting with different beats and rhythms to try and come up with something original. Arun already had the idea of ‘Send me to Coventry’ so we booked studio time and drafted in other musicians – keyboard player Bob Jackson of Badfinger fame and a sax player who’s name I cannot remember and some backing singers. “Was it an attempt to jump on the 2-Tone band wagon sound?

It was a one off and a definite attempt at jumping on the bandwagon. ” Tell me about recording the rare 45-rpm single, ‘Send Me To Coventry. What kind of reaction did the single get when it was released?

We recorded it and had 1,000 copies pressed. Although the local radio station made it their record of the week, we couldn’t get any other interest with it. I heard recently that it sells in Japan and I’m trying to find out what happened to all the copies!”

Jim Pryal commented on the original Hobo site ” In 1979 I  recorded a song with Arun called ‘Send me to Coventry’ at John Rivers Woodbine street studios in Leamington Spa.  We were trying to jump on the ska bandwagon that was emerging in Coventry. On the B side of the single was a tune called ‘Mobbed’ featuring Bob Jackson of Indian Summer (and now The Fortunes) on keyboard. We called the band ‘The Mob’. Mercia radio made it their ‘single of the week’ in their first week on air in 1980. It received some other airplay and publicity but that’s as far as it went. It was at these sessions at Woodbine that I first met ‘Ollie’ or Roland Oliver as I was later to find out. He was in a band called Machine that became Hot Snacks, which i joined as drummer – replacing Silverton who had been in the original Specials “



This is a transcript of the article
“Chart Bound – That’s the Ansty Mob
Rolls Royce News 1980 by Gary Atkins

“Send me to Coventry” has in recent months developed a whole new meaning in the pop world with the emergence of such groups as The Specials and Selecter who have captivated young audiences with the Coventry Sound.

Hoping to become part of that sound very soon – with the release of a single entitled Send me to Coventry – is Ansty’s Arun Bhandari, guitarist and the brains behind both the record the recently formed band The Mob.

The other side of the single is supposedly called Mobbed, co written by Arun and another member Bob Jackson who is an ex Rolls Royce Parkside man but whose main claim to fame comes from the days when he played keyboards with the popular band Badfinger.

The third instrumentalist with the Mob is Jim Pryal, a drummer who played with Arun in Stiletto, a band well known at the Dog and Trumpet pub in Coventry before splitting up.

Arun said “I’ve always wanted to play the guitar – it has been one of my greatest ambitions. After Stiletto, I wrote the new number, felt it might do well, and got a few people together to make the single..”

Vocals
Some of those people who assembled to provide backing vocals are from Rolls Royce, Mick Forsyth from Parkside, and Chris Woodmass, Tony Cooper, and Kate Burns from Ansty.

Two other girls, Mary and Julie complete the backing vocal sextet. As well as writing and playing the material, Arun has handled all the stages of production, from practice sessions to cutting the record.

“I’ve had quite a lot of help, particularly from Pete Ashton, who also works at Ansty and has designed a beautiful cover for the record’ he said.

“Studio costs and the outlay on artwork and production have cost me around a thousand pounds which means I must sell a thousand discs to break even.”

To do that Arun is sending copies of the disc to all BBC DJ’s and commercial radio stations to get as many airplays as possible. 

Then hopefully a distributor will step in to control sales nationwide, said Arun. Kate, Tony and the rest are already looking forward to appearing on Top of the Pop – and so am I.”