The Trial and Troubles of a Tourist – John Reed Appleton 1869

This is from Tweddell’s North of England Tractates No3 1869


John Reed Appleton has been written about in depth by George Markham Tweddell – they were walking companions and both active poets. There is a chapter in Tweddell’s Bards and Authors of Cleveland and South Durham 1972 – the original book can be download free from this site https://www.artsrainbow.com/georgemarkhamtweddell/2012/12/24/bards-and-authors-of-cleveland-and-south-durham-1872-pdf-george-markham-tweddell/



This Tractate contains some poems dedicated to John Reed Appleton by another poet Tweddell both published and wrote about in the Tractates and Bards and Authors – John Riley Robinson and a preface by Tweddell himself. It features a humourous parody of  Hood’s powerful poems The Song of the Shirt and The Lay of the Labourer. Appleton’s parody is called The Trials and Tribulations of a Tourist.



The River Tees at High Force

Eta Mawr – Old Woman of Elton and Story of Count Ulaski

George Markham Tweddell was intending to include Eta Mawr (Elizabeth Colling) in the 2nd volume of the Bards and Authors of Cleveland. The first volume came out in 1872 but the 2nd and even third volume proposed never came out. It seems certain Tweddell had extensive notes towards at least a second volume but the extent to which he may have began work on a second volume is unknown. Although there is a huge family archive now lodged in Teesside archives in Middlesbrough, a good volume of his works in progress and notes were lost in the Stokesley floods c1930, when the family only managed to rescue Tweddell’s (of which there were copies) rather than his extensive notes.


A great shame as we may have learnt a lot more about Eta Mawr but Tweddell at least managed to publish her in his North of England Tractates  and Illustrated Annual.


The first one is an extended poem called The Old Old Woman of Elton (A true Ballad of Modern Times), published in Tractates No6 1869 – a few years before the first Bards and Authors volume came out.
It tells the tale of Mary Benton (whose maiden name was Lodge) who, if she had lived one month longer, would have completed her hundred and twenty second year.


She was born at a little village near Staindrop, in the county of Durham 1731 and resided at Elton, NR Stockton on Tees, where the writer saw her at the age of 121, in perfect possession of her faculties, both mind and body with recollection of recent as well as past events.


Here is the poem in pdf file form on Google Docs. Use the navigation on the pdf window to enlarge or find your way to Google docs to download free.

Eta Mawr  (real name – Miss Elizabeth Colling of  Hurworth on Tees) was mentioned in Mid Victorian Poetry 1860 – 1879 by Cathrine Reilly published 1999 –
Colling, Elizabeth, (Eta Mawr pseud.) English hymn writer, The Story of count Ulaski, Aurelia or the Gifted (Story of Count Vedoni) & other poems; by Eta Mawr London Provost & co 1870, A Tour of Times Gone by Eta Mawr, Darlington, Peter Rhodes, 1871. Rival Sisters and other poems; Far and Near.


Eta Mawr – Elizabeth Colling died May 13th 1879 aged 80
Tweddell published a dedication to her in his Illustrated Annual.

You can read this book on line HERE

The Cleveland Knight (Origin of English Alum Making) M. H. Dale (about Sir Thomas Chaloner, The Younger)

Monument to Sir Thomas Chaloner the Younger –
Chiswick

The Cleveland Knight – The Origin of English Alum Making

by Maurice H. Dale 
from Tweddell’s North of England Tractates 1874
(Identified as Sir Thomas Chaloner The Younger)

First we present the poem from the Tractates in PDF file form with a piece from George Markham Tweddell’s Bards and Authors of Cleveland and South Durham 1872 and then below it an extract from Wikipedia.

“Sir Thomas Chaloner (The Younger) (1559–1615) was an English naturalist. He was tutor to Prince Henry, son of James I, and was also responsible for introducing alum manufacturing to England. He was Member of Parliament for St Mawes in 1586 and for Lostwithiel in 1604. His third son was the Parliamentarian, Regicide Thomas Chaloner.


Chaloner was the son of statesman and poet Sir Thomas Chaloner, and Ethelreda Frodsham, was born in 1561. His father died in 1565. His mother marrying Edward Brocket (son of Sir John Brocket, knt., of Wheathampstead, Hertfordshire), he owed his education chiefly to his father’s friend, William Cecil, Lord Burghley, at St. Paul’s School and at Magdalen College, Oxford, where he was esteemed for his poetical abilities, but took no degree.


In 1579 Chaloner wrote the dedication to Lord Burghley of his father’s poetical works. He began his travels in 1580, and became, especially in Italy, intimate with the learned men of the time. He returned home three years after to become a favourite at court, and married Elizabeth, daughter of his father’s friend, William Fleetwood, recorder of London.


In 1584 Chaloner published A Short Discourse of the most rare Vertue of Nitre, London, 4to, b.l., a practical work in advance of the age. He was M.P. for St Mawes in 1586 and for Lostwithiel in 1604. In 1588 he taught, at Christ Church, Oxford, Robert Dudley, son ofRobert, Earl of Leicester, and was knighted while serving with the English army in France in 1591. In 1592 Chaloner was made justice of the peace for Buckinghamshire. In 1596–7 he was again abroad, and his letters, chiefly from Florence, to the Earl of Essex and Anthony Bacon are in the Lambeth Library.


Alum Manufacture


After the dissolution of the monasteries by Henry VIII, in 1540, the lands of Gisborough Priory were given to Thomas’s father. At the end of the 16th century, Chaloner travelled to Italy and visited the alum works in the Papal States. Having a great interest in the study of plants, he recognised that certain plants grew wherever the minerals responsible for the formation of alum were present in the soil. From this he recognised that the rock from which the alum was made was similar to that abundant in several areas in and around his Guisborough estate, in present day Redcar and Cleveland. Alum was a very important product at that time, used internationally, in curing leather, fixing dyed cloths and for medicinal uses. Up to this period the Vatican, and Spain, two countries in conflict with England, had maintained virtual monopolies on the production and sale of the product.


Chaloner secretly brought some of the Pope’s workmen to England to develop a thriving alum industry in Yorkshire. Once the alum industry around Whitby had taken root, the English Crown imposed its own monopoly – imports from abroad were banned. Although the methods were laborious, England became self-sufficient in alum.



In James I’s time Chaloner’s works became very profitable, the king having prohibited the importation of foreign alum. Under Charles I the crown claimed them as royal mines, and they were granted to Sir Peter Pindar for £12,500 a year to the king and £2,240 to the Edmund, Earl of Mulgrave and another, and after paying eight hundred workmen still produced an immense profit.”

Captain Cook’s Monument, Easby Moor. The Mystery Behind it!

By Trev Teasdel
(first published on Glass Orange Vox & Typepad 2008)
Recently reviewed (Feb 2013) in Saltburn magazine Coastal View and Moors News p 33
by Holly Bush http://www.coastalviewandmoornews.co.uk/the-latest-issue/

A Pyramid on Roseberry Topping – Pagodas –
Obelisks, Captain Cook and Freemasonry


It sounds like something out of the Da Vinci Code with its mysterious early proposals of pyramids and obelisks but these occurrences happened long before that book was written. That these events happened on the edge of the North Yorkshire moors and not the exotic locations of the Dan Brown novel, make it all the more unbelievable!


I never set out to explore this mystery, it was an offshoot of other work, but one thing led to another and I became intrigued. I can’t claim, however, to have got all the answers and proofs, but I think there’s enough to state a case and provide a reason for further research. It is not my intention to engage with current conspiracy theories, but follows on from local history research connected to the Stokesley born radical Printer, Publisher, Poet, Author, People’s historian and Freemason – George Markham Tweddell.


Captain Cook’s Monument – Easby Moor

An obelisk dedicated to Captain Cook sits atop of Easby Moor on the North Yorkshire Moors. The monument, which can be seen for miles around, is a local tourist attraction. The village of Great Ayton (Cook’s childhood home) and Airey Holm Farm lie below. Few suspect that there’s anything more to know about it!


Many times I’ve walked up to Easby Moor but always felt the monument doesn’t really engage with Cook somehow. Obelisks are fairly common of course and there are two dedicated to Cook in the area. Perhaps if it had a statue of Cook at the top like the one in London or Whitby, I might have thought it made more sense but no – the only thing that relates to Cook is a plaque. Everybody knows it’s dedicated to Cook but there is nothing much up there that is relevant to him (or is there?). That’s not to say, of course, that the monument or the views aren’t impressive in themselves!


The French Enlightenment and Egyptology



While researching the poetry of George Markham Tweddell  in 2008, I discovered some of his poems contained Masonic emblems or symbolism. (Tweddell was a prominent and open member of the Loyal Cleveland Lodge). During the research I consulted a range of websites and books including Talisman (Sacred Cities, Secret Faith) by Graham Hancock and Robert Bauval. Chapter 1 – Behind the Veils – which was a fascinating read in itself.  The authors describe events in Paris during and after the French Revolution, from the storming of the Bastille in 1789 to the dismantling of the prison and its replacement with distinctly Egyptian structures dedicated to Isis. There is not room to go into details here (you will have to read the book!) but as a result of the involvement of the French Masonic Lodges (eg The Lodge of  Nine Sisters) and the prominent ideas of the Enlightenment – those of Rousseau, Voltaire and Thomas Paine, the landscape of Paris took on an increasingly Egyptian look and Catholicism was replaced by the Cult of Reason or The Supreme Being. Benjamin Franklin (being a Freemason) was involved in this too while living in France and there was also a connection with America. Obelisks and pyramids formed a significant part of this.


1827 – A Good Year for Obelisks!

Fast-forward to the significant date of 1827 – the monarchy had been re-instated but this time around the Kings were also Freemasons and to quote –
Louis XVIII ruled for 10 years. He was a Freemason. On his death in 1824 he was succeeded by his brother, The Count D’ Artois – also a Freemason. Both monarchs showed a marked preference for ancient Egyptian symbolism in their public works..




In 1827, Jean-François-Champollion (the Father of modern Egyptology who made a breakthrough in deciphering ancient Egyptian hieroglyphs) was commissioned by Charles X to arrange for the importation to Paris of a 35,000 year old Obelisk – one of a pair that stood at Alexandria in Egypt. The obelisk was destined for the Place de la Concorde, which had personal significance to Charles X. It had originally been named after his father Louis XV and an equestrian statue had once graced it. Here also the guillotine had been erected…”  The authors speculate that
“the installation of the obelisk was to commemorate the idea of the reborn and restored monarchy, with the ancient solar symbol of the divine kings of Egypt rising in the heart of the Parisian skyline like a Phoenix


All very interesting – but how does this relate to Captain Cook’s monument on Easby Moor?

