Phoenix (Dave Pepper’s band)

 Draft version

Phoenix c 1974- Dave Pepper’s early band – Played the Hobo Workshop at the Holyhead Youth Centre and earmarked for the Hobo (Shut-down) Coventry Precinct Concert. Dave later played in the X Certs etc. They advertised in Hobo Magazine and we contacted them with a view to playing at the Hobo Workshop Coventry Precinct concert which was shut down on Saturday 14th September 1974. As it happened the first band Memories played and before Phoenix got a chance to play the police shut the concert down. The press cuttings and full story ar the memories post. Folkies Rod Felton and Dave Bennett were earmarked to perform too. A young Dave Pepper was in this band – Dave later went on to play with X Certs in the late 70’s.

From Dave Pepper

“My first band! Phoenix. The only known pictures that exist. This was where we rehearsed in the main hall at Caludon Castle school in Coventry. This is the time we also rehearsed at The Farm in Binley with a great band calked Fission! We also played Hobos thru Trev Teasdel great place to play and it was Trev that helped build the Coventry music scene.”

Other bands Dave Pepper was in include Courtiers of Fashion / Concert / Blitzkraig Zone


c 1974- Dave Pepper’s early band – Played the Hobo Workshop at the Holyhead Youth Centre and earmarked for the Hobo (Shut-down) Coventry Precinct Concert. Dave later played in the X Certs etc.

Phaze 1V

 Phaze 1V


BAND INDEX

Phaze 1V c1978 was Andy Rothwell – Guttercat’s first band –

Andy was in Phaze1V, Malias, Firefly, Insane Dice, Fridayz Angelz, Midnight Crisis, Gutter Cats, Guttercats (different band) over the years – all of which are mentioned on the site – see index.

Andy writes

” During my last couple of years at Secondary School during
the late 70’s I began to get into all types of music that was around me at the
time. My influences probably originated from there and I became the person I am
today. I’d been into listening and copying Elvis Presley in singing and the way
he moved, since as far back as I could remember. But the combination of Rock
and Roll, Heavy Rock / Meta / Punk, and even Pop music, at the time started me on
the road, for the need to be in a band, but firstly I tried to write songs (which
incidentally I still ain’t mastered / managed). I remember sitting in class
writing these stupid lyrics and while walking from block to block in the school
between lessons, I’d hum or sing the tunes to myself.

The year was about 1978 and I met up with some guys, from the year below me at school, during my final year at school. They had a common interest with me to form a band. My first band then, playing Rock music, was PHAZE lV. * We never got past rehearsal stages though and fell out with each other and split up. We couldn’t really play that well, but we learnt as we went along. Rehearsals began in the front room of my parents house. Felt like a fish bowl though as I lived on a main road with cars, buses and people walking past all the time. We had the guitar / bass rigged to play through my Dad’s stereo. My Dad was a Hi fi buff and had built these massive 4×4 speaker cabinets to listen to his music through. It was the same Hi fi that I’d listened to the 1st Van Halen album on, with the volume pumped up. We eventually started rehearsing at a school classroom not far from where I lived and relied on the guitarists dad to give us a lift there with the equipment we had now built up. Incidentally it was this 1st band that I was also playing bass guitar in, as well as singing. We’d got some guitar cabs and mics etc by the time we’d got ourselves into rehearsing at the school.”




Next band Malias / Siren – see index.


Pharaoh’s Kingdom

 Draft version

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Pharaoh’s Kingdom Mid 70’s
Line up
Front Row

Laleen Barrett
Diane?
Beverley Richards

Ray King
Back Row
Lynval Golding – Guitar
Charley Aitch Bembridge – Vocals
Silverton Hutchinson – Drums
Desmond Brown – Organ


Pharaoh’s Kingdom developed into Nite Train with the addition of Neol Davies and Jerry Dammers. Jerry later formed his own band with some of the members – The Coventry Automatics / Specials.

