Steel Peach

 Steel Peach


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Steel Peach were actually from Bath and based in Derby but because they played a lot in Coventry were regarded as a Coventry band! The evidence for this was in the advertising –

The Cosmic Club was one of Jim Reilly’s clubs – he ran Direct Enterprises in 1974 which included the Shanty Folk Club and the steam packet in 1975. see the Direct enterprise post here.

https://covdiscoarchive.blogspot.com/2012/10/direct-enterprises-coventry-music.html

Other venues they played in Coventry included the Klunk Klick Club at the Walsgrave.

In addition to pointing out that despite the billing in the advert the band didn’t hail from Coventry, Alan Jones the drummer provided the following information on Steel Peach.

“Left to Right Bass/vocals: Colin Rambsy (Humphries) – Drums: Alan Jones – Vocals: Rich Rawlings – Guitar/vocals Ken Jones
Rich left the band just before we turned pro so the time we were playing the Cosmic Club in 74 we would have been a three piece with Ken on lead vocals (for a time we did have a keyboard player from Wolverhampton Dave Wild)
The split in 74 Colin and Ken formed a band in Derby called Rocks Off Revival and i joined the Earthquakes a Showaddy type rock n roll band from Derby.
Now I think I am the only member of Steel Peach to be still giging, Ken went into Antiques and Colin settled down in Derby working for Derby glass and i play with Blues Reviewed and some session work I am also a photographer. I hope this brings Steel Peach up to date Trev. It’s great that someone like you takes the time on websites like this otherwise all would be forgotten Thank You! Best wishes for the New Year…………Al”

Alan’s original comment 

It was great to find this listing of Steel Peach at the Cosmic Club, and although it has us down as a Coventry rock band we actually came from Bath but we were based in Derby and played around the Coventry area a lot. And As I remember The Cosmic Club was always a great place to play.
………….Al
Posted by: Al Jones | 08/15/2007 at 07:28 PM

Steel Locks

Steel Locks


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Line Up


Greg Halger
– Congas / Susan – Vocals / Seymour Angus – Vocals / Tony Bell – R/thm Guitar / Sean(Shaun) Kelleher – Drums – Mick (Michael) Hughes – Ld/Guitar 
Alex – Bass / Backing Vocals / Brinnitte Bailey – Organ

Singles

Lets get it together / 1980 – Voyage International Records 1980


Can’t find the single on line but there is this track

From Pete Chambers – Godiva Rocks

“Steel Locks often get labelled Coventry’s answer to Steel Pulse but were always their own people, doing it their way. With a Rasta Street Warrior image and hybrid reggae punk mix, Hillfields based Steel Locks were formed 1978 as an 8 piece. Their songs included the hard hitting – 1980 and the softer love song Pretty Bird. Their single was Lets Get it Together- it was well received and got some god-smacking reviews. Sounds called it ‘The Real sound of Prince Buster in 1980’ despite that it failed to make a dent in the chart.”







From Martin Bowes Alternative Sounds


Stax

 STAX

Joe Reynolds on Top of the Pops with The Selecter -Three Minute Hero.



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Joe Reynolds, sax player with Jazz rock band Willow in the mid 70’s and the guest sax player on Selecter’s Three Minute Hero, joined a soul / reggae band called Stax and played a lot in Coventry at venues like the Hope and Anchor in Whitefriars Street and the Commonwealth Club near the railway bridge in Lockhurst Lane, Holbrook and a residency at the Jubilee Pub at the end of the Stoney Stanton Road.

They also played regularly at La Chaumiere in The Burges and the Dog and Trumpet in the city centre. Stax lasted about two years, Carol Lloyd, the singer, left and was replaced by Ray King and Desmond Brown from Selecter joined later. They split up at the end of 1982, and the last gig was a New Years Eve one.


STAVELY MAKEPEACE

STAVELY MAKEPEACE

Circa 1968-1982   http://www.lieutenantpigeon.co.uk/

Line up: Rob Woodward – Keyboards, Vocals Nigel Fletcher – Drums / Don Ker – Lead Guitar Steve Tayton Sax / Pete FisherSteve Johnson – Bass

Lieutenant Pigeon was an offshoot of this band.