(This is NEW ADDITIONAL LINK not part of the main narrative) 2019 – a recently discovered pdf called THE ENLIGHTENMENT AND FREEMASONRY is useful here discusses how –
eminent intellectual historians excluded Freemasonry from their analyses of The enlightenment! I will show explain that Freemasonry was a primary instrument not just in the growth
of scientific knowledge, but also in opening the public mind to the “enlightened” view of man and
nature.
”  
The PDF is on this link https://cdn.shopify.com/s/files/1/0261/8105/files/110512_2_Enlightenment_and_Freemasonry.pdf


Meanwhile back in Gt.Ayton!



I put the book down and looked out of my bedroom window in Gt. Ayton. I have a panoramic view of Roseberry Topping and Easby Moor. I glanced over at the Captain Cook obelisk and thought – ‘No! – There couldn’t be a connection with the events that were going on in France and America during the Enlightenment surely’. The only French Connection I knew about was that Easby Moor may have been a look out post during the Napoleonic war.


Nonetheless, I recalled that Tweddell had a series of 3 sonnets (to be found in his collected poems – http://www.tweddellpoetry.co.uk/ ) to Cook and he was also a Freemason. Often I had found answers to my queries to Tweddell related questions embedded in Tweddell’s own work. (Note – I wasn’t taking the Masonic connection seriously at this stage – it was just idle curiosity!). So it was with some surprise that I found Tweddell’s first poem about Cook engaging with both Obelisks and Pyramids! True it doesn’t go much further, but how odd that both pyramids and obelisks were mentioned in relation to Cook!


[Three Sonnets to] Captain James Cook (No1)


Whilst obelisks are raised to men of wealth,
And pyramids are tow’ring to the sky
To tell mankind where bygone tyrants lie
Men who in life, flush’d with the joy of health,
And render’d vain by crouching helots’ praise, 5
Imagined they, by slave-piled stones, could raise
A Babel high to reach the Heaven of Fame—
And lo! E’en hoary Time’s forgot their name!
Whilst monuments are raised to men who slew
Their fellow-mortals on the field of strife, 10
England! Shall it be said thou never knew
Thy debt of gratitude to one whose life
Devoted was to arts that dignify
Not COOK alone, but all humanity?


George Markham Tweddell


1827 – A Good Year for Obelisks Revisited!



At this stage I had no idea when the Easby Moor Cook obelisk was erected or if  Tweddell was actually involved in its initiation and so I did a search on the internet and got a second surprise when I found out that the monument was built by Robert Campion (a Whitby banker) and erected in 1827, the same year as the French one! Apparently the money came from subscriptions raised in Whitby. As Tweddell was only 3 in 1827, it’s clear he wasn’t involved with it’s planning but may have been privy to its origins through his familiarisation with the historical work of John Graves and or Masonic connections and so embedded a clue in the poem. With two ‘coincidences’ under my belt, I was intrigued. Could there be more or was that it?                                                                    


Why an Obelisk?

I wondered about obelisks and in what way are they relevant as a memorial? How does it relate to Cook? I discovered there are two types of obelisk – tall solid ones such as the Egyptian one transported to France and hollow ones. The obelisk on Easby moor is clearly a hollow one as illustrated by this press cutting below showing it after it was hit by lightening in 1906 – it was built without a lightening conductor! It also appears to have a ‘benben stone’ on top (a pyramid-shaped stone or the capstone of a pyramid or the tip of an obelisk) – although missing in the picture here). The pyramidion shape apparently distinguishes obelisks from other monumental columns.






Ancient obelisks were made of a single piece of stone, a monolith; however, most modern obelisks are made of individual stones, and can even have interior spaces.








This early sketch of Captain Cook Monument is from S. Horsfall Turner’s Yorkshire Genealogist and Yorkshire Bibliographer 1890 and shows the obelisk with an open doorway.
(M. Heavisides, reported that the North Eastern Daily Gazette led a successful campaign to have the monument fully restored in 1895. The obelisk was re-pointed, the doorway blocked off, the cap repaired and the plaque and fencing added.)


I’m not sure that there is any significance in the style of the obelisk but another website suggested that obelisks –

“…symbolized the sun god Amon Re, and during the brief religious reformation of Akhenaten was said to be a petrified ray of the Aten, the sundisk.  It was also thought that the god existed within the structure.” and “The pyramid and obelisk would have been inspired by previously overlooked astronomical phenomena connected with sunrise and sunset: the zodiacal light and sun pillars respectively.”


And…

Because of the Enlightenment-era association of Egypt with mortuary arts, (and generally with great antiquity), obelisks became associated with timelessness and memorialization.”


Ian Pearce of The Great Ayton Community Archaeology Project suggested that


The site for the monument was probably chosen because Easby Moor is the highest ground for miles around and consists of very stable sandstone, suitable for the foundations of an obelisk.  In contrast Roseberry Topping wouldn’t have provided a very good base, and is lower.  The site is also visible from miles around.


Some of this begins to make sense – Easby moor is a wide open space where sunrise and sunset are clearly visible and the ideas of memorialisation and timelessness are relevant. The monument acts like a sundial and as Ian says, it is visible for miles around. Whether a deity lives within its hollow structure is another matter! A great myth could be constructed around this – especially as the monument was dramatically split open by lightening (but we’ll leave that notion for the Creative Writing class!).






Talisman

There is a further suggestion that obelisks act as talismans. In History Under the Hammer by Joyce Dixon, published by the North Yorkshire Moors Park in 1996 (about the selling of the Gt. Ayton Cook Cottage to the Australians) Joyce Dixon gives an evocative description of the effect of the monument as they travel through the nearby countryside.






Cook’s Monument – Easby Moor

It was quite late on a winter’s afternoon and the sun was a great sphere of the most vivid shade of orange / red low down in the sky…The colours were intense, different shades of heliotrope, gold, scarlet and lurid pink in an immense sweep of colour all round us. The countryside was getting darker and on the top of Easby, the Monument stood seemingly impossibly large and drawing our attention in a way we had not experienced before –or since.


We drove in silence with our eyes and whole attention fixed on the Monument, stark and black against the vivid skies for mile after mile and we were aware of the huge distances from which it would be visible. It would have been impossible to have given him a more magnificent memorial than this with a feeling of almost reverence at the thought of the man who had inspired the erection of such a simple edifice in his honour.”

Was Captain Cook a Freemason?

The above shows that there are plenty of possible reasons for choosing an obelisk to locally memorialise Captain James Cook but is this all there is to it? Still not taking it too seriously I decided to check if Cook himself might have been a Freemason. That might give a more concrete justification for  an obelisk rather than a statue perhaps but I really wasn’t expecting to find any results.


Once again my search was full of surprises!


Apparently it is often claimed Cook was a Freemason – On this site


http://freemasonry.bcy.ca/biography/cook_j/cook_j.html


The Grand Lodge of British Columbia and Yukon – A Short History of Freemasonry in Yukon – there are several entries –
As a matter of interest it is believed that in 1778, Captain James Cook became the first Freemason to set foot in what is now the province of British Columbia.”
And on the Biography – Cook page (url above) it says –
Although no proof of his membership is available, he is often referred to as a  freemason. Claims that he was initiated into Lodge of Industry No 186 do not take into account that this lodge was warranted on 15 January 1788, nine years after Cook died.
http://www.phoenixmasonry.org/10,000_famous_freemasons/Volume_1_A_to_D.htm


The biographical entry on Cook ends with this sentence –
Although no proof of his membership is available, he is constantly referred to as a member of the Craft.


Interestingly, the idea that James Cook may have been a Freemason has already been explored in the book Captain James Cook – Freemason? Roy H. Clemens published by Masonic Public Library, Honolulu in 1980, and is also a source on the above biographical entry on Cook from the 10,000 famous Freemasons. In ten pages he sets out the evidence for and against and comes out firmly against Cook having been a member.


 Joseph Banks
Joseph Banks

Whether or not Cook was a Freemason, he certainly seems to be associated and respected by them for his work. In 1766 Joseph Banks was elected to the Royal Society, and in the same year he accompanied Commodore Constantine John Phipps (mentioned in Tweddell’s Bards and Authors of Cleveland and South Durham) (available for free download on this site) into Newfoundland and Labrador with a view of studying their natural history.


Another site (in contrast to the claim above) asserts that Joseph Banks (the celebrated Botanist) was the first Freemason to set foot in ‘New South Wales’-


1770 – The British ship HMS “Endeavour”, commanded by James Cook, RN, made the first European exploration of the east coast of Australia.  Cook named the land “New South Wales” and took possession in the name of King George III of Great Britain. Joseph Banks, a passenger aboard the ship, is thought to have been the first Freemason to set foot in the continent as at some date prior to 1768 he had become a member of the Old Horn Lodge No. 4.


Transit of Venus Expedition



Indeed Cook’s first expedition for the Royal Society was partly to track the passage of Venus over the Pacific, a distinctly astronomical mission. He had on board Astronomers and it seems that some of his team, including Banks, were Freemasons and had Lodge meetings on board. That this project was of enormous interest to both scientists and Freemasons might be seen from this site that is researching the Astronomical aspects of Freemasonry http://www.freemasons-freemasonry.com/alchemy_freemasonry.html






Today in New Zealand the Transit of Venus Expedition is partly sponsored by the New Zealand Freemasons http://www.transitofvenus.co.nz/


The site tells us –
The Transit of Venus: Voyages in Time and Space project is designed to excite New Zealand students about the great 18th century scientific adventure, which literally gave us the measure of the Universe – the expedition led by Captain James Cook was imaginative, daring, risky and hugely productive scientifically! Transits of Venus are rare. In 1768 Cook was hired by the Royal Society of London to go to Tahiti to observe the Transit of Venus on 3 June 1769 in order to calculate the distance between the earth and the sun – there was great excitement about the expedition for such an opportunity wouldn’t come again for another 120 years.


THE DOOR OF DESTINY

Further links between Cook, monuments and Freemasonry have been discussed in Australia where there is a 20th C Cairn monument to Cook in the entrance to one of the bays he landed in – (The Door of Destiny). It has been alleged that there was some Masonic involvement in its initiation judging by the site below. The Compass symbol at the foot of the Cairn is thought to be both a Masonic symbol and to symbolise navigation.


http://www.letsconnect.com.au/captain-cook-monument-the-doorway-of-destiny-r51.htm


The site above says “Sir Raphael Cilento, who was actually the father of Diane Cilento and head of the National Trust, designed the monument. I cannot comment on his being a Freemason, or the symbology on the compass in the root of the monument mentioned in the recent article. However, I do know that he did not choose the spot where the ‘Doorway of Destiny; was built. It was I who chose this magical spot on Round Hill Head next to the most beautiful windswept tree.