In Jerry Dammers diary (printed in Issue 3 of Alternative Sounds) c 1979 / 80, he writes November 1977 ” Horace persuaded to leave ‘Breaker’, (lead singer Margo, now in Mud). Lynval and Silverton persuaded to leave Pharaoh’s Kingdom.”



Phantom Five

Draft Version


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Phantom Five became Sam Spade and the Gravediggers – Pete Chambers has the story in Backbeat – Coventry Telegraph –
“first band were The Phantom 5 who were formed in Rugby 1963 to primarily take advantage of a pop spot concert that was being held at Rugby Theatre.

Though they originally formed as an instrumental band they would take on a guest vocalist having secured a two-week tour (The Merrymakers Tour 63) alongside Rugby’s Beat preachers.

They would later come to Coventry to play The Orchid Ballroom and The Locarno, supporting artists such as Beverley Jones, Johnny B Great and The Rockin’ Berries.

After 12 months as The Phantom 5 they made a conscious decision to change their direction and the beat sound of the old band had become R’n’B in this new unit they called Sam Spade and the Gravediggers.

The line-up was based on that of Phantom 5, with Dave Varnish on lead guitar, Andy Hayward on guitar and vocals, Bob Bostrum on bass and vocals, Ray Barrett (Sam Spade) vocals and harmonica, while Geoff Anthill would replace Malc Thompson on drums.

“We played hard-driving harmonica-led blues,” said Andy. “A typical set would include Hi Heel Sneakers, Smokestack Lightning, Hoochie Coochie Man and Walking the Dog. We were dubbed R’n’B Kings of the Midlands by the local press and we were immortalised in Alan Clayson’s book about 60s pop groups entitled Beat Merchants – though we were wrongly called a Coventry band probably because we performed there so often.

“I remember playing with Coventry’s Sorrows and being shocked seeing guitarist Pip Witcher using his Stratocaster as a dartboard, and travelling down to Soho’s famous 2i’s club to audition for promoter Larry Parnes and then backing recording star Danny Rivers. Sadly we never recorded ourselves and split after Sam finally decided to call it a day in 1966.

Andy, however, stayed with Bob Bostrum and Geoff Anthill and with the introduction of guitarist Andy Kerrigan and vocalist ‘Little’ Joe Conway from Ireland’s Miami Showband, the band were ready to rock once again. This new unit were christened the Tea Set, and the R’n’B of Sam Spade and the Gravediggers had given way to a much harder rock sound. They were usually billed Rugby’s top group when playing in Coventry.

“We were kitted out in custom-made outfits playing hard rock,” Andy admits. “We worked for entrepreneur Reg Calvert – he of Radio London and Fortunes fame. We stood in for stablemates Pinkertons Assorted Colours after they went off touring with their hit Mirror, Mirror, and took over their Nags Head residency in Nuneaton.

“We recorded a self-penned ballad You made me cry, but were probably best remembered as the band on stage at Nuneaton’s Co-op Hall when four people were tragically crushed to death on a staircase attempting to get into a packed New Year’s Eve ball.”

Andy would eventually leave the band to concentrate on marriage, and for two years he did just that.

Many musicians who read this column will tell you that music is in the blood, and the call to rock was beckoning again.

Here’s Andy once more: “I joined a new band (this time switching to bass) to form Fagin Quill – all these crazy names were my doing – an explosive three-piece with Graham Wood and Andy Thompson playing blues/rock, performing self-penned songs and with our own light show, run by Maurice Murphy.

“We ran a club in our native Rugby but played as far away as London in blues clubs and universities and many times in Coventry where we were once described in an ad “don’t miss this fantastic group with a lightshow to end all light shows” and that was following the incredible Jigsaw.