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Singles

(I Wanna Love You Like A) Mad Dog / Greasy Haired Woman Pyramid Pyr 6072

Tarzan Harvey / Reggae Denny (Unissued,1969) Pyramid Pyr 6082

Edna (Let Me Sing My Beautiful Song) / Tarzan Harvey (6/70) Concord Con 008

Smokey Mountain Rhythm Revue / Rampant On The Ra Concord Con 013

Give Me That Pistol / The Sundance (4/71) Concord Con 018

Walking Through The Blue Grass / Swings And Roun Spark Srl 1066

Slippery Rock 70s / Don’t Ride A Paula Pillion (10/72) Spark Srl 1081

Prima Donna / Swings And Roundabouts (1/73) Spark Srl 1085

Cajun Band / Memories Of Your Love (4/73) Deram Dm 386

Runaround Sue / There’s A Wall Between Us (10/74) Deram Dm 423

Baby Blue Eyes / Big Bad Baby Blondie (8n7) Unigram U 6312

No Regrets / You’re Talking Out Of Your Head (1/78) Barn 2014 118

Coconut Shuffle / Napoleon Brandy (5/79) Barn Barn 001

Songs Of Yesterday / Storm (4/80)Hammer Hs 304

Just Tell Her Fred Said Goodbye / Opus 306 (11/83) Sma Sma 1502

Other tracks on You Tube – Cradle of Love / Hell Bent on Rock n Roll / Gillie’s Bar is Empty / Daytime / Summer Weekends / Mr Pleasant /



Edna

Shel Naylor (Robert Woodward) One Fine Day 1964 – A Dave Davies song, never recorded by The Kinks. The backing track was recorded by Jimmy Page, John Paul Jones and maybe Bobby Graham. Naylor was a 17-year-old singer (real name Robert Woodward) who was promoted by Larry Page at that time.


I Wanna love you like a Mad Dog

Tarzan Harvey



Pop oddballs Stavely Makepeace teamed Rob Woodward and Nigel Fletcher, a pair of Joe

Meek-obsessed eccentrics who first began collaborating in the early ’60s While Woodward later enjoyed limited success as a solo singer under the alias Shel Naylor, eventually mounting a one-man cabaret show, Fletcher spent the middle of the decade serving in the British Merchant Navy, settling in London following his 1967 discharge. In late 1968 Woodward and Fletcher resumed their creative partnership, decamping to the former’s mother Hilda’s Coventry home and setting up their own studio in her living room. Dubbing the project Stavely Makepeace, the duo added bassist Pete Fisher and drummer Don Ker to flesh out the sessions, releasing their debut single, “I Wanna Love You Like a Mad Dog” on Pyramid Records, in mid-1969″

Combining rough-edged electronics, traditional and found instruments, and tape-machine sleight of hand, Stavely Makepeace quickly emerged as a singular presence on the British pop landscape, earning a devoted cult following as well as the nickname “the Scrap Iron Band,” a nod to their anything-goes aesthetic. After their second Pyramid single, “Reggae Denny,” was scrapped at the 11th hour for reasons unknown, guitarist and woodwind player Steve Tayton joined the lineup in early 1970, and with the exit of Fisher, new bassist Steve Johnson signed on as well. This new lineup made its bow with the Concord label single “Edna,” a minor hit that won Stavely Makepeace an appearance on television’s Top of the Pops. “Smokey Mountain Rhythm Revue” soon followed, its tongue-in-cheek instrumental flip side, “Rampant on the Rage,” inspiring Woodward and Fletcher to form an instrumental side project, Lieutenant Pigeon, its lineup the same as Stavely Makepeace’s but for the addition of Hilda Woodward on piano.