James Cook and the Wapping Dundee Arms Lodge



More recently I found an article on the Captain Cook Society website which, although not relevant (so I thought) was interesting. Geoff King tried to find a connection between Commodore William Christopher and James Cook. An apparent association was revealed in a Church in Stockton on Tees –


http://www.captaincooksociety.com/ccsu41159.htm Given the mystery of how they had become friends, I suspected there might be a Masonic friendship link but totally without any evidence. I never mentioned it to anyone but a while later I came across some further develops on the site which were most interesting and this time of some relevancy to this thesis. The bullet points below summerise some of the main points of the article.


On this page http://www.captaincooksociety.com/ccsu41166.htm  Derek Morris and Ken Cozens of the Captain Cook Society reveal (most interestingly) that –


  •  the link between Cook and Christopher was Francis Holman (1723-1784) a well-known marine painter who lived in Wapping and painted ships associated  with Cook and Christopher.
  • He was also a link with Trinity House, William Hammond of Hull, and possibly with other members of Cook’s crews and his acquaintances and friends.
  • Most interestingly – “Holman was a senior freemason in the Wapping-based Dundee Arms Lodge, whilst we have found that William Christopher was a member of a Masonic lodge in Stockton on Tees.”
  • This suggests that there were some social connections, or that recommendations about Holman’s paintings circulated through the lodges.
  • They tell us “One possibility arises from the fact that Holman was a leading member of the Dundee Arms Freemasonry Lodge in Red Lyon Street in Wapping”
  • Holman’s painting of Resolution and Adventure was in the possession of the Hammond family from 1772. Hammond was one of the leading ship owners in Hull, and in the Trinity House of Hull is his portrait painted by Lemuel Francis Abbott, in 1792. 
  • It is claimed on the portrait that “Hammond sponsored Cook’s 1772 Expedition to New Zealand”.
  • That Hammond was close to Cook is well known, and he was probably the man who commissioned the ships’ portrait from Francis Holman.
  • Because of his shipping interests and wealth we would expect that Hammond was in contact with Wapping-based shipping interests, such as that of Camden, Calvert and King, who in turn had strong connections with the Dundee Arms Freemasonry Lodge and Holman.
  • We are now more than ever convinced that the one constant link between the merchants in Hull, Whitby, Mile End Old Town and Wapping, is the Trinity House connection!
  • They would have been using other social networks such as freemasonry, but the strongest link, which encompasses so much, is Trinity House.
  • our work has shown the importance of the Trinity Houses in London and Hull, and the unexpectedly strong links through the Freemasonry Lodges in Wapping, Hull and Stockton on Tees.



Perhaps it’s still not proven that Cook was a Freemason himself but the strong connections are obvious and the involvement of the Stockton Masonic lodge should be borne in mind for what follows. All of that might be sufficient justification for the lodge to campaign for a local memorial to Cook such as an obelisk. In a recent e mail exchange with Malcolm Chase, Professor of Social History at Leeds University who had been feeding back to us in our research in George Markham Tweddell (GMT), suggested that “that if James Cook was a Mason, I’d be surprised if it hasn’t been verified by now” and “Freemasonry had strong support among officers in the armed forces, so in a sense it might be surprising if it could be proved Cook was not a member. And perhaps uniquely among the founding fathers of the imperial project, James Cook still retains a reputation as a scientist and intellectual, which would recommend him to a strong local patriot like GMT, even if there were not a masonic link.”
(Note – more on Wapping connections in the follow on below this as feedback)


The Plot Thickens! Obelisks, Pagodas and Pyramids and Roseberry Topping

All of the above (except the piece on Holman and Cook) came together over two days in 2008 and was discussed with various people via e mail, including the Gt Ayton Archeology Project and Paul Tweddell (a descendant of George Markham Tweddell). Next day I ventured down to Gt Ayton library where they have a number of books on Cook. I could find nothing more than I already knew – ie that the monument was built by Robert Campion in 1827. I was hoping to learn more about Robert Campion from Whitby and Lord of the Manor of Easby but nothing came to light. Could Campion have been a Mason? (More on this later in the feedback)


Then I pick up the recent publication by the Great Ayton Archeological Project – the gorgeously illustrated Roseberry Topping book. Knowing some of the members, I felt sure that there would be something more substantial here although the book was focused on this area’s other iconic hill – Roseberry Topping. What I found in this book changed the ball game considerably! Although the chapter concerned (p96) focused on the Mystery of the Summerhouse, (a strange pagoda like building on Roseberry Topping misnamed but better known as the Shooting Hut), it was exactly the kind of background material that might give this thesis more validity but oddly enough it didn’t make a  Masonic connection.


What I learned from this book Roseberry Topping published in 2006 by the Great Ayton Archeological Project was –


  • The campaign to get a local monument to Cook had been going from 1787 (8 years after Cook’s demise). Cook died in 1779.
  • There was secrecy about it as if emanating from a secret society.  The mysterious character of ‘Cleveland’ who first proposed the idea was recently shown by Cliff Thornton of the Captain Cook society to be John Brewster – author of the History of Stockton on Tees and a member of the Stockton Literary Club.
  • That the proposed location changed over the years from Marton (where Cook was born to Eston Nab to Roseberry Topping, finally ending up on Easby Moor.
  • Most interestingly for our original thesis – the proposals involved (at various stages) not only an obelisk but a pagoda      and a pyramid on the summit of Roseberry Topping!



This was exciting! The idle fancy that there might be a connection between exotic events in Paris and the outback of the North Yorkshire Moors didn’t seem so far fetched now! We are also clearly back to pyramids and obelisks. There was something there!!


John Brewster Proposes a Monument



Rev. John Brewster

The book tells us that the Rev John Brewster, in a published letter in the Gentleman’s Magazine in 1787 under the name of ‘Cleveland’ first proposed a monument to James Cook to erect near Marton in Cleveland (his birth place). Nothing came of the idea. In 1791 Brewster raised the idea again (still under the name of ‘Cleveland’). This time the memorial was to be on Roseberry Topping from which it would be visible for 30 to 40 miles around. Among the suggestions was ‘a building with large apertures in its sides, rather like a Chinese Pagoda’ but eventually settled on a pyramid! In 1808 Cleveland historian the Reverend John Graves commented that there had been a plan to erect a monument to Cook in the form of a pyramid or obelisk on the summit of Roseberry Topping. Nine years later in the second volume of History of Whitby, George Young noted in a biographical piece on Cook  that ‘agitation’ had been made more that once to erect a monument to Cook on Roseberry Topping and Major Bartholomew Rudd, the proprietor had cheerfully consented to the proposal. (Ironically Major Rudd built a mansion over the humble Marton birth place of Cook at what is now Stewarts Park!).


The book goes on to tell us that John Brewster, now writing to the Gentleman’s Magazine under his own initials referred to an earlier proposal to build a monument on Eston Nab.


I raise the following points on the idea of a pyramid on Roseberry Topping –


Pyramid on the Summit of Roseberry Topping!
(My Photo-shopped picture below might not be quite how they envisioned it!)

  • I find the idea of erecting a pyramid on the summit of Roseberry Topping quite bizarre (although interesting!). The
  •  Topping is kind of that shape anyway – more conical like – but aesthetically doesn’t need any artificial enhancement. In fact that might have spoilt it. 
  • As it happens the later landslide might have destroyed it anyway! 
  • However the question is – would people be induced to think of Cook if they viewed a pyramid on the Topping? I personally would be more mindful of Egyptology than Cook! That being so, who might want to evoke the idea of Egyptology? 

As far as I know, Cook had no involvement with Egypt, so unless there was a Masonic link – surely a pyramid has no relevance to Cook except as some exotic tribute. There surely must have been a more fitting style of monument that would reflect Cook’s travels, for example the Easter Island Moai!

A friend offered a possible explanation of how a pyramid might be relevant to cook (although this view is a personal composite from his wide reading but it raises the point that some kind of Egyptian / Masonic symbology might explain it). (Also inherent in this view is the idea that all religions are interconnected with the mention of Vishnu!) –


The pyramid might also represent the free masons compass.  Four sides for East, West etc etc.  If  it  also  represents  an  upside  down  V  for  Vishnu  and  a  boat  ferrying  dead  pharaohs to  the  netherworld, then  it  would  be hollowed  out  like  a boat.  And what was Cook, but a sailor and navigator.


Pagoda

The idea of a Pagoda is surprising too. The whole chapter in the Roseberry Topping book is dedicated to the mystery

Summerhouse or Pagoda?
 of the Shooting Hut which has an oriental looking roof – somewhat Pagoda like but not the classical curled edge style found in China. It’s not clear that the pagoda Brewster talked of was ever built and the location seemed to be earmarked for Eston Nab rather than Roseberry Topping but the ‘summerhouse / shooting hut’ on Roseberry Topping does have a strange oriental looking roof. However there is no information to suggest this was in anyway dedicated to Cook and so is probably unrelated. However, seeing as a Pagoda was among the proposals, there does seem to be a surprising link with Pagodas and Masonry (I think!). Pagodas are part of the Buddhist tradition, there’s mention of the Buddha as a Supreme Being  –
they appear to have derived their form from a tumulus, because ancient religions are partly based on the veneration of the tombs of ancestors. The pyramids of Egypt and the Ming and other Imperial Tombs of China.. The Buddha, as a Supreme Being among all creatures, is entitled to many umbrellas placed one above the other.
http://web.ukonline.co.uk/theravada/nibbanacom/tawsein1.htm


However the mystery of the Summer House / Shooting Hut / Pagoda may or may not be related (that’s a whole issue in itself) but is interesting.


More fruitful to this discussion at the moment is John Brewster


The Reverend John Brewster – Freemason?