“Unfortunately we never reached our full potential because work commitments caused us again to call it a day. In 1973 I opened The Bootlace, a club featuring DJ Nicky Steele, regularly pulling in more than 500 punters every week, mainly from the Coventry area. Starting at the Boot Inn near Solihull, we went on to Chesford Grange Kenilworth – this was extended to a folk/rock evening with names such as Gerry Rafferty, Stealers Wheel, Medicine Head and Raymond Froggatt – all booked through Jasper Carrott’s Fingimigig agency. It lasted three incredible years until Nicky’s departure to BRMB Radio.” Andy has now hung up his Telecaster, but still plays his acoustic guitar as he contemplates the writing of his autobiography’ now that should make interesting reading, especially for those (like me) keen to discover more information on Rugby’s great musical legacy.

PEPPERMINT CIRCUS

PEPPERMINT CIRCUS
circa 1972 Source – Broadgate Gnome




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Paul Thomas
“The founding members of Peppermint circus were me, Paul (Tommy) Thomas – lead singer and John Roddis (RIP) lead guitar. Both ex Sons of Son and The Sporting Life. Pete O’Keiffe – keyboards. Alan Tallis – bass guitar (RIP) and Paul (Twanky) Langer – Drums (RIP) soon followed. Pete left and was replaced by John Rivers. He in turn left and was replaced by Clive Hartley. I left the band a while after the release of “Let me go” after discovering that management had done a bunk with a lot of money, which destroyed me. So John Roddis and I had been in the band through all the singles, radio and TV shows, though on some “Popographies we appear to have been whitewashed out. Just setting the record straight. Good news is that Clive Hartley and I are playing together again in “The Firm” t/w old friends Bob Poole, Paul Shanahan and Martin Burt.”


Barry Mansel-Edwards says ” I was the Roadie for Ultra Sound, and I recall us being on

the same bill as Peppermint Circus at some time prior to December 1969. I am very certain of this, as by then I had left Ultra Sound to pursue other interests. “

Line up: Clive Hartley – keyboards, Alan Tallis – bass, James Curtis – vocalist/songwriter, Paul Langer – drums, Barry Naylor – Guitar

Peppermint Circus used an ex-Airport double-decker bus painted black, white and orange. They had it fitted with beds, lights, heating and a cooker. Clive Hartley played the first time on a television programme “LIFT OFF” when their previous organist dropped out suddenly. Had a Continental hit with “One Thing Could Lead to Another” in Holland reaching no.9 in the hit parade. Booked via Village Promotions.

Barry Mansel-Edwards also comments ” The information about the converted bus is certainly accurate, and I well remember it being regularly parked in Earlsdon, roughly opposite The Hen and Chickens.”


Singles

All the King’s Horses 1968


I Won’t Be There / Keeping My Head Above Water – 1968 Single above.

One Thing Can Lead to Another / It’s So Easy 1969

School Days / Let Me Go 1970

All the King’s Horses


I Won’t Be There

Keeping My Head Above Water

One Thing Can lead To Another


School Days

Let Me Go


From the Coventry Telegraph Pete Chambers 2006

A refreshing blast from the past with Peppermint Circus; PEPPERMINT CIRCUS were a local unit that had hits on the continent and released a total of five singles. In spite of this they remained almost unknown in their home country, so now’s the time to shed some light on this enigmatic band.

MANY believe that Peppermint Circus were another incarnation of Cov band Peppermint Kreem – they definitely weren’t.

This five-piece included Alan Tallis on bass, James Curtis singer and songwriter, Paul Langer on drums, Barry Naylor on guitar and Clive Hartley on keyboards.

Although the band would be known as a Coventry outfit, only Clive actually came from the city, with Alan coming from Solihull and Paul from Kineton in Warwickshire.

The mid-60s was to prove an interesting time for Clive and co. Not least for the mode of transport they became known for. Many bands had gimmicks, Peppermint Circus had a real big one and chose to excite the press with an ex-airport double-decker bus. It was painted black, white and orange and included all mod-cons such as beds, lights, heaters and even a cooker. Rumour has it that it also contained a 10-gallon barrel of cider – not for the driver though!