While 1971’s Stavely Makepeace single, “Give Me That Pistol,” sank without a trace, Lieutenant Pigeon’s 1972 debut, “Mouldy Old Dough,” went on to become the best-selling U.K. single of the year, winning Woodward and Fletcher the Ivor Novello Songwriting Award in the process. Both bands coexisted for several years to follow, with violinist Owen John replacing Tayton in time for Stavely Makepeace’s 1972 Spark Records debut, “Walking Through the Blue Grass.” “Slippery Rock 70s” soon followed, and in the wake of 1973’s “Prima Donna” the group was again in search of a new label, landing at Deram for “Cajun Band.” Again the mainstream listening public wanted no part of this nonsense, and following 1974’s “Runaround Sue,” Woodward and Fletcher mothballed Stavely Makepeace to focus all of their efforts on Lieutenant Pigeon.

In 1977, Unigram Records released the previously unissued SM cut “Baby Blue Eyes” to little notice, and a year later Chas Chandler’s Barn label likewise dusted off another forgotten track, “No Regrets.” Neither single charted, but proved enough to convince Stavely Makepeace to re-form full-time. However, 1980’s Hammer Records single, “Songs of Yesterday,” flopped, and after one last gasp three years later with the self-released “Just Tell Her Fred Said Goodbye,” the band itself bid its final adieu. In addition to the long-lived Lieutenant Pigeon, which continued touring into the next century, Woodward and Fletcher continued their partnership as producers of radio jingles and voice-overs, even publishing the joint autobiography When Show Business Is No Business in 2001. Three years later, the British reissue label RPM compiled Stavely Makepeace’s singles as The Scrap Iron Rhythm Revue.”

Steve Tayton was the saxophonist with the Coventry Jazz Funk band Khayyám with Chris Jones who toured Europe in the mid 70’s, had a residency at Ronnie Scotts Jazz Club etc.



Starpower

 Starpower / Hedy

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Paul Court – vocals & guitar

John O’Sullivan – guitar & vocals / Rob Lord guitar & vocals

Tig Williams – drums

Neal Champion – bass


Single –  Turn my World / I Won’t Hurt You (1993) and Drifter.

“All songs by: Starpower Rough Trade Singles Club, 7″ July 1993 Rough Trade Producer: Paul Sampson, & Starpower Engineers: Paul Sampson”




Some Velvet Morning – Lee Hazelwood and Nancy Sinatra cover.

Memories From John O’Sullivan via Rex Brough

“Before I joined, the band also included Tracey Tracey (of the Primitives) and Rob Lord on keyboards (formerly of Cov band Oskar Kokoshka) The band changed names a couple of times, finally releasing one CD single under the name HEDY, before crumbling under the weight of public indifference.”


Pete Chambers – from Godiva Rocks
” Court and Williams along with Neil Champion formed Starpower. Tracy was also to feature in the project. Other offshoot bands from the Primitives were The Fixations, Hedy who released the single Superfine, and Reverb Inferno. See See Rider, Nocturnal Babies, the Bensons, Hate, who became Hungry I, that included Dullaghan and Martin Bates.”

HEDY (1996)

Hedy were post-Primitives band led by Paul Court. Following the breakup of The Primitives Paul formed “Starpower,” which released two singles (Turn My World / Drifter) before changing names to “Hedy,” a name that comes from the title of a film for which Lou Reed wrote music.


Bass – Neil Champion
Drums, Percussion – Richard Williams*
Guitar, Backing Vocals – John O’Sullivan
Guitar, Vocals – Paul Court
Piano, Vibraphone, Organ – Unknown Artist
Producer – Hedy (2), Paul Sampson



Splines

 SPLINES

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From Hobo (Coventry Music and Arts Magazine) 1974

SPLINES

“A Jazz- rock unit doing Keith Jarret, Osibisa, Mike Gibbs as well as original material. Featuring John Rogers on bongos / percussion / Gil Monks – Barritone, Tenor, alto, flute, clarinet; Brian Johnson – Trombone; Graham Dent (Ex Wave), guitar; Baz Andruszko on bass.


 

And again from Hobo


“SPLINES
A unit playing a varied repertoire of Jazz music, swing, Jazz, Cuban, rock material. Material consist of numbers by Keith Jarret; Osibisa; Mike Gibbs plus their own material. In the band we find John Rogers bongos and percussion; Baz Andruszko on bass guitar; Gils Monks – Barritone / Tenor / Alto / Flute / Alto Flute / Clarinet; Brian Johnson on Trombone; Graham Dent (ex Wave) on guitar. The band can be seen at the MERCIA every Thurs evening.”