  • John Brewster’s use of the nom de plume – ‘Cleveland’ presents a sense of something emanating from a secret society. Nom de plumes were common among radicals and reformers however, if we think of Cobbet’s Peter Porcupine and Tweddell’s later use of ‘Clevelandus’ ‘Peter Proletarius’,
  • · If you Google John Brewster’s name, up comes the Stockton’s Freemasons Lodge of Philanthrophy. There is a reference to his Parochial History and Antiquities of Stockton-on-Tees of which the second edition has a goodly section of Freemasonry. This does not prove Brewster was a Freemason of course, but it’s interesting. (Actually we have now established Rev John Brewster was a Freemason – see the feedback below).
  • The Reverend John Graves reinforced Brewster’s proposition of an obelisk or pyramid on the summit of Roseberry Topping in his book The History of Cleveland in the North Riding of the County of York (footnotes P 462 -464) after giving a great tribute to the scientific work of Cook. (Tweddell tell us in his Bards and Authors of Cleveland and South Durham) that the Reverend Brewster married John Graves and his wife before either had become historians and so there was a strong connection between them.). (John Graves book is available for free download on Google books)
  • · In the second edition of Brewster’s Parochial History and Antiquities of Stockton-on -Tees (available as downloadable as a Free download (pdf) on Google Books), has a surprising section on Freemasonry. In this second addition Brewster has added notices of societies including ‘a society that although is mysterious, is eminently benevolent – The most Ancient and Honourable Society (No 19) of free and accepted Freemasons – the Lodge now called The Lodge of Philanthropy, constituted in London 1725 at the Swan and Rummer in Finch Lane.
  • The ‘notice’ (p254 bottom of page and onwards) presented by the Lodge of Philanthropy discusses the suppression of secret societies of a political nature bill in 1796 and an inquiry raised by members of the Durham Lodge. The result was that the Freemasons were exempted from the act. This statement was confirmed – the article goes on to say – by His Royal Highness – The Duke of Sussex – to an address of the Lennox Lodge of Freemasons Oct 26th 1827 at Richmond in Yorkshire. It says that his Royal Highness, as a member of the Craft, had intervened to save the Craft from extinction. King George had become a patron. (A further link between royalty and the Craft – this time in England).
  • It’s interesting that that date 1827 comes up again with a significant event a month or so before the erection of the Cook monument on Easby moor and involving the Richmond Lodge and the Stockton lodge of philanthropy in some way. The recent research by the Captain Cook Society regarding Holman reinforces the idea of some involvement here. Brewster, if not a Freemason, certainly had close links with the Stockton Lodge.
  • There were no local lodges in either Gt Ayton (until 1996) and Stokesley until 1847. The nearest would have been Stockton or Richmond.



Note – Geoff King of the Captain Cook Society has confirmed that The Reverend Brewster was indeed a Freemason but with reservations – see the follow on article below)


Radicalism in Stokesley in the 1820’s



Although I haven’t found direct involvement of Stokesley so far, in the 1820’s, a number of local historians have written about the conflict between the Stokesley Radicals and local conservatives at the time –
Alice Barrigan in an article Radicalism in Stokesley now on this site http://northyorkshirehistory.blogspot.co.uk/2012/11/radicalism-in-stokesley-in-1820s.html#more
tells us –
In the turbulent 1820s, Stokesley was riven by a bitter debate between radicals and traditionalists.  Admirers of the revolutionary activist Tom Paine were at loggerheads with local conservatives and clerics.  It culminated in a war of pamphlets – the Stokesley Paper War.”
 Daphe Franks mentions the Paper Wars briefly in her pamphlet Printing and Publishing in Stokesley 1985 ( now held at Northallerton County Library (as Freethought in Stokesley in the 1820s) and
Malcolm Chase’s  ‘Atheists and Republicans in early nineteenth-century Cleveland‘,  Bulletin of the Cleveland and Teesside Local History Society 47, pp. 29-36, 1984


 The article describes the first of two Paper Wars in Stokesley (the second occurring in the 1840’s around George Markham Tweddell’s radical paper which you can read about here – http://georgemarkhamtweddell.blogspot.co.uk/2012/11/stokesley-news-and-cleveland-reporter.html
From Alice Barrigan
We learn that “on Monday 2 June 1822 employer Thomas Mease gave a speech at a Wesleyan Methodist Missionary meeting attacking Robert Armstrong – a radical bookseller. This began the first Stokesley Paper War. Mease later published his speech and commented “I was exceedingly amused, Sir, by the way in which the birth-day of Paine was lately kept in this Town,” He claimed that the principal objects embraced by their vain were probably the subversion of Christianity and Monarchy, and the substitution of a Republican government, together with what they strangely reckon a scientific morality.


Robert Armstrong, a bookseller in Stokesley who stocked radical (and at the time illegal copies of authors such as Thomas Paine, Carlile, Rousseau,) responded with his own newspaper –  ‘The Missionary; or Stokesley & Cleveland Illuminator’ while Thomas Mease responded with The Extinguisher.



The war of words between Mease and Armstrong in Stokesley was a small part of the great conflict then raging between the forces of conservatism in religion and politics and an increasingly vocal radical movement calling for political reform and open religious debate.


Ill-feeling between the factions of free-thought and religious orthodoxy may have been brewing for some time in Stokesley. Armstrong was a leader of the local Zetetic Society (a society of Freethinkers) and was responding to Carlile’s plea from prison for volunteers to carry on disseminating his works to the public.
In 1822 and 1823 Armstrong was openly selling ‘The Age of Reason‘ in Stokesley. Carlile was sentenced in November 1819 to a term of three years’ imprisonment with a very heavy fine for publishing Thomas Paine’sThe Age of Reason‘, which had been banned in 1797 for its attack on organised Christianity and its advocacy of a deistic religion based on reason and logic. Robert Armstrong was an anti-clerical deist, democrat and republican, who followed with interest democrat and republican, who followed with interest the latest developments in scientific and political thought.


During the Napoleonic Wars, in Stokesley, Barrigan tells us, ‘many weavers brought to the town the independent and enquiring minds for which they were well-known.’ Some of the characters, such as John Appleton and Henry Heavisides, associated also with Stockton were in Stokesley at this time. Appleton reported – “A few of the lovers of Civil and Religious Freedom, met in this Town, on the Evening of the 29th of January, to celebrate the Anniversary of the Birthday of Mr Paine.” Heavisides was apprenticed to William Pratt – the printers in Stokesley and later in Stockton (as Tweddell notes) was ‘a warm supporter of Reform’. In Heavisides Annals of Stockton it is clear he was also a Freemason.  It’s not clear if Heavisides was involved with these events in Stokesley but there are clear social networks between the towns.


Conclusions
From an idle curiosity we have established that there were significant ‘coincidences’ in the date 1827 and its relation to the establishment of obelisks and a ‘coincidence’ of proposals for (or establishment) of Egyptian artifacts such as Obelisks and pyramids both in France, America and the North Yorkshire Moors. Circumstantial evidence at least that Cook was either a Freemason or at least closely associated with them and that John Brewster was too. Clear evidence of a background of political, religious and ideological challenges both locally, nationally and internationally:



More research is obviously needed in many areas but it’s clear from all this that there was more to the establishment of the Captain Cook obelisk on Easby Moor that meets the eye and that there is a fascinating story here. Once again I can’t claim to have all the answers in this essay or that everything is right. Much more research needs to be done, but hopefully this essay will have made a contribution and highlighted what seems to be an interesting story.


Updates to this article are here in part two below – including feedback from the Captain Cook’s Society and a comparison with Stoodley Pike above Todmorden.

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Part 2


Mystery of Captain Cook’s Monument pt 2 – Feedback & Additions

Since writing the article above on this site regarding the mystery of Captain Cook’s monument on Easby Moor, North Yorkshire, I have had various discussion via e mail with Cliff Thornton of the Captain Cook Society which have been very helpful and insightful and to whom I’m grateful for taking the time to look at these ideas. This page reflects that feedback as well as additional material regarding Cook’s life in Wapping in relation to Emmanuel Swedenborg. This page also includes a comparison to Stoodley Pike in Todmorden. Although not related to Captain Cook, there are similarities there.


Feedback from The Captain Cook Society



The Reverend John Brewster – author of  The History of Stockton.


Cliff Thornton of The Captain Cook’s Society kindly sent a link to Geoff King who is mentioned in my article as exploring the friendship link between Captain Cook and William Christopher. Geoff King has managed to confirm that The Reverend John Brewster (who under the name of ‘Cleveland‘ first proposed the Cook monument in the form of a pyramid on Roseberry Topping etc.) was indeed a Freemason. However he does have reservations about drawing further conclusions from this. Here are his thoughts –


” Rev John Brewster was initiated into the Stockton Lodge of Philanthropy 27th Dec, 1781.”


  • I think it borders on speculation to align the monument of Captain James Cook with freemasonry. 
  • There are many symbols within the craft and each has a particular relevance to a degree. 
  • Whilst the pyramid is sometimes seen, it is not a common symbol and I have yet to see it quoted in any degree ritual. 
  • I would have thought to place a cap stone on any obelisk is just good workmanship within a design to let the rain run off and also to maybe reflect light catching the sharp angles from the sun.  
  • Yes, a pyramid has a meaning, but a very general meaning.
  • Yes, Brewster extended his 2nd edition of the “History of Stockton” to encompass many organisations in Stockton, freemasonry was but one of them.
  • Unless we can have sight of more information regarding others who wrote about this pyramid design, I fail to see any connection with our valued Captain.



So the only Masonic connection that there is at present is via John Brewster, the Stockton cleric.
So the conclusion here seems to be  that although Brewster was initiated into the Stockton lodge of philanthropy and proposed the original idea for the monument in the forms of a pyramid, pagoda or obelisk, it doesn’t mean that it was officially sanctioned by the Craft. Perhaps any proof of that would also be in the lodge’s minutes or records. As to the to symbols that is a wider discussion elsewhere.
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ROBERT CAMPION
Cliff Thornton also made enquiries about Robert Campion, who commissioned the Cook obelisk on his land at Easby Moor.


In the article we wondered if there was a Masonic connection via Robert Campion –


Cliff’s contact, who knows about Robert Campion, gave this feedback –


  • Robert Campion was the son of Nathaniel Campion and Margaret nee Holt. He was the oldest, and eventually the only, son and became very rich – indeed at one time he was deemed to be the wealthiest man in Whitby (round about the time he put up the memorial). 
  • He had a thriving cotton business (Campionville), was a banker, a ship-owner and a ship-builder. 
  • I have no record of his going to sea, though his father and his uncles were all master mariners and his mother’s family were all master mariners as well (He was in baking at first in partnership with his mum; there were also shipowners in the family.
  • The Campion family came from Staithes. They would certainly have known James Cook and I argue that they were probably friends (Nathaniel Campion & James Cook were of an age).



My understanding is that Robert Campion built the memorial because he would have been told about James Cook by his father and uncles from childhood and admired him. He built it where he did because it was on his land, as he was Lord of the Manor of Easby. He built it when he did presumably because no-one else seemed to be doing anything, and he could afford to.


