NING

NING


 1970 – 1971 Prog / Soul / Psychedelia


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Line up: Jimmy Edwards (vocals, organ), Derek Wilson (guitar), Mick Ross (bass), James Pryal (drums).

‘Soul rock outfit with an energetic stage act’ according to Tapestry of Delights. They ‘played 7 nights a week beneath a café’ and also refused to give interviews of any biographical information to Decca.

Wilson ex-3AM.

Single:

A:Machines/ B:More Ning (Decca F23114 1971)

From Broadgate Gnome.

Memories from drummer Jim Pryal

“Around this time (1971) I got involved in a studio project. A band called ‘Ning’ was put together by a producer called Mike Berry from Sparta Florida music publishers, London, to record a Freak beat single called ‘Machine’ and b/w ‘More Ning’. How original lol!


It was released on the Decca label in 1971 and got played a fair few times on Luxembourg radio. Unbeknown to us it was also released in Holland and Germany and the USA. It was popular for a few weeks in a town in the USA.

In the band was a keyboard player from Coventry Jimmy Edwards (RIP died Nov 8th 2022) Jimmy lived in Bagington and played organ at Bagington church. He was the co writer of the tunes and played a great rendition of Beethoven’s 5th. Also in the band were bass player Mick Ross from a Nuneaton band called ‘Gregorian Chant’, The guitarist was Derek Wilson aka Beck, who I shared a flat with for a while In Coventry. He was a great guitar player and former member of Coventry blues band 3AM.

We recorded the tunes in Decca studios in London during evening down time in 1971. (Fleetwood Mac recorded Albatross there which was released on The Blue Horizon label). It came out with several picture sleeves. A music paper of the day – ‘Record Mirror’ ran a competition where punters were invited to draw what they thought a Ning looked like! Funnily enough I saw a German pressing of the disc on e bay in the last year going for 30 quid!”


The Single on YouTube – Machine by Ning



More Ning (B Side)






NIGHT EASE

 NIGHT EASE



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circa 1970 – Heavy jazz – Line up: Bob Poole – guitar, Chuck Elliot – guitar , John Wes -bass, John Bradbury – drums. Bradbury later joined the Specials. Chuck Elliot later with Side Effect – back Talma Acts touring in this country. Source Broadgate Gnome Associated with Broadgate Gnome’s Tribal Rock Music Collective 1970.

New City Sounds

 New City Sounds


Two Time Winners of Opportunity Knocks!