In Hobo magazine we cited Fergie Maynard (ex Sid Lawrence Orchestra) as the drummer but Fergie has clarified that he didn’t play for Splines

Comment from Fergie Maynard – “Fergie Maynard here. Although I have worked with the great latin percussionist John Rogers when I had my orchestra in Coventry Warwickshire. I did not work with SPLINES so the real drummer should take the credit. These days I would only work for MIRAMAX with Gwyneth Paltrow Albert Finney Mathew Modine”


So not sure who the drummer was with this band.

Squad

 SQUAD


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1977 – 1981


Coventry punk band is the band that Terry Hall came from when he later joined The Coventry Automatics (later called The Specials).

Line up – There were a lot of changes!

Terry Hall – Vocals (Later of The Specials). 

Replaced by Gus Chambers – Vocals (later of 21 Guns)

Danny Cunningham – Guitar

Mark Hatwood – Drums (at some point). Billy Little – replaced by Rob Hill – replaced by Steve Young

Scully – Guitar

Sam McNulty – Bass, replaced by Nigel Mulvey – Bass (Nigel later in The Urge.)

Johnny Adams – Guitar (Ex Fission and many other bands)

Steve Young – Drums


Above, Squad with Gus Chambers on on vocals and Johnny Adams guitar.

Singles 

Millionaire / Brockhill boys / Red alert / £8 a week


As far as I know the songs are Ady Dix compositions.

1st single Red Alert and £8 a Week. The singles were recorded after Terry Hall left but he has i believe a writing credit on Red Alert. ” So many line up changes meant 6 months after releasing the two singles none of the original band remained

Johnny Adams says of the last line up of Squad with Johnny, Nigel Mulgrave, Steve Young, Gus Chambers – “John Adams – we done the best recording in Leamington Spa.. I had one copy..borrowed it to someone year’s ago..never seen or heard it since..I don’t know if the others guys have a copy..about 4 or 5 tracks..one of the tracks is one of mine..Different age, Different World..love to hear it again..probably the best Squad ever sounded”

Singles below on youtube – more details about the recordings are here https://www.discogs.com/artist/350553-Squad-3

Red Alert 1978 above.


Eight Pound a Week 1978, above. Was covered by the Last Resort.


2nd Single 1979 Millionaire / Brockhill Boys

Millionaire 1979

Brock Hill Boys – above.

The Flasher – Squad – from the Sent from Coventry album 1979. I think Ady Dix was one of the composers of this.





About the band

Pete Chambers from his article in the Coventry Telegraph 18th Nov 2014 – a tribute to Gus Chambers.

” Just over six years ago Coventry and the world of music lost one of its most colourful and charismatic figures, Mr Gus ‘Gary’ Chambers.

He will always be remembered for his days in Squad. So we take a look back at this top Coventry punk band.

If you’re talking Cov and punk then you’re talking Squad. Without doubt they were the finest punk band that ever came from this beloved City of ours.

They began their life in the posturing safety-pin clad mid 70s. With a certain Terry Hall on vocals, Danny Cunningham guitar, Billy Little drums and Sam McNulty on bass.

Hall, who was never really cut out for a life of punk, left to join a band called The Specials (whatever became of them?).

He was replaced by the great Gus Chambers. Now Gus was cut out to be a punk, after seeing Roddy Radiation and the Wild Boys he was hooked.

Squad’s rock ‘n’ roll punk style was the kind of dish most punters in the late 70s were looking for. If you didn’t move at least a little at a Squad gig then you must have reached your sell-by date some years previous. It was always sweaty, loud and enthusiastic with some great laughs thrown in.

The line-up changed constantly, with the band effectively becoming a training ground for Cov musicians. Danny Cunningham would leave and form The Ramrods/ Major 5/Gdansk.

Their drummers would include Mark Hatwood, Rob Hill and Steve Young. Guitarists included Jim Scully (from local band 1984) and Johnny Adams (from the bands The Blue Jays, RU21, Fission, and Don’t Talk Wet).

With Nigel Mulvey then Nick Edwards replacing Sam McNulty on bass, Sam eventually ended up with The Giraffes.