Why was it built as an obelisk? I suggest:


Cook’s Monument – Easby Moor
1. Obelisks were in fashion
2. If you wish to build a memorial, you really only have a choice of:
          a) A statue (far too expensive)
          b) A rectangular altar-shaped thing. (not visible from afar)
          c) A pillar (unlikely to stay up in a high wind unless very wide and of solid stone)
          d) A pyramid
          e) An obelisk
– if you don’t believe me just look in any graveyard, or at any war memorials.


3. Of these an obelisk has the advantage of being taller for its width than a pyramid, of being able to be built quite cheaply from bricks as it can be hollow (all builders would know how to do it, not different from a chimney stack, so no need to import expertise from afar), and it has a flat surface for putting an inscription on.


None of these have any necessary connection with masons.


Having said this, although there is no evidence that Robert Campion (or Capt Cook) were masons it would still be tangential even if that was the case. Campion was a Whitby man born into a maritime family commemorating another Whitby maritime man who was not only a family friend but an example to others. ‘End of’ – as they say.
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Cliff Thornton also offered some general thoughts of aspects of the essay –


I believe that the monument was built in that location and in that size so that it could be used as a landmark by vessels sailing past the mouth of the Tees.
I think that Robert Campion had been a shipowner, so his construction of the monument was both historic and practical.
In deliberating between monument/obelisk and statue, I note that most statues are built where they are readily seen by passing members of the public.
Easby Moor does not get such a passing trade to warrant a statue, and to become a landmark it would have had to be much larger than life, and therefore be far more expensive than constructing a simple monument.
But the monument is significant as it was the first public one erected to Cook.
(There was an earlier one, erected by Palliser, Cook’s patron, but it was in the private grounds of his estate).
So despite Cook’s fame it is disappointing that there was no national movement to commemorate him in some way. Hence Brewster’s attempts.
The first statue was erected to him in London as late as 1913 (?) and then only after the Premier of New South Wales had written a letter to the Times and shamed the country into commissioning it!
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NEW – However I have recently discovered this interesting essay on masonic symbolism by Patrizia Granziera Freemasonic Symbolism and Georgian Gardens. It can viewed here http://www.esoteric.msu.edu/VolumeV/Freemasonill.html in which she says 
The landscape garden was conceived in England between 1710 and 1730—that is, during

the period of the European Enlightenment, which coincides with the diffusion of Freemasonry in England and Europe. Many landlords and intellectuals of the eighteenth century were freemasons….It is in fact at this point in its history that Freemasonry develops as a focus for intellectuals, politicians, the gentry, artists and architects, thus fostering a continuous exchange of ideas, aesthetic values and beliefs between English and European intellectuals. Freemasons believed in virtue, progress, equality, and they contributed to the preparation of the soil for the late eighteenth century democratic revolutions. These Enlightenment ideals (tolerance, equality, universalism, civic duty, natural religion, morality) which they helped propagate through their international links were also reflected – by means of its iconography and design—in the early “emblematic” landscape garden (1). Once we understand the important role that Freemasonry had in the eighteenth century and we consider that those intellectuals who belonged or had links with this secret society were also responsible for the developments in the arts – landscape architecture included—we cannot but agree that it is important to research the relation between Freemasonry and the early English landscape garden. But we should begin with an introduction on the history of Freemasonry and its role in the eighteenth century.”  


There’s a good exposition on the development of Freemasonry in this essay too.
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Captain Cook and Emmanuel Swedenborg



Emmanuel  Swedenborg

We mentioned in the article the work of Geoff King, Derek Morris and Ken Cozens in establishing a Masonic friendship  link between Captain Cook and William Christopher via Francis Holman in Wapping. Julie Rae, belows reveals more about Cook’s Wapping days including some interesting material on Emmanuel Swedenborg and Cook’s associates. While it doesn’t prove that Cook was a Mason, it reinforces the idea that those kind of associations were around him at least.


The following comes from
Captain James Cook Endeavours” by Julie Rae published by Stepney Historical Trust 1997”  who explores Captain Cook’s time in Wapping.


Julia Rae, in her book Captain James Cook Endeavours published by Stepney Historical Trust 1997, describes Cook’s links with Emmanuel Swedenborg whose ideas later became a strand of Freemasonry. I’m not claiming this to prove that Cook was a Freemasonry, just that its interesting background and shows the deeper elements behind Cook’s work. Here are extracts from Rae’s book –


“Cook would have been familiar with the many nationalities who were residents in the areas. They often had their own churches or meeting places. The Swedish Church was a meeting place for the Swedish Community in Princes Square off the highway now known as Swedenborg Gardens) which was named after Emmanuel Swedenborg who was the son of a Swedish Bishop, a brilliant scientist, mathematician, astronomer, anatomist and linguist.


Dr Solander

He produced nearly 100 great works and while here, claimed he was commanded by God in a vision to write about spiritual things. He saw into the spiritual world and described his experience in his book “Heaven and Hell”. His religious teaching were both scriptural and rational and he harmonised religion and science. He loved London and came to publish his writing, which translated into English by William Cookworthy from Plymouth who was one of Cook’s Quaker friends (From Cook’s own scientific curiosity he may have visited Emmanuel Swedenborg along with Dr Solander (the botanist) who was a member of his church. (Dr Solander was buried there in 1782). P81


p97 “ HM Bark Endeavour was a ship with a mission with a galaxy of scientific talent on board, notably the botanist, young Joseph Banks FRS, Daniel Solander, a favourite pupil of Linnaueus, and artist Sydney Parkinson, a Quaker friend of Dr Fothergill…..


No doubt these eminent gentlemen discussed the voyage which lay before them, with particular reference to its principal purpose the observation from the most favourable vantage point in Tahiti, of the passage of the planet Venus across the sun’s disc. Cookworthy was particularly interested in the astronomical observations which were to be undertaken by Cook and his companions.

He and Dr Solander had a common friend, Dr Emmanuel Swedenborg, whose cousin was married to Carl Von Linnaeus, the teacher of Dr Solander. Emmanuel Swedenborg was also an amateur botanist but his main interest was astronomy and mathematics, but because of his religious beliefs he was regarded as a mystic. Solander and Cookworthy were both members of his church in Princess Square, off Ratcliff Highway. It was Cookworthy who translated Swedenborg’s writings into English and for a time became a Swedenborgian, until, as quoted in the Quaker Meeting House minutes, “He came to his senses and returned to Quakerism”.


This connection is very interesting as it shows how the 18thC scientific world worked together. Banks would also have been curious about the contents of Swedenborg writings who, before he turned religious, was one of the brilliant astronomical minds of that century, which may have proved helpful to Banks on the forthcoming voyage.


Naturally Cook would have listened intently to these discussions but at the time was he was principally concerned with provisioning his ships”.


P101 “..for William Cookworthy would have been one of the most avid readers of accounts of Cook’s voyage, (and) therefore would have mentioned the accounts of the voyage to Swedenborg who also would have shown great interest, considering he was a cousin in law to Linnaeus and a friend of Dr Solander, apart from being one of the best scientific minds at the time.


Therefore  was it possible that William Cookworthy advised the scientific team on astronomy before  they sailed in the Endeavour, and after the voyage reported back to Swedenborg of their success?


The question cannot be dismissed, for Swedenborg had many friends and supporters in high society and it would not be unreasonable to presume he gave advice to Cookworthy on astronomy. Swedenborg, as a young man visiting London, had attended lectures by the great scientists of his day. He visited Greewich observatory and was allowed to watch the Astronomer Royal,the Rev.John Flemsteed, doing his observations…It was thus he learnt how to calculate the eclipses of the sun and moon. Of greater importance was the fact that Swedenborg went to Oxford to meet Edmond Halley, with whom he discussed his own method of finding the Longitude at sea by observations of the moon.”


While there is no evidence that Emmanuel Swedenborg was a Freemason, the Swedenborg Rite became an associated part of Freemasonry after his death. There is a good account of the influence of the Swedenborg’s ideas on the Mason’s with advanced degrees on this Masonic page from  – The Grand Lodge of Columbia and Yukon –
” But non-membership of the Craft does not imply the absence of a relationship of some kind: the episode of the Illumines d’Avignon is clear evidence that Swedenborg had an influence upon Freemasonry, albeit unknown to himself; or, in Mackey’s words: ‘it was the Freemasons of the advanced degrees who borrowed from Swedenborg, and not Swedenborg from them9.
It would, however, be the best part of a century before they borrowed again. In the interim those Swedenborgians who were drawn to Freemasonry were quite content with the Craft degrees”


More information on Swedenborg can be found on Wikipedia
http://en.wikipedia.org/wiki/Emanuel_Swedenborg


Interestingly at the foot of the Grand Lodge article is a list of names relating to the Swedenborg Rite which includes poets like William Blake etc but also George Markham Tweddell of Stokesley lodge via whom I began this enquiry.
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STOODLEY PIKE – Todmorden – A Comparison.


On a recent visit to Todmorden in the Calder Valley, I was taken by Stoodley Pike which looked very similar to Captain Cook’s obelisk on Easby Moor North Yorkshire. I picked up a couple of local history books in the information centre and looked on the internet. Although Stoodley Pike bears no relationship to Captain Cook, the similarities were striking and there was, in the local history account, an acknowledged Masonic involvement which there isn’t for the North Yorkshire counterpart.


The first book was authored by Mrs E.M. Savage and called Stoodley Pike and published by the Todmorden Antiquarian Society.


Mrs Savage tells us that various legends and traditions suggest there had been ‘a Cairn of some description’ on the spot where the Pike now stands. Whatever the nature and origin, the facts are that there was a structure of some description long before 1814 when the first Pike was erected.


The first Pike was erected in 1814 by public subscription to ‘commemorate the surrender of Paris to the Allies in


First Stoodley Pike
 March 1814. The subscription was opened and to this the freeholders in the neighbourhood mainly contributed.


Savage tells us that “In order that the monument could be seen from a distance, a prominent part on Langfield Out-pastures was chosen.” Savage lists the five trustees and the freeholders and their occupations.


The first Pike, which wasn’t at all the same as the one on Easby moor (see picture)


However the first Pike was erected according to the following terms –
“…to perpetuate and commemorate the achievements which the United Kingdom of Great Britain and Ireland have so gloriously made for the nations of Europe by the Peace concluded in the year of our Lord 1814”


Savage tells us that the foundation stone was laid with full Masonic honours. According to accounts – ” A youngster perched on his father’s shoulder, leant forward to see all that was going on, and was touched accidentally by the Tyler’s sword, and blood flowed freely.”


However the incident didn’t detract from the enjoyment of the occasion when among other rejoicings and feasting, a whole sheep was roasted.