Fan club secretary Stephanie Beddard had this to say about the bus in a 1971 copy of the girls’ magazine Jackie: “It was an incredible vehicle, like something out of a nightmare on the outside and all mod-cons inside. They were planning to have a telephone installed, when the bus broke down and they found it would cost the earth to have it repaired.

“They were heartbroken when they had to sell it and buy an ordinary van, I think it had become a second home.”

Transport aside, the band were all proficient musicians and had no problem in creating some great songs and records.

Their first single was released on the Swedish label Olga in April 1968, (because of the Scandinavian connection many believed them to be a Swedish group). That single was All the King’s Horses, a Bee Gees’ cover that failed to set the charts alight.

So they switched labels to Polydor and released the ska-influenced song I Won’t be There, and then the very commercial Please be Patient. Once again their brand of music was lost on the record-buying public, so they simply got on their bus and signed for the mighty A&M record label.

Things took a turn for the better, A&M put its considerable clout behind them and their fourth single, One Thing Can Lead to Another, began storming up the European charts. This song is very much deja-vu-pop, unrecognisable by its title but immediately remembered when it’s heard. It’s an infectious piece of bubblegum soul, with some impressive vocal harmonies.

Don’t go looking in the UK chart books for it though, because it was never a hit in this country. On the other hand Germany and Holland went for it in a big way, it reached number 35 in the Netherlands and number nine in Germany.

As previously mentioned the band even had their own fan club, run by Stephanie Beddard, who was 18 at the time. For just 25p per year you received a picture of the band, a badge and lifelines on each member of the Peppermint Circus. Apparently they were a friendly bunch who liked to meet their fans.

With A&M records happy with their continental success, a huge push was made for the follow-up and that was to be Let Me Go, released in January 1970. Produced by Mike Batt, the single was released in Germany, Spain, France, Portugal, the Netherlands and America.

Despite pulling out all the stops the label, and indeed the band, were never rewarded with a second hit. What happened to the band (and the fan club secretary) is not known, though they left behind a legacy of five very collectable pop singles and sunk back into a peppermint haze of mystery.


 

The People

 The People

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Charley Anderson’s band AFTER The original Selecter split up in October 1980. The People was launched in April 1981. 

Line up
Charley Anderson – bass
Desmond Brown – Organ / Vocals
Chris Christie – Guitar (Ex Hard Top 22)
John Hobly _ Drums (Ex God’s Toys)
Tribute to Rico Rodriguez
Producers Dave Jordan (The Specials Producer)
Lynval Golding / The People
On John Bradbury’s Race Records.



Paul Flanagan Writes on You Tube –

“The People – Musical Man, Race Records, RB 003, 1981

Many familiar names to the 2 Tone collector, The band features Charley and Desmond fresh from their departure from The Selecter. The single was released on John Bradbury’s Race Records, was a tribute to Rico Rodriguez and was produced by Dave Jordan…

Early press reports on The People stated that the line up included original Specials drummer, Silverton Hutchinson, although for whatever reason he obviously didn’t make on to this recording, the bands one and only single.

Race Records was one of the many side projects that various members of The Specials were involved in during the period of late 1980 to mid 1981, when the band more or less took a sabbatical from recording. Other releases on Race Records included singles by Team 23 and Night Doctor, all of which failed to chart.

Neville Staple also launched is own label, Shack Records, but again despite the 2 Tone/Specials connection releases on the label by the likes of 21 Guns and the wonderfully named Lieutenant Pigeon failed to sell in any great quantities.

Jerry Dammers was also busy during this period as he set about working on his version of a Bodysnatchers track which become the first post Specials single, The Boiler.”

Not sure what happened to the other half of this article from the NME April 1981 but if it turns up i will add it here!

Martin Cure and The Peeps

 Martin Cure and The Peeps

Pop group c 1965 – 1969 Source Broadgate Gnome / Rex Brough / Dean Nelson.