Vocalist Gus looked at all the line-up changes like this, “Coventry was a hotbed of talent in the late 70s, early 80s, some cutting-edge bands were formed, so it was hard to keep good musicians in your own band”.

They released two singles in their illustrious career, ‘Millionaire’ (where they were hanging out with The Radford Boys) and ‘Red Alert’ with the rather wonderful ‘£8 a Week’ on the other side. They also got onto ‘The Sent From Coventry’ compilation with the song ‘Flasher’.

The singles also appear on The Anagram album Punk Rock Rarities Vol 2. Songs you were likely to hear at their gigs included Brockhill Boys (Millionaire’s other side), ‘Son Of Sam’, ‘We Understand’ and ‘Bag On Your Head’.

They knew how to play the crowd. I will always remember them singing ‘The Bells are Ringing For Me and My Girl’ at The Market Tavern.

Whatever the song though, whatever the venue, be it The Heath Hotel, The Hand and Heart, The Domino or Mr George’s, you knew they would always come up with the goods, great times.

Of course it wasn’t all fun in those days, punk rockers despite the fact that most of them were decent friendly people, were stigmatised because of how they looked.

One incident Gus recalled happened in Birmingham after a Boomtown Rats gig.

“We were sitting in this club with a couple of band members, when in burst a guy with a huge kitchen knife screaming all punks must die because they had killed Elvis Presley.

“No one was hurt but it shows what a negative role the media played in it’s portrayal of punks.

“There were however some positives in that time” Gus says. “The race barriers was smashed down during this period and there was nothing stronger than a united front”.

As the last pangs of punk rebellion began to die in the city, Squad members moved on, as for Gus well he joined 21 Guns, who released the single ‘Ambition Rock’ on Neville Staples Shack Records.

They’re line-up-included Stuart Maclean, Kev Tanner and former Specials roadies Johnny Rex and Barb’d wires own Trevor Evans, the record failed to sell and the band soon split.

Gus later moved to America and formed Sons of Damnation, finally joining the no-messing high-energy metal band Grip Inc.

They were formed by former Slayer drum-king Dave Lombardo. Releasing three brooding albums in the mid to late 90s (‘Power of Inner Strength’, ‘Nemesis’ and ‘Solidify’) finally coming back with a forth entitled ‘Incorporated’ in 2004 greeted as a true return to form by the critics.

“I’ve been very lucky in my career,” said Gus, “I have had the privilege of playing in front of thousands of people at festivals like Rock in Rio and the Dynamo Festival in Holland.

“Nothing though brings back fonder memories of playing in front of maybe 20 or 30 people in The Hand and Heart or the back room of The Swanswell.”

He is very much missed.


…………………………………………..

Articles from Martin Bowes fanzine Alternative Sounds



Spider Murphy

 Spider Murphy

1986

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Spider Murphy played the tenor saxophone
Little Joe was blowin’ on the slide trombone
The drummer boy from Illinois went crash, boom, bang
The whole rhythm section was the Purple Gang


Verse from Jailhouse Rock written by Lieber and Stoller
and performed by Elvis Presley 1957 in the film of the same name. 


From Pete Chambers column in the Coventry Observer

Tributes to musician and ‘wonderful human’ Steve Madden.

“Steve Madden RIP

RIP Steve Madden. I have known Steve from The Spider Murphy/Murphy’s Law days in the 1980s.

Spider Murphy were a blooming great band of the 1980s.

Steve fronted the band, they appeared at Covaid fundraiser for Africa in October ’85 and later rebranded as Murphy’s Law, bagging a place on the Cov compilation album ‘Rhythm Method’ with the classic track ‘Day’s Gone By’.

Once the band split, Steve remained a part of the music industry, mainly part of the bigger picture in London, but often trying out new projects back in Coventry.

He was an incredible musician and a wonderful human being.

Talented more than many could ever know, his latest venture was playing guitar in the Danny Ansell band.

Steve was a supreme songwriter and master guitarist and vocalist. He has truly left a Steve Madden shaped hole in this world of ours.

My thoughts go out to his wonderful family and friends.”