John Billingsley, in his book Folk Tales from Calderdale says “the belief that cement mixed with blood – especially human blood – is stronger than standard mortar is familiar in the folklore record and is usually taken as an echo of ancient foundation sacrifices and offerings”


The inscription on the door read ” This Monument was erected by Public subscription, to commemorate the Peace. Anno Domini 1814″  However she tells that although work began on the Pike in 1814, Napoleon escaped from Elba on February 20th 1815, hostilities broke out again and building was suspended. When Napoleon was defeated at the Battle of Waterloo on June 18th, building was resumed and finished in the same year.


Again John Billingsley comments ” the cynicism which some have felt over the financing of the peace monument – the major part of the cost was subscribed by local textile manufacturers whohad made considerable sums in supplying uniforms to both side in the long war – was not shared by Tony Hegginbottom who argued for the sincerity of the local desire to for peace and emphasised the active involvement of local Quakers who were relatively numerous in Langfield”


It would seem that the obsession with Egyptology and the Cult of Reason during the French Enlightenment and the America Revolution were having some effect in England regardless of whatever connections there were in relation to Captain Cook or the defeat of Napoleon. – Discuss!


Like the monument on Easby, Stoodley Pike was also struck by lightening and destroyed and then rebuilt along with a lightening conductor. However, unlike it’s Easby moor counterpart (as far as I know), Stoodley Pike had a strange coincidence attached to it –


Mrs Savage tells us that the Halifax Guardian headline on February 11th 1854 ran “Fall of Monument – An Evil Omen” the reported continued ” On Wednesday afternoon, February 8th, between 5 and 6 o’clock, the inhabitants of Langfield were greatly startled by a loud rumbling noise, resembling the falling of roacks or a large pile of buildings. It was found that the pillar or monument erected on the height of Stoodley Pike in commemoration of Peace had fallen nearly to the bottom. A few years since, it was struck by lightening which cracked the walls in several places and to that its fall is mainly to be attributed…”


The reference to the Evil Omen, she tells us was due to the coincidence of the Russian Ambassador leaving London on the same afternoon owing the start of the Crimea war.


In 1854 the monument was rebuilt – again by public subscription – but the design this time was similar to the one on Easby more only with more design features involved.


John Billingsley, in his book Folk Tales from Calderdale, tells us
” Freemasons were certainly actively involved in planning the second monument, and their symbols remain in the architecture. Over the doorway can be seen a crossed compass and square and the six-pointed ‘Star of David’, whose interlocking triangles represent ‘As above, so below’.There was no foundation ceremony as in 1814 but doubtless a masonic rite was performed and Heginbottom suggested it may have been a rite of consecration.”


Billingsley goes on to suggest ” The chosen obelisk design surely conformed to Masonic predilections (hence its use for Washington Monument in America) originating in Egypt, it was a sacred architectural form associated with the Sun-god Ra and later Osiris. Heginbottom suggests that obelisk adds another layer of meaning to the peace movement -that of the ‘symbol of the Masonic God the Architect’ .We might add that the obelisk form represents the Axis Mundi or world axis, and note how the current monument does indeed seem to be a fixed point around which the upper Calder valley revolves.  Steve Hanson  has suggested that the design of the Pike, in particular the staircase to the balcony, which one accesses under masonic signs over the doorway, further encodes masonic symbolism into the architecture – “the ascent into total darkness appears to replicate the masonic blindfold ceremony, a trial by ordeal, a leap of faith, after which enlightenment is is received with the removal of the blindfold and acceptance into the order.. the Pike might be designed to replicate this ceremony for the layperson, accent by ordeal followed by a privileged view.”


The Cook monument, as far as I know, has none of the design features mentioned above – the symbols of the staircase or the balcony but certainly something was going on around the time of the French and American Revolutions etc that affected the landscapes of this country and perhaps Cook and the defeat of Napoleon were only the outward reasons for their construction. As far as Stoodley Pike is concerned Savage tells us that
“the carving of the emblems and the inscription was cut by Mr Luke Fielden, whilst it was believed that John Fielding himself drew up the inscription.”


Steve Hanson tells us ” The obelisk design of the tower is a ‘…reflection of patron Samuel Fielden’s freemasonry’ and of the society of the time’s obsession with Egyptology.”


It seems that the Fielden family were largely involved with this project. Savage tells us that Samuel  and J. Fielden of Dobroyd were chief subscribers. This site gives some background to the family http://freepages.genealogy.rootsweb.ancestry.com/~todmordenandwalsden/johnfielden.htm
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So – an interesting comparison of ideas there and food for thought!

Yorkshire Worthies – John Ryley Robinson (Poem – Tweddell Tractates No 5)

Yorkshire Worthies – 
Poem by John Ryley Robinson LLD 

Published 1869 by George Markham Tweddell in Tweddell’s North of England Tractates No5


John Ryley Robinson from Tweddell’s Bards & Authors of Cleveland 1872

This poem was in George Markham Tweddell’s Tractates No 5 from the Tweddell family collection. John Riley Robinson reveals the extent of poets and writers of Yorkshire in 19th Century – many from the Cleveland area which Tweddell wrote about in Bards and Authors of Cleveland and South Durham 1872.


An interesting inclusion is George Ripley – It’s only a passing mention in a pantheon of wrtiers but in light of the discussion of Tweddell’s Emblematic poems (see discussion in my essay on Tweddell’s poems here – especially the end section on symbolism and emblematic poetry.
http://georgemarkhamtweddell.blogspot.co.uk/2011/04/poets-view-of-george-markham-tweddell.html


George Ripley “was at some time ‘Canon of Bridlington’. He spent his later years as an anchorite near Boston (Yorkshire). he studied in Italy for twenty years. He returned to England in 1477 and wrote his work The Compound of Alchymy; or, the Twelve Gates leading to the Discovery of the Philosopher’s Stone (Liber Duodecim Portarum), dedicated to King Edward IV and highly appreciated by him. The Cantilena Riplaei is one of the very first poetic composition on the subject of alchemy. His twenty-five volume work upon alchemy, of which the Liber Duodecim Portarum was the most important, brought him considerable fame.”
From http://en.wikipedia.org/wiki/George_Ripley_(alchemist)


Link Below talks about Ripley’s use of emblems and symbols in his work and alchemical poems.
He was renowned as an alchemist and author of alchemical works in rhyme, and his verses are used on most of the scrolls. Alchemical scrolls are rare and there are only 16 in the UK

More on George Ripley and his Alchemy here http://www.rcpe.ac.uk/library/read/collection/ripley/ripley.php




This pdf file is a Google drive document – use the navigation tools and arrow on the pdf file below to enlarge it go to the original document to download it free


Tweddell’s Cleveland Poems

Tweddell’s Cleveland (Uk) Poems – 1800’s



At this stage, still a work in progress. Although all of George Markham Tweddell’s are in 2 pdf files on this blog http://georgemarkhamtweddell.blogspot.co.uk/2012/05/collected-poems-of-george-markham.html, I’ve created a blogspot for all his poems relating to his native Cleveland, to make them easier to find and available for researchers and to illustrate them with pictorially and with links to further information.


The direct link is http://clevelandpoems.blogspot.co.uk/

Tweddell’s North of England Tractates

This is a list of George Markham Tweddell’s  North of England Tractates. As I put the tractates on, either themselves or as part of the Tweddell poetry collection – I will provide a direct link here.

Direct links to individual Tractates on this blog
(more to come soon)

1. Poems or stories in dialect by Florence Cleveland (aka Elizabeth Tweddell) from Tractates No 3 and No 13 can be found the full book by Florence Cleveland – Rhymes and Sketches in the Cleveland Dialect here
(you can download the book free from this post) via Google Drive (Docs) http://georgemarkhamtweddell.blogspot.co.uk/2012/11/rhymes-and-sketches-to-illustrate.html


2. All poems by George Markham Tweddell from the Tractates can be found on here in the Collected poems by George Markham Tweddell and can be read on line or downloaded free as pdf files.
http://georgemarkhamtweddell.blogspot.co.uk/2012/05/collected-poems-of-george-markham.html


These include Tractates No 7 / 10 / 32 / 35 / 36
Also all Tweddell’s Cleveland poems are currently being uploaded to this blogspot so they are all in one place. http://clevelandpoems.blogspot.co.uk/


3. Tractate No11 – Poetry of Toil by Angus Mcpherson can be found here with additional material
http://georgemarkhamtweddell.blogspot.co.uk/2012/12/angus-macpherson-and-george-markham.html


4. Tractate No 31 on Stokesley is here http://georgemarkhamtweddell.blogspot.co.uk/2012/12/a-glance-at-history-of-stokesley-gm.html


Old Cleveland – Local Writers and Local Worthies 1886 W.H. Burnett

In the last post on his site we talked about Tweddell’s 1872 book The Bards and Authors of Cleveland and South Durham, of which only one volume of 37 writers was ever published. There was of course the promise of a 2nd and 3rd volume at a later date. It seems (from volume 1) that the 2nd volume was only awaiting enough subscribers to make publication viable! As no second or third volume ever appeared and no notes have turned up, I am assuming any follow up work that Tweddell did do was lost posthumously in the Stokesley floods of the 1930’s when the cellars of Rose Cottage (Town House) were flooded. Great shame as Tweddell had at least another 100 local writers lined up for the follow ons!

William Hall Burnett 1841 – 1916

However, in 1886, William Hall Burnett – the editor of the (Middlesbrough) Daily Exchange (based at the Middlesbrough Exchange) and a poet and author in his own right, came up with a book now long out of print and largely obscure of which part of it was a kind of follow on to Tweddell’s book, with Burnett’s own thoughts on some of the writers discussed and introducing others to the pantheon, some Tweddell planned to cover in subsequent editions and some not mentioned.


It is a marvelous work in its own right and makes another great contribution to our knowledge of the lost literary history of the Tees, North Yorkshire area.


First, though, we explore some of the connections between Tweddell and Burnett, before detailing the Burnett’s Local literary pantheon.


Who Was William Hall Burnett 1841 – 1916?




“Burnett was a Journalist, newspaper owner and editor, born in Stokesley in 1841. The son of Hannah Burnett, an agricultural labourer, Burnett’s talents as a writer
and public speaker were recognised at a young age. By the age of 10 he was a
popular elocutionist, and by age 13, he was self-taught shorthand writer and
correspondent for the York Herald. In c. 1860, he was given the
editorship of the Middlesbrough Weekly News and Cleveland Advertiser, a
paper which, with the help of business partner, William Wilkinson, he bought
outright in 1865 from its then owner, Joseph Gould. “

(Quote from Tony Nicholson – from a webpage now deleted apparently).