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Line ups – 
As seen in the picture below – Tony (trumpet) PyattColin Scott Frank DempseyGloria WilliamsArthur GriffithsLenny Barrett, John Williams
( Rex Brough cites Modie (Arthur) Albrighton and Keith James as being in the band at some stage). Pete Chambers mentions Mick Hayes too.
Opportunity Knocks line up was – Arthur Griffiths – Frank Dempsey – Lenny Barrett – Angie – Barry Okeef  – Pete Smith.
The New City Sounds was a show band that appeared on opportunity knocks in the 70s run by Frank Dempsy. After this Modie left for Germany. 
Photos – Via Hobo Magazine  
The name New City Sounds was inspired by a loaf of bread called the New City Loaf. 
While I was running Hobo Magazine in Coventry c1973, I was introduced briefly to Frank Demsey – who gave me the above band card – strangely actually on the Broadgate Island where they were photographed!
I received an e mail from Corrie Griffiths  
  Hi, my dad was a member of New City Sounds from aprox 1969 to 1973. During this time they appeared on Opportunity Knocks four times, two of which they won. The first photo on your web feature (Above) from left to right is Tony (trumpet) Pyatt, Colin Scott, Frank Dempsey, Gloria Williams, Arthur Griffiths (my dad), Lenny Barret and John Williams. This was not the same line up that won opportunity knocks, that line up was Arther Griffiths, Frank Dempsey, Lenny Barret, Angie and Barry Okeef and Pete Smith. My dad Arther Griffiths continued playing the club circuit till 1995 when he hung up his saxophone and retired. Following New City Sounds was Internationals, West Bank Show Band and finally Parade. I hope this information will help you update the page with the correct information and make it more interesting.
The song they won Opportunity Knocks with was Stop the World and Let me Off. It was recorded at Midland Sound Recorders in Balsall Common.
 NEW CITY SOUNDS BAND leader Frank Dempsey is the father of local folk / Jazz guitar guru Kevin Dempsey formerly of Dando Shaft. 
They played nationwide and supported the likes of Pickerty Witch, The New Vaudeville Band, and even shared fish and chips with the Bay City Rollers. 
In Godiva Rocked to a Backbeat – Pete Chambers tells us that the band came together in 1969 at the West End Club (Now the HQ of Mercia Radio) led by Frank Dempsey and the band became a fixture at the Free and Easy weekends.  Sadly Mick Hayes, an original member who died from electrocution on stage. Original members – Frank Dempsey and Arthur Griffiths decided that Mick would want the band to continue and they came back bigger and better with Barry and Angie O’Keef and Pete Smith and Len Barrett.
” The band had a new sound and began making their mark not just in Coventry and Warwickshire but also all over the country like Leeds and Manchester. Angie brought some glamour to the band, and with her great voice and good looks became an obvious focal point of the group. ” (Backbeat)
Pete Chambers asked Arthur Griffiths about the Opportunity Knocks experience –
“It was absolutely brilliant! When we got back home we were like stars, everyone wanted to talk to us. I had people talking to me who I had never met. I remember our triumphant return to the Parkstone Club after the show. We packed the place out, it was sensational.” 
After that, hey were voted top band in the Irish polls, and their van with their name on the side always received a lot of attention with people waving and saying hello. They played nationwide and supported the likes of Pickerty Witch, The New Vaudeville Band, and even shared fish and chips with the Bay City Rollers. 
After Opportunity Knocks, Barry and Angie O’Keefe left the band. Barry formed the highly successful Las Vegas Showband and Angie joined the Miki Most Empire under the name Angie Miller. She released two unsuccessful singles Born to be Loved by You (RAK 209, 1975) and Stardust in Your Eyes (RAK 151, 1973; EMI/Columbia 1C 006-94 545 (Germany). And an album entitled A Woman’s Mind  (SRAK515, 1975). 
Arthur said: “I remember we did a demo for a song that was passed on to us, it was called Lost in France, a little while after Angie had left I heard the song on the radio, I was convinced it was Angie singing it, of course, it turned out to be Bonnie Tyler.” 
This of course is not the New City Sounds playing here but it is the winning song on Opportunity Knocks sung here by Patsy Cline.

The Original line up with Frank on the left – 
Pic from Godiva Rocked to a Backbeat – Pete Chambers

Later line up with Tony Pyatt (Trumpet) in the line up.
Pic from Pete Chambers.

New City Sounds had the X-Factor; 
Nostalgia: From PETE CHAMBERS –  BACKBEAT – Coventry Telegraph 
a weekly look at the local music scene of the past.
THE area has a proud history of show/club bands, like Smackee, The Pat Gissane Showman and our featured group today the New City Sounds, who came to fame as two-time winners of the hit TV show Opportunity Knocks.
Coming together in 1969 at the old West End Club (now the HQ of Mercia FM), Led by Frank Dempsey the band became a permanent fixture at the free and easy weekends.
The future looked bright, that was until Mick Hayes died from electrocution on stage and the band came close to calling it a day.
During this painful time original members Frank Dempsey and Arthur Griffith got to thinking that Mick wouldn’t have wanted them to stop playing, it was their life. So the guys re-grouped and reinvented the New City Sounds.
They came back bigger and better with new members Barry and Angie O’Keefe, Pete Smith and Lenny Barrett. The band had a new sound and began making their mark not just in Coventry and Warwickshire but also all over the country like Leeds and Manchester. Angie brought some glamour to the band, and with her great voice and good looks became an obvious focal point of the group.
The big TV talent show of the day was Opportunity Knocks, long before Pop Idol and The X-Factor this show was discovering talent in a major way, and any self-respecting artiste would at least audition to be on the show.
New City Sounds not only auditioned for the show but actually got to be on it and won it twice, also returning for the All Winners Show.I asked Arthur Griffith about the Opportunity Knocks experience. “It was just a great experience for us, I remember Frank Dempsey saying to me: ‘I’ve waited years for this to happen’, as we stood by the voting board with our name lit up on it.
“It was absolutely brilliant, when we got back home we were like stars, everyone wanted to talk to us, I had people talking to me who I had never met. I remember our triumphant return to the Parkstone Club after the show. We packed the place out, it was sensational.”
Life had suddenly changed for the band, they were now a “successful, as-seen-on-TV band” and they were packing the Parkstone out every time they played there.
They were voted top band in the Irish polls, and their van with their name on the side always received a lot of attention with people waving and saying hello.
They played nationwide and supported the likes of Pickerty Witch, The New Vaudeville Band, and even shared fish and chips with the Bay City Rollers.
Shortly after the TV success, for whatever reason members Barry and Angie O’Keefe left the band, Barry formed the highly successful Las Vegas Showband and Angie joined the Miki Most Empire under the name Angie Miller. She release two unsuccessful singles Born to be Loved by You and Stardust in Your Eyes. And an album entitled A Woman’s Mind.
Arthur said: “I remember we did a demo for a song that was passed on to us, it was called Lost in France, a little while after Angie had left I heard the song on the radio, I was convinced it was Angie singing it, of course, it turned out to be Bonnie Tyler.”
Meanwhile New City Sounds had taken on new members including Tony Pyatt. I asked Tony how he felt “cold-calling” on a band that had won Opportunity Knocks?
“I came in at the deep end, I was petrified – it was unreal,” he said.
The band continued to tour until Arthur and Tony joined the Internationals, Tony who had just missed out on Opportunity Knocks success was delighted when this new band passed the audition to appear on the show, fate sadly intervened and just as Tony was about to fulfil his ambition the show was permanently cancelled.
Tony and Arthur continued to play and tour and finally joined the band Parade marking a 20-year partnership.
Pop Trivia – NEW CITY SOUNDS BAND leader Frank Dempsey is the father of local folk guru Kevin Dempsey.
THE song they won Opportunity Knocks with was Stop the World and Let me Off. It was recorded at Midland Sound Recorders in Balsall Common.
THE name New City Sounds was inspired by a loaf of bread called the New City Loaf.
……………………………

NEMESIS

NEMESIS


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1971, they practiced at the Coventry Arts Umbrella Club. Members included Geoff Tookey (also in Bronze Cottage – acoustic outfit – early 70’s), Brian Evans Lead guitar (also in Chainsaw) and Sax /Flute player Dave Bud (later of Bung), Craig Davies on Bass. (We had a couple of lads who’s names escape me take over on bass and drums.).”We did not play that many gigs, got paid off on one New Years Eve at a Working Mens Club despite the protests of the younger fraternity. The Ents Sec said that we were too heavy, playing a mix of some dreadful original stuff, covers of Sabbath, Hawkwind, Jethro Tull Roxy Music, and Elvis!”

Natural Gass

Natural Gass


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circa 1969-1970 – Progressive rock – Line up: Paul Kennelly (vocals), Martin Lucas (guitar), Bob Hopkins (keyboards), Pete Smith (bass), Grenville Barber (drums).Toured Wales. Kennelly and Barber ex-Revolution. Source Broadgate Gnome 
Gigged at Tower Ballroom – Great Yarmouth
Natural Gass formed out of Revolution May 1969 which in turned had formed out of The Motion in Jan 1969. When Dave Sutton left Revolution, they formed Natural Gass with Martin Lucas on guitar.

Paul Kennelly –

“This is the new line up when Revolution became Natural Gass on July 23rd. 1969 : Granville Barber, Bob Hopkins, Pete Smith, Paul Kennelly and Martin Lucas.” ( photo at Corley Rocks ).

With the decision by Dave Sutton to leave the band , we needed a new lead Guitarist. As so often happens when someone leaves, the whole sound and feel of the band changes. We were now getting regular work, much of it outside Coventry. Dave’s replacement was Martin Lucas who was a multi style player who brought versatility to the band. This meant that the only original from the days of ” SABU ” (Allen Parsons) was Granville barber.”



Napalm Death

 Napalm Death




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Napalm Death are a British extreme metal band formed in Meriden, West Midlands, England, in 1981.While none of its original members remain in the group since December 1986, the lineup of vocalist Mark “Barney” Greenway, bassist Shane Embury, guitarist Mitch Harris and drummer Danny Herrera has remained consistent of the band’s career since 1992’s Utopia Banished, although, from 1989 to 2004, Napalm Death were a five-piece band after they added Jesse Pintado as the replacement of one-time guitarist Bill Steer; following Pintado’s departure, the band reverted to a four-piece rather than replace him.

Napalm Death are credited as pioneers of the grindcore genre by incorporating elements of crust punk and death metal, using a noise-filled sound that uses heavily distorted, down-tuned guitars, grinding overdrive bass, high speed tempo, blast beats, and vocals which consist of incomprehensible growls, or high-pitched shrieks, extremely short songs, fast tempos, and sociopolitical lyrics. The band’s debut album Scum, released in 1987 by Earache Records, proved substantially influential throughout the global metal community. According to the Guinness World Records, their song “You Suffer” is the shortest song in the world, at only 1.316 seconds long.

Napalm Death have released fifteen studio albums and are listed by Nielsen SoundScan as the seventh best-selling death metal band in the United States.

More information on this band on Wiki here https://en.wikipedia.org/wiki/Napalm_Death

and on their website http://napalmdeath.org/scum/home-2/

Quote from Keith Lambe “Wow, people go on about the Specials but this lot virtually invented a truly global genre, hugely influential. Saw them at old Colosseum and I think The Heath on the Foleshill Rd in Coventry.”



NACK-ED-EN

 NACK-ED-EN


(1970) (John Bradbury – drums)

A tasteful heavy rock band for 1970.

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Lead Guitar – LOZ NETTO (later with Tsar / Love Zeus / Sniff and the Tears (Now solo) and more.

Bass Guitar – NEIL RICHARDSON – formerly with Acorn later with Drops of Brandy.

Drums – 1st drummer STEVE HARRISON previously with Mick Green Blues Band later with Concert / Railroad

Replaced by JOHN (BRAD) BRADBURY (later with The Original Selecter and Transposed Men with Neol Davis)  Joined The Specials 1979.

Trev Teasdel’s recollections of Nack-ed-en.

 Steve Harrison, who was drumming for the Mick Green Blues band with Tony (Mojo ) Morgan on bass asked me to write some lyrics for the band. However the band split up not long afterwards and the lyrics not used. Mojo put music to one of my songs Elusive Metallic Idol . When Steve joined a new band – Nack-ed-en he again invited me to bring some lyrics to the rehearsal at the Queens pub in Primrose Hill Street (next to what is now the Kashbar).

The band were in full fling rehearsing some heavy blues numbers but Steve wasn’t on the drums. He’d been replaced by John Bradbury. It would be another nine years before Brad would make his name in the Specials. The lead guitar was Loz Netto who later joined Sniff and the Tears, playing on tracks like Driver’s Seat. The bass player went on to play with drummer Ted Duggan in Drops of Brandy, delivering pretty good covers (think 10cc) and who toured the Rank circuit and airbases. They seemed to have their material sorted out so I didn’t push the lyrics.

My attendance wasn’t entirely in vain. After the Queens rehearsal we went to the Dive (Lady Godiva pub) and met up with blues guitarist Chris Jones whose band The Chris Jones Aggression often played the Umbrella club. John Bradbury read through my lyrics and asked who I was (I’m not sure if that was good or bad!) but John was always friendly and around the scene and was a popular drummer. The band mentioned that the Queens Hotel was expensive to hire. I ran the band nights at Coventry Arts Umbrella and told them they could rehearse there free, which they did. We also featured them on one of the Umbrella band nights. 

John Bradbury was a great accomplished drummer and had a good sense of song structure, taking the songs apart section by section. I got to watch them rehearse.

Later in the year at the Umbrella both Loz and John Bradbury took part in an all night jam session organised by Neol Davis. It was the first time Neol had played with Loz and I think John Bradbury. Later, in 1977, John Bradbury would later play on the Original Selecter track, written by Neol Davis and featured on the B side of the Special’s first single Gangsters.

I don’t know where Nack-ed-en played apart from the Umbrella but Jim Twyneham of Silk disco recalls putting them on at the Sunday night Plough Club bottom of London Road.

Loz Netto  now has a great site updating his some of his impressive work down the decades) http://www.loznetto.co.uk/
You can also download his albums and find his work on You Tube.

My personal memories of Loz from those times – 

Not long after we went over to the Warwick University Arts Festival, with its mix of Street theatre, poetry, bands. On the final night – a Sunday I met up with Loz at a concert with the Pink Fairies and local bands Asgard, The Sorrows, Kevin Harrison’s Whistler.

Loz was after a go on Twink’s (of the Pink Fairies) guitar. Twink had a ceramic guitar. He finally had a go on it in the changing rooms and taught me my first lead guitar licks. Meanwhile the Pink Faries stuck a condom over the tap which exploded just as two university officials in suits walked in!

On another occasional, we went to see ELP at the Lanch Poly and after the gig, met Greg Lake and Carl Palmer at the Hotdog van that waited outside the Lanch after a gig. Loz, keen to learn more about Bob Fripp of King Crimson, struck up a conversation with the pair. Loz asked about what it was like working with Bob Fripp, Greg said something to the effect that Bob was a genius but sometimes geniuses are hard to work with, hence the split. Carl Palmer told us he came from Nuneaton or Bedworth and was pleased to play on home ground again. Greg and Carl mooched off in the direction of the De Vere Hotel.

Loz was also studying drama at Brooklands Annexe at this time as Paul King did later on . From Nack ed en, Loz joined Tsar and then Love Zeus at the Umbrella with Al Docker drums, Tony Cross – keys and a violin player. They played the Belgrade Theatre, Lanch Poly and Umbrella Club. Finally he left Coventry for London and turned up in Moon and then Sniff and the Tears c 1979 – with Ron Lawrence – former bassist with another Coventry band – April.

Neil Richards joined Drops of Brandy with Ted Duggan after Nack ed en and played with them for most of the rest of the decade, touring the country at one stage for the Rank Organisation. Their set was entirely covers, but they did them well and were highly popular (think 10cc whose numbers appeared in their set a lot).

Loz Netto solo 1986

Pete Chambers interviewed Loz Netto for Backbeat in the Coventry Telegraph – Here
http://www.thefreelibrary.com/Sniff+of+US+success+for+Loz+in+the+Drivers+Seat%3B+COVENTRY-BORN+Loz…-a0197824856

So you were Coventry born, tell us about your formative years? “I was born in Coventry. In my grandmother’s bed at Clifford Bridge Road, to be precise.

“I started playing guitar when I was 13. I eventually became quite fanatical and practised so much that my fingers bled.

“My father could not afford to buy me a guitar so he made one for me; a solid body electric with two pickups which he also made himself! “Literally the only thing that mattered in my life was music to the point where one day when I was 16, I was ushered into the headmaster’s study at Caludon Castle School and was asked to leave. I met the drummer John Bradbury (Specials drummer).