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Line up: Martin Cure (vocals), Roy Albrighton (guitar), Graham Amos (bass), Paul Wilkinson (drums) Steve James – Guitar (original guitarist) Terry Wyatt – Guitar – both left replaced by Roy Albrighton and became the Peeps

“The Peeps formed in 1965, in Coventry, at the Holyhead Youth Centre, run by the father of their original guitarist – Steve Jones.They were spotted by bandleader Cyril Stapleton who had presumably popped in to check the mini-skirts! He secured a deal with Phillips. They appeared on Thank Your Lucky Stars and Border TV, promoting single after single. After the addition of a keyboard player and a European tour, the name was changed to Rainbows, but fame eluded them, although after they split Roy Albrighton a certain amount of it with kraut rockers Necktar in 1969.”

Previously The Sabres the band cut 5 good singles for Philips and toured extensively in Europe, where they had a loyal following. Jimi Hendrix supported the Peeps at York University and a year later the roles were reversed in Sweden by which time Jimi was huge in the UK. The Peeps did loads of tours in Scandinavia They Added Terry Howells (ex- Ray King Soul Band) on organ in 1968 and cut a number of tracks in Radio Luxembourg Studios, with Albert Hammond producing ( session cornet was played by Dick Cuthell, later to play with The Specials.)
Also called themselves The Peypes and Martin Cure And The Peeps.

With addition of a keyboard player they became Rainbows in 1969. Martin Cure went on to be vocalist in the reformed Cupid’s Inspiration in 1971 and later Chevy. “Martin Cure- who before Cupids Inspiration and then Chevy, was the vocalist with such bands as The Peeps, Rainbows and Still life, set up good time R&B band The Rogues and he still performs with them today. He is the owner of P.A. Company “Cable P.A.” and with some of his old friends occasionally does Cupid’s Inspiration gigs.” Bob Poole
Singles:

Also more information here in an article by Pete Clemons https://coventrygigs.blogspot.com/2013/01/martin-cure-from-sabres-peeps-cupids.html



A: Now Is The Time / B:Got Plenty Of Love (Philips BF1421 1965)

A:What Can I Say / B:Don’t Talk About Love (Philips BF1443 1965)

A:Gotta Get A Move On / B:I Told You Before (Philips BF1478 1966)

A:Tra La La/ B:Loser Wins (Philips BF 1509 1966)

As Martin Cure And The Peeps :

A:I Can Make The Rain Fall Up / B:It’s All Over Now (Philips BF1605 1967) (written by Hazelwood / Hammond)

Tracks found on Compilation CDs


It’s all over now – on “Rubble” Vol 1 – Bam Caruso
And on Psychedelic Snarl – It’s All Over Now

Other Compilation appearances include: Now Is The Time on English Freakbeat, Vol. 5 (LP & CD);

Gotta Get A Move On on Echoes From The Wilderness – Sixteen UK R&B Freakbeat Trippers. (LP & CD)


It’s All Over Now below

CURE AND THE PEEPS (aka Martin Cure and the Peeps)
circa 1965-68 Sources – Broadgate Gnome / Rex Brough / Deanocity
Good tough R&B/Beat group consisted of Martin Cure (vocals), Roy Albrighton (guitar), Graham Amos (bass), Paul

Wilkinson (drums).Formed ‘ 65 at local youth club run by father of orig. guitarist (Steve Jones). Spotted by Cyril Stapleton and signed to Philips label. Appeared on Thank Your Lucky Stars and Border TV. Toured Europe, adding a keyboard player and eventually changing name to ‘Rainbows’.
Roy Albrighton went on to form Nektar, who were European based.