Although W.H. Burnett ran the only Conservative paper in Middlesbrough (a predominantly Labour town), the evidence is of a mutual respect and admiration of each other’s work. Their mutual love of and interest in the literature, both national and literature is evident by these books and Burnett included both George and Elizabeth Tweddell (Florence Cleveland) in his 1877 anthology of local dialect poetry – Songs and Sketches in Broad Yorkshire 1877 W.H. Burnett in which Burnett says of Elizabeth Tweddell’s work


” The Editor makes no pretense that

the whole of the Poems given are excellent poetry;
or that the prose is all that could be desired from
a literary point of view; nevertheless, he thinks
that some of the pieces given, especially those
from the writings of Mrs. Tweddell, will bear a
favourable comparison with the best local poetry of

such writers as Waugh, Brierley, and Eccles.” 


Preserving the Cleveland Dialect
Both the Tweddell’s and Burnett were concerned about preserving the local Cleveland dialect, that were, in their life time, already dying out. 

George had published the work of John Castillo (The Bard of the Dales) on Castillo’s death, translating the poems into the Cleveland dialect. Castillo was of Irish decent but grew up in Lealholm, where he worked as a Stonewaller and became methodist priest as was as notorious for his verses. He was well published in his life but Tweddell’s volume was in part designed to help preserve knowledge of the Cleveland dialect via poetry. This was followed by Elizabeth Tweddell (Florence Cleveland’s) popular work Rhymes and Sketches in a Cleveland Dialect (available as pdf file on this blog).

In fact, as Paul Tweddell wrote in his forth coming genealogical study of the Tweddell family Poor Lives, but Full of Honour –  George Markham Tweddell recieved a certificate awarded by the King of Denmark, on behalf of the Royal Nordic Old Language Society in 1867 for his work on the Cleveland dialect. 

A translation of the certificate reads – 
The Royal Nordic Old Language Society has adopted Mr George Markham Tweddell FSA (Edinburgh) of Stokesley in the county of York as a full member, as the society honours a man who is able and willing to advance its aims. Approved at the Society’s meeting in Copenhagen on the 15th Jan 1867

Tweddell’s membership of the Royal Nordic Old Language Society was down to a wealthy landowner / poet John Reed Appleton, who George had met while walking the Cleveland hills, and who became a walking companion and benefactor. Appleton (who George writes about in Bards and Authors) proposed Tweddell as a member of the Society of Antiquarians of Scotland, and the membership of the Nordic society followed. The Nordic Society was established in 1825 initially to study and publish (according to Paul Tweddell on the Tweddell History site  http://www.tweddellhistory.co.uk/chapter7.html) the early Icelandic Sagas. Paul says “by 1850 it had broadened its interest to include any language related to Danish, Icelandic, Norwegian, Swedish or any Germanic dialect. The Cleveland dialect betray its danish origins.….

The Tweddell’s work was transcribed from Cleveland dialect into written form in a consistent manner, suggesting they intended to standardise it. This applies too to George’s publication of the works of the local poet, John Castillo (1792-1845) and to the collection of the poems in W.H. Burnett in his 1887 book Songs and Sketches that use the same transcription style. The latter also includes a version of the famous Lyke Wake Dirge from William Walbran’s Redcar Guide of 1848 changed to conform to the Tweddell format.”

Cleveland Ironstone Mining Union
Both Tweddell and Burnett had ran newspapers in the area, both were born in Stokesley North Yorkshire, with Burnett being 18 years younger than Tweddell. Both were living in Middlesbrough during the  1860’s, around the printing and publishing industry. Recently, David Burnett,decedent of William Hall Burnett got in contact. David is currently researching  his ancestor’s very interesting history, and so soon there will hopefully be a lot more information about Willian Hall Burnett available. Although it is currently off line, historian Tony Nicholson, who has long had a great interest in George Markham Tweddell, especially in relation to Tweddell’s influence on the Cleveland Ironstone Miner’s Union, published some of Burnett’s newspapers on line. These seem to have disappeared now unfortunately but on the page it noted that W. H. Burnett, in addition to the Daily Exchange and the North Ormesby News (c 1867) created a sister paper The Guisborough Exchange (1871) aimed at the Ironstone Mining Communities of East Cleveland.
Tony Nicholson writers :
” Despite his own Conservative politics, Burnett entered into a Faustian pact with Joseph Shepherd, the charismatic leader of the Cleveland miners. Shepherd promised to sell Burnett’s paper throughout the mining district if Burnett promised to print his letters and support the new union. Predictably, their agreement lasted little more than a few months, and the honeymoon ended acrimoniously when Burnett refused to print one of the letters.”

OLD CLEVELAND – LOCAL WRITERS AND LOCAL WORTHIES
William Hall Burnett 1886

The whole book, mostly available now from antiquarian bookshops or local reference libraries, covers more than just local writers of the past. The second section of the book covers Local Worthies such as Bolckow and Vaughan.

However in the first section – Local Writers, W.H. Burnett covers the following local writers which he prefaces with this –

A Plea for Local Writers – Antiquity of Literature – Influence of Association. 
Writing in 1886, he says “There is no doubt that a series of very profitable papers may be written on the subject of our local literature. Few book readers, and still fewer newspaper readers, are aware of its extent and importance. For a quarter of a century past I have been in the habit of collecting the works of local writers, which have been a source of great interest to me, and have afforded much valuable information and knowledge which could have been obtained from no other source, and which indeed has been invaluable at times in various circumstances in which I have been placed. The query may be put at the outset “Are there any local writers?
Middlesbrough is so new a town that it’s very newness is apt to limit and circumscribe our vision, until we may practically come to think that all our interest and endeavour in enshrined in the material works that we see around us. Indeed we are all of the opinion of Mr fallows, the historian of Old Middlesbrough, expressed in a sense different to that we are considering, that in Middlesbrough we have no past at all” 
In the first chapter on the Celtic bard Aneurin who wrote the Gododin, who, Burnett says, “must, in the old Celtic days, have been resident within this immediate district.” he seems to imply that far from the area being a cultural desert “we may fairly claim that hereabouts English Literature had its first beginning. It is a fair conjecture that the first English epic poems were strung together line by line and verse by verse by a bard who, wandering amongst the valleys of the swale, might now and again visit the fair plain of Cleveland in the golden east. To aneurin is ascribed the important fragment of Celtic literature, The Gododin, being a lament for the dead who fell in battle of Cattraeth, indentified with Catterick in Yorkshire, where the Cymry met the advancing and invading Teutons at the ‘confluence of rivers’ and fought with them unsuccessfully for seven days…”

Here’s Robin Williamson of the Incredible String Band with the Gododdin to music.

the warriors marched to Cattraeth with the day;
In the stillness of night they had quaffed the white mead;
They were wretched, though prophesied glory and sway…”
From the Gododin (sometimes spelt Gododdin)

W.H. Burnett includes the following in his pantheon of local writers – 

Early Writers
Gododin (Aneurin)
Beowulf  (associated with Hartlepool (The Heart) and Loftus (alleged that Beowulf was buried on Boulby Cliff).
Caedmon (Whitby / Lealholm) (also written about by Tweddell in Bards and Authors)

Middle Age and Later Writers
Gower the Moral (Sexhow Near Stokesley) / Stittenham. Also written about by Tweddell and engages with Tweddell’s belief that Gower was local to the area.
Roger Ascham  Kirby Wiske(also written about by Tweddell)
Bishop Brian Walton (also written about by Tweddell).
Sir Thomas Chaloner (again also written about by Tweddell) But offering his own perspective or taking issue with Tweddell.
Henry Foulis (again written about by Tweddell)

Modern Writers
Thomas Pierson (Tweddell included Pierson in his Tractates but not Bards and Authors)
Joseph Reed (Stockton Playwright) (Tweddell earmarked Reed for a future volume of Bards and Authors)
Edward Marsh Heavisides (Tweddell covered Heavysides and mentions Edward, but planned to give him a chapter in the second volume of Bard’s and Authors.
John Hall Stevenson (of Crazy Castle – Skelton Castle – friend of Lawrence Sterne and the Eugenius in Tristram Shandy.  Again earmarked for the second volume of Bards and Authors and mentioned in Tractates I think.
John Castillo (Bard of the Dales) – (again covered by Tweddell also)
John Walker Ord (again covered by Tweddell)

Tweddell and Burnett together formed an impressive argument, with commentary and examples, for the existence of an important literary tradition in the Tees / North Yorkshire area going back to at least 500AD and, in part, forming the early English Literary Cannon. Their books together (which are complementary) deserve further study and research. The writers written about in these two books are only some of the many writers from the area’s past and many more have emerged since. They show that there is certainly a much more interesting literary history in the area than has previously been recognised.

Here is an extract of Old Cleveland pdf of the Local Writers by WH Burnett, in the hope that it will stimulate more research and study of the area’s local literary history –


To download the file – click the arrow which takes you to Google Drive 

When it opens – click the black arrow screen left to download to your computer or for some – Click File and then click download in the menu and the tick Save.





Bards and Authors of Cleveland and South Durham 1872 PDF – George Markham Tweddell

Cleveland and North Yorkshire rarely feature in the literature maps but there’s a surprising history in these parts that led George Markham Tweddell to write The Bards and Authors of Cleveland and South Durham in 1872, explaining that –
I have long cherished the idea of a work similar to Chambers’s excellent Cyclopedia of English Literature, to be confined to the poets and prose writers of the North of  England…to Parody Leigh Hunter, I could name a local writer for every tick of my watch


The idea was for a much wider North of England work but, as he explains, the idea for a more localised volume came from his friend ‘Chips’ who proposed the idea in 1860 while Tweddell Master of the Ragged and Industrial school in Bury. On returning to Stokesley, Tweddell, on finding that his friend did not have the time to complete the task, took it on and made it his own as he explains in more detail in the Dedication to the book. It was a surprise to find the book only availbable in the reference library or antiquarian books shops at quite a price when most of this knowledge was largly unknown. In 2005 I bought an original 1872 copy and you can now rdownload the PDF file which is housed on Google Drive.