We used to rehearse above a pub, then later we were involved with a little four piece band. We did a couple of gigs but nothing much came of it. We were just mates really and I have some fond memories of that time”.

You joined the band Moon who had a strong Coventry connection I believe. How exciting was it to sign to CBS? “I reluctantly joined various showbands to earn some cash and it proved to be a very good musical education indeed.

“I eventually secured a job with Ben E King (ex Drifters) as his guitar player.

Then I got a call from a friend Noel McCalla, also from Coventry. He had got a gig with a new band in London called Moon and they were holding auditions for a guitar player and bass player. So Ron Lawrence and myself went along, got the gig and started playing the London pub scene.

“We played pretty much every major town in the UK and Wales, travelling up and down the motorways in our bashed up Transit van. We also played The Butts College in Cov and The Lanchester Poly.

“We were doing lots of live radio shows for John Peel, I guess all that helped us get signed to CBS records.

“We recorded two albums for the label. We were then doing bigger venues like The Hammersmith Odeon and The Fairfield Halls in London, The Glasgow Apollo, Odeon cinemas etc, supporting bands like War, Thin Lizzy, Boxer, Crawler, Gill Scot Heron and many others.

“I guess the band was together about three years before we called it a day.” Sniff ‘n’ Tears, Drivers Seat, a superb song, does it bug you that it never did the business in the UK? What was the best part of being in the band? “I then got a job as house guitar player for a now defunct label called Imagination records. I did a bunch of albums before becoming one of the original members of a band called Sniff ‘n’ the Tears.

“The first single Drivers Seat became an international hit but the UK public were a bit sniffy, excuse the pun.

“Despite Steve Wright continuously playing it and appearing on Top of The Pops, the single never took off here.

“The band also played The Old Grey Whistle Test. We did a fair amount of TV in Europe plus tons of touring in Spain, Franc , Germany and the US. We were managed at this point by Bud Prager who was also Foreigner and Bad Company’s manager.

So what is the Loz Netto up to at the moment? My main job at present, other than running my website www.loznetto.co.uk, is composing and recording soundtracks for film and TV..

Loz Netto trivia ONE night in Coventry Loz stumbled on a rock band playing at the TUC building to a rather unappreciative crowd. The band turned out to be Black Sabbath. However the Irish show band the TUC had actually booked that night, were wondering what they were doing playing at a Satanist convention.

That’s agents for you.

Drivers Seat got to number 15 in the US charts in 1979..

Another interview with Loz Netto here http://www.popculturemadness.com/interview/2010/Loz-Netto.html

The Overtones

 The Overtones


The Overtones were Paul Kennelly’s first band – later he played with Peppermint Kreem and many others.


Paul Kennelly – “MY FIRST BAND ….. THE OVERTONES 1964 – The image shows Paul Kennelly and John Turner at top left and Chris Ellis and Dave Overton on the right. Both Dave and Chris are sadly , no longer with us. The name OVERTONES came from Dave’s surname ( Overton ). We had Gigster drums, a screechy mike, an electrified Spanish guitar, a Watkins amp and , being called Paul and being born in Liverpool, I bought a Vox Bassmaster. I hadn’t got a clue although I did learn to tune it ! Eventually, Dave lost interest and so did Chris. I was a pal of two lads at the Art School and that is how John and I set the ball rolling with Smoking Embers, using the Art School after lessons, to rehearse. The image shows Paul Kennelly and John Turner at top left and Chris Ellis and Dave Overton on the right. Both Dave and Chris are sadly , no longer with us. The name OVERTONES came from Dave’s surname ( Overton ). We had Gigster drums, a screechy mike, an electrified Spanish guitar, a Watkins amp and , being called Paul and being born in Liverpool, I bought a Vox Bassmaster. I hadn’t got a clue although I did learn to tune it !”

Out of the Blue

Out of the Blue

According to Pete Chambers, formed out of Jimmy Jimmy in the mid to late 80’s, I think.


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Pete says (in Godiva Rocks) “Out of the Blue were a stylish six piece unit comprising of James O’Neill – Vocals and guitar, Howie Price – Sax, Rob Arnall – Keyboards, Miles Woodroffe – bass, Ray Jenkins – guitar and Steve Kenny – drums. I had a lot of time for this band. I remember I once got a call from an excited Sean O’Sullivan, he was the A & R guy at A & R Records, asking me all about them. He had become interested in them when news broke they would be supporting Wet Wet Wet. Despite such interest they finally split-up and probably went back to their day jobs in Hertford (Where Jimmy Jimmy began busking).”

I also have Steve Kavanagh down as being in the band at some stage and with Rob Arnall – were both of the band Presage. I think this was early Out of the Blue, then called Fresh (86).

OTTOMAN

OTTOMAN

circa 1974 Source Hobo



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Doobie Bros/Santana inspired

Line up: John Alderson (guitar), Al Hatton (guitar), Ron Ablewhite (acoustic guitar), Martin Barter (keyboards), Roy Brewster (percussion), Richie Medlock (drums) and unknown (bass) .

Alderson was ex-Wandering John .

Hatton was ex-Indian Summer. They appeared on ‘Midlands Today’

From Hobo Coventry Music and Arts Magazine

OTTOMAN (Summer 1974)

With the return of Johnny (Slide) Alderson from a period of living in Wales, he first of all joined Trilogy (an acoustic three piece with Ex Indian Summer guitarist – Al Hatton, Ron Ablewhite and percussionist Roy Brewster. They also added Martin Barter on keyboards and vocals. Soon this new expansion and electrification of the band of the band led to a change of name from Trilogy ( which no longer described the new 5 piece, to Ottoman. Both Trilogy and Ottoman were reported on in Hobo.

FROM HOBO MAGAZINE -SUMMER 1974

HARK THE OTTOMAN COMETH

“It could be said that they produce music in a similar vain to the Doobie Bros, with a touch of Santana in the percussion, but such a classifications are intended as only a rough guideline to loosely indicate their style. They of course write and play music like Ottoman, who else? Having only been formed a few months, this band has the distinction of having appeared on BBC’s MIDLAND’S TODAY programme. The lead and slide guitar is performed by Ex Wandering John guitarist – John Alderson, whilst the keyboards ring to the tune on Martin Barter. Al Hatton lends his weight to the battle charge on electric rhythm, ably supported by Ron Abelwhite on acoustic guitar, defended by Roy Brewster on percussion and Richie Medlock on drums and a bass player, of whose name I am not yet clear on! All members contribute to the sound. (Ed’s note – Ottoman was an electrification and expansion of the group acoustic group Trilogy).”

I think Ron Abelwhite had been in the acoustic group Torqwood (whom I’d seen play at the Butts Tech Student Union and Al Hatton was in the original Indian Summer with Roy Butterfield before the line up change that were involved with the Indian Summer RCA Neon album. I’d met Al Hatton a year or two before at the Shilton cottage when he was practicing with Al Docker’s band Runestaff in our dining room. That was the first time I think he swopped his electric for an acoustic guitar. I can’t recall if I actually saw Ottoman live but I saw Trilogy quite a few times, at the White Bear in Willenhall Wood, with solo blues player Mick Stuart and also at the Antelope Folk Club, near the Butts. At this gig percussionist Roy Brewster backed my on one of my first floor spots, on bongos (unrehearsed!) and gave me an interesting talk of Latin rhythms. He was a very knowledgeable guy. Playing solo then, my songs were apt to change rhythm without warning making it hard for him to follow – he suggested I work with a percussionist to develop the rhythmic side of the songs. I think those particular songs had a Tyrannosaurus Rex kind of feel and so it kind of made sense. I advertised in Hobo for a percussionist and other musicians but the work of the Hobo Workshop and college took my attention for a while.