Singles :
Now Is The Time/Got Plenty Of Love (Philips BF 1421) 1965

What Can I Say?/Don’t Talk About Love(Philips BF 1443) 1965

Gotta Get A Move On/I Told You Before(Philips BF 1478) 1966

Tra La La/Loser Wins (Philips BF 1509) 1966

Dean Nelson says “Now Is The Time is quite a catchy beat number but their subsequent efforts were more soul-pop in style. They came from Coventry.
Compilation appearances include: Now Is The Time on English Freakbeat, Vol. 5 (LP & CD); Gotta Get A Move On on Echoes From The Wilderness – Sixteen UK R&B Freakbeat Trippers. (LP & CD)

Bob Poole tells us that Martin Cure went on to sing with the reformed Cupid’s Inspiration . Four Wheel Drive / Chevy

” Martin Cure who before Cupids Inspiration and then Chevy, was the vocalist with such bands as The Peeps, Rainbows and Still life, set up good time R&B band The Rogues and he still performs with them today. He is the owner of P.A. Company “Cable P.A.” and with some of his old friends occasionally does Cupid’s Inspiration gigs. “

CURE AND THE PEEPS (aka Martin Cure and the Peeps)
circa 1965-68 Sources – Broadgate Gnome / Rex Brough / Deanocity
Good tough R&B/Beat group consisted of Martin Cure (vocals), Roy Albrighton (guitar), Graham Amos (bass), Paul

Wilkinson (drums).Formed ‘ 65 at local youth club run by father of orig. guitarist (Steve Jones). Spotted by Cyril Stapleton and signed to Philips label. Appeared on Thank Your Lucky Stars and Border TV. Toured Europe, adding a keyboard player and eventually changing name to ‘Rainbows’.
Roy Albrighton went on to form Nektar, who were European based.

Singles :
Now Is The Time/Got Plenty Of Love (Philips BF 1421) 1965

What Can I Say?/Don’t Talk About Love(Philips BF 1443) 1965

Gotta Get A Move On/I Told You Before(Philips BF 1478) 1966

Tra La La/Loser Wins (Philips BF 1509) 1966

Dean Nelson says “Now Is The Time is quite a catchy beat number but their subsequent efforts were more soul-pop in style. They came from Coventry.
Compilation appearances include: Now Is The Time on English Freakbeat, Vol. 5 (LP & CD); Gotta Get A Move On on Echoes From The Wilderness – Sixteen UK R&B Freakbeat Trippers. (LP & CD)

Bob Poole tells us that Martin Cure went on to sing with the reformed Cupid’s Inspiration . Four Wheel Drive / Chevy

” Martin Cure who before Cupids Inspiration and then Chevy, was the vocalist with such bands as The Peeps, Rainbows and Still life, set up good time R&B band The Rogues and he still performs with them today. He is the owner of P.A. Company “Cable P.A.” and with some of his old friends occasionally does Cupid’s Inspiration gigs. “


 
I can make the Rain Hall Up on the Phillips label (below – you have to click to view it on Youtube)



PAT GISSANE SHOWBAND

PAT GISSANE SHOWBAND


“The Irish are, of course, great club-goers and this no doubt explains the success of the Pat Gissane Showband (3rd in the poll with 833 votes). Ironically enough, however, only 3 of the 8-piece outfit are Irish. They work more in London, perhaps, than they do in Coventry itself and have a big following in both.” From Coventry Express, Friday May 28th 1965 Citybeat by Paul Connew via Tim James site.

From Pete Chambers – Godiva Rocks
“Bob Brolly’s Calvery – largely an M & B covers band – included in its ranks trumpet maestro John Gissane, son of the now sadly departed Pat Gissane of another quality club act in the Irish Showband style- The Pat Gissane Showband – who always wore purple suits for some reason.”

And from Cov Telegraph 2000
” …..played with some of the biggest names in show business. The Pat Gissane Showband, founded by virtuoso accordionist, Patrick Gissane, came to the fore in the 1950s when Bill Haley was topping the charts. It performed alongside top Irish artists and stars of stage and television such as Val Doonican, Dickie Valentine, Bob Monkhouse, Des O’Connor, Herman and the Hermits and Freddie and the Dreamers.

The band’s roots were in Ireland, in the family home at Killaloe, where Patrick Gissane founded The Shannon Dance Band. His daughter, Eileen, eldest of a family of eight, recalled it was always a family affair.

“Grandad, Denis Gissane, would play the drums in the early days; Aunt Bridie played the piano accordion, Sean Moran and dad were on button accordions and Aunt Nan was vocalist,” she said.
“When the band started in Ireland all those years ago the dance halls were mostly lit by gas lamps; so they had to link up the equipment to the battery from their car.
“The Shannon Dance Band played the public halls all over County Clare – its home town Killaloe, Bridgetown, Broadford, Portroe and Ballina.
“They always started and ended with one of the world’s great standards, Glenn Miller’s signature tune, In The Mood.”

Patrick Gissane was the eldest son in a family of seven, and he started accordion playing after a second hand accordion was given to him by his father. By the time he arrived in Coventry at the age of 19 he was already a versatile player.
“It wasn’t long before his brother, also named Denis, joined him from Ireland,” said Eileen. And his new band was now complete and ready to play at local halls in Coventry – the Drill Hall, St Mary’s Club in Ford Street and Westfield House.
“He also teamed up with his younger brother Sean to play at the many Irish feis competitions, rather like eisteddfods, and between them they won lots of trophies and medals.
“But by now the era of rock ‘n’ roll had arrived and they would pile all the equipment into John Sherry’s Morris Oxford (he’s now entertainment secretary at St Finbarr’s); Bridie McCabe, the band’s pianist, would bless the lads with holy water, and off they’d go.”

By 1959 the band had become an extended family with Geoff Baker on lead guitar and well-known vocalist, Patsy Powell. The ten-piece showband soon developed a taste for the dress of the period. They became very trendy and up-to-date – Beatle jackets, cream suits, purple suits, black and white shoes. They even used ultra-violet light.

Lead guitarist Geoff recalled one of the highlights at the time was appearing with The Bachelors when they were topping the charts with Diane. His most memorable moment was the night the band played with guitar idol Duane Eddy.
“Next in line to join the band was my brother John, who had started playing the trumpet when he was a young lad, and he took to the stage with dad,” recalled Eileen.
“He played alongside two very good trumpeters, John Everitt and John Baker.
“I’m sure many followers will remember his rendition of Cherry Pink and Apple Blossom White, El Silenzio and Eddie Calvert’s number one hit, Oh Mein Papa.”

By now the Patrick Gissane Showband was playing regularly at Coventry’s Bamba Club alongside top Irish artists like Dana, Joe Dolan, Dickie Rock, The Dixielanders and Brendan Bowyer and the Royal Showband. They also had bookings at American air bases, Upper Heyford, Mildenhall, Chicksands and Greenham Common. In 1982 Pat’s youngest son, Richard, played with the showband for the first time when he was just 13. “Dad started me playing a few numbers each night and I joined the band full-time two years later,” he said.

“We were resident at St Finbarrs for 13 years, and the other regular work continued with gigs at Tile Hill Social Club, Bell Green, Coventry Railway-men’s Club and many other halls. “But a few years ago dad finally gave up regular performances and I took over as manager.”

Patrick Gissane, the softly-spoken accordion legend from County Clare finally decided to retire after half a century of entertaining, But happily his sons carry on the family tradition of making music.”


Barry Meek “He joined the PAT GISSANE IRISH SHOW BAND which toured the UK and Europe in the 1970′ 1980’s. Formerly with Carol and the Electrons and later JC Sounds and later – Paul Leegan and the Legends.” From Pete Chambers Pop in to Past.


Tom Lane was a drummer for Pat Gissane – having played with Jason and the Canaenites, The Fireflies, The BlueBeats, The Stringbeats, Tuxedo Junction and now The Leicester Acemen.