Click below to read as a flipbook or download Free the original version of George Markham Tweddell‘s Bards and Authors of Cleveland and South Durham 1872



The book is 392 pages long with woodcuts of the various authors / poets, a dedication, introduction and index and the chapters contain a mix of biography, historical commentary, poems and extracts of prose by the authors. Writers from Whitby to Hartlepool, from 500 AD to the 1800’s of varying styles and backgrounds – a treasure trove of literature that includes the following writers –

  • Caedmon (Poet of Whitby / Lealholm)
  • Walter De Hemingford (Chronicler of Austin Priory Guisborough)
  • John Gower (Gower the Moral) (Poet and Chaucer’s mentor) Sexhow (Near Stokesley and Stittenham – Sheriff Hutton)
  • Rev Bernard Gilpin (Norton on Tees – Writers – ‘Apostle of the North of England’ ‘Father of the Poor’)
  • Roger Ascham (Kirby Wisk 1515) Writer
  • Dean Wittingham (South Durham) (Psalms etc)
  • Francis Mewburn (Ormesby, Darlington, Antiquarian and Solicitor to the Stockton and Darlington Railway).
  • Lionel Charlton (Whitby – Historian)
  • John Jackson (Schoolmaster of Rudby School, Hutton Rudby and poet) (The Cleveland Fox Chase)
  • Thomas John Cleaver (Stockton on Tees, Poet, President of Stockton Literary Club)
  • The Chaloners – Sir Thomas Chaloner, The Elder, (Guisborough Priory)
  • The Chaloners – Sir Thomas Chaloner, The Younger  (Guisborough)
  • The Chaloners – Rev. Edward Chaloner
  • The Chaloners – Thomas Chaloner MP Commonwealthsman
  • The Chaloners – James Chaloner MP  Commonwealthsman
  • Rev. Henry Foulis – (Inglby Manor, Near Stokesley. One of the best read and skillful writers of the 17thC.including The Gunpowder Treason)
  • William Martin (Associated with Great Ayton, Guisborough and Middlesbrough – Poet (Be kind to the Poor)
  • Joseph Reed (Stockton on Tees. Playwright, The Register Office – a dialect play relating to a character from Great Ayton, performed at Dury Lane, London).
  • William Emerson (Hurworth on Tees. Mathematical and Scientific author).
  • John Reed Appleton (Stockton on Tees. Antiquarian writer / Journalist and Tweddell’s walking companion).
  • Jabez Cole (Poet, Ingleby Greenhow)
  • William Mudd (Botanical writer, Great Ayton and Curator of Cambridge Botanical Gardens).
  • John Castillo (Lealholm. Poet (Bard of the Dales), Stonewaller and Methodist Preacher. Well published (including by Tweddell) and highly popular poet in the area.
  • Bishop Brian Walton ( Seamer (Near Stokesley) Plays, Polyglot Bible etc).
  • Thomas Webber (Stockton Poet Laureate)
  • Byron Webber (Grandson of Thomas Webber, Stockton Poet)
  • John Walker Ord (Poet, Historian, author of History and Antiquities of Cleveland, Guisborough)
  • John Ryley Robinson (Poet not from the area but had had sung of the area)
  • James Clephan (More North Durham but verses about the Cleveland area)
  • Henry Heavisides (Stockton printer, poet, author, historian, musician and radical)
  • Samuel Gordon (Not from the area but wrote for local newspapers and produced three books on the area)
  • Frank Wilkenson (Hurworth on Tees, Poet)
  • The Hon Commodore Constantine John Phipps MP (Afterwards Baron Mulgrave) (Mulgrave – another Cleveland Navigator around the time of Captain Cook – Journal of Voyages)
  • Rev James Holme – (Yorkshire poet associated with Kirkleatham)
  • Rev Thomas Holme & Mary Jane Holme (Related to above. Hymns and Sacrad poetry)
  • Rev John Graves – (History of Cleveland).
Tweddell had planned a second volume (and perhaps a third volume) and outlines the writers he had lined up in the dedication to the book. The second volume never appeared and owing to Stokesley flood after Tweddell’s death, many of his extensive notes were destroyed, so we have no idea how far he got with the sequel. However many of the names are published or written about by him in some of his books and periodicals such as the Yorkshire Miscellany and Tractates etc. They are listed below and on the Bards and Authors site (forthcoming), I hope to upload such information as I can find about them. Here is the list –

Allan the Antiquary / Allan the Member / Robert Armstrong / Rev J.C Atkinson (Historian) / E G Ayre / J G Baker /  W B Baker / Dr Bateman / Wm Bewick / Mrs Blackett / Rev J Brewster (Stockton History) / John Buchanan / Willam Hall Burnnett (Poet and editor of (Middlesbrough) Daily Exchange and author of Old Cleveland) / Margaret Burton / Sir I S Byerley / Rev Charles Cator / Wm Chapman / Rev E G Charlesworth / Sir Hugh Chomley / James Conway / Captain Cook / Stephen Coulson / Timothy Crosby / L F Crummey /  Wm Danby / Dr Dixon / W L Dodd / Mrs Earnshaw / Rev G S Faber / Lady Falkland / John Farndale / D Ferguson / Mary Gains / Geo Garbutt / Francis Gibson / Thos. Gill / Rev James Grahame / J G Grant / C C Hall /  Archdeacon Harcourt / E M Heavisides / W H Hinton / Dr Ingledew / Robt. Jackson / G B Johnson /  
the Joneses / Rev Wm Kay / T F Ker / The marquis of Londonderry / Wm Mason of Gisboro (who Tweddell says  he has unpublished poems byfrom his friend Mrs Danby) / Era Mawr / Thos Mease / Mrs Merryweather / Dr Conyers Middleton / Capt Middleton / Mrs Miller / James Milligan / Rev Vere Monro / Sheffield Earl of Mulgrave / James Myers / Dr Robt Newton / late Marquis of Normanby / Rev John Oxlee / 
Geo Ord Thomas Pierson / Ralph Punshon / H G Reid / and Mrs the various Richardsons / Thos Richmond / 
Joseph Ritson / F K Robinson / Rev Wm Romaine / Thos Rhymer / the Scoresbys / Sir Cuthbert Sharp / Rev David Simpson / Martin Simpson / Thos Simpson / Rev Gordon Smales I G Speed / Henry Spencer / Robt Stephenson / Robt Surtees / G W Sutton / Edmund Teesdale / Justice Temple / James Thomas /  James Thompson / John Toy / Rev John Wallis / the Watkinses / Thos Ward / Thos Watson / Richard Winter – who Tweddell says ‘whose unpublished tragedy I feel happy to rescue from oblivion fifty eight years after the grave has closed over its author) / Rev Thos Wood / John Wright / Rev Dr Young / and a host of other writers in prose and verse, good and bad and indifferent.

At least 96 writers there…!

Bards and Authors was at first serialised before being compiled into a full book – here’s a same of the series –

Further to this will be a post on William Hall Burnett‘s later book Old Cleveland which in part is a kind of follow on to Tweddell’s with some of the same authors and poets but with Burnett’s own thoughts and information on them along with others not included in Tweddell’s book.

JOHN WATKINS (1808-1858) – Poet / Chartist – by Malcolm Chase

This article was submitted by Professor of Social history Malcolm Chase, at Leeds University who was assisting Paul Tweddell and I, in researching George Markham Tweddell’s relation to the Chartist movement and Ebenezer Elliott, the Corn Law Rhymer. John Watkins (Chartist, poet, playwright), based in Whitby, and who was imprisoned for sedition after promoting Chartism in Stockton, married Ebenezer Elliot‘s daughter and Elliott’s biography. Although I’ve not established any direct links between Tweddell and Watkins, given his wide social networking (long before the days of the internet), and the close proximity of location and that they both contributed poetry to the Northern Star, it is likely that they knew of each other at least. Tweddell had corresponded with Ebenezer Elliott and exchanged poetry with Tweddell having invited Elliott to contribute his Yorkshire Miscellany. Watkins married Elliott’s daughter and wrote his biography, that increases the chances of a connection, but so far I’ve not come across any direct mention in Tweddell’s work.

(available to read on line or download free by clicking pdf in the sidebar.
http://openlibrary.org/books/OL23312977M/Life_poetry_and_letters_of_Ebenezer_Elliott_the_Corn-law_rhymer)

JOHN WATKINS (1808-1858)
Poet, Playwright and Chartist  by Malcolm Chase (Professor of Social History, Leeds University)


John Watkins is a largely forgotten writer from north-east Yorkshire, with strong Teesside connections. He wrote around thirty books and two or three plays. If his poetry and often-substantial newspaper articles is included his output runs to around 150 pieces, placing him among the most prolific nineteenth-century authors from this region. It is not just the quantity of his output that is important but the place of much at the centre of Chartism, the great movement for parliamentary reform that dominated British politics in the late 1830s and 1840s. The short biography that follows is based on Malcolm Chase‘s entry on Watkins in the Dictionary of Labour Biography, volume 12, edited by Keith Gildart and David Howell (Palgrave, 2005).



John Watkins was born on 6 April 1808, the eldest son of Francis and Christina Watkins of Aislaby Hall, Whitby, and nephew of the Whitby author William Watkins. Details of his education are unclear until his mid-teens when he was articled to a Whitby firm of solicitors, Preston &Walker. Here he formed a close friendship with a fellow clerk, James Myers, who inspired him to study literature and become a poet and author. The latter’s death from consumption in 1829 much affected Watkins and the following year he published The Remains of James Myers, of Whitby, with an Account of his Life (1830). He followed this nine years later with Memoirs of the Talents, Virtues and Misfortunes of James Myers (1839).


 Watkin’s first biography of Myers was preceded by the first edition of his Stranger’s Guide through Whitby and the Vicinity (1828; three later editions). It was followed by Scarborough Tales (1830) and contributions to the local literary journals, Whitby Repository and Whitby Magazine. The first indications of a political career that was to be built on verbal assaults of opponents followed an irretrievable breakdown in his relation with James Walker, partner in the solicitors where he worked. This resulted in A Letter to the Lawyers (1834), a pamphlet considered so libelous that no Whitby printer would touch it (it was finally published in Beverley). Watkins returned to the same theme five years later with a crude satire, Padfoot (1839). However, his career only took shape with his entry into politics with A Letter to the Inhabitants of Whitby, Particularly Addressed to the Middle Classes, on the Decline of the Town, (1838). Referring in his introduction to the absence of a ‘truth-telling Newspaper‘ in Whitby (p.3), his picture was of a town divided against itself, with the traditional local economy pitched against new developments promoting tourism. Watkins predicted that proposed street improvements would ruin Whitby, since they were costly, unnecessary and forced through only to smarten the town in readiness for the arrival of the railway. ‘Whitby is a town for business, not for pleasure . . . Industry raised the town and extended its trade – wealth came and lay down idly on the lap of luxury‘ (p.21). He was particularly critical of Aaron Chapman, the Tory MP for Whitby, alleging he bought shares in the railway, knowing they were over priced, solely to boost his standing in the town. Others, less able than he to sustain the loss, were thus encouraged to buy shares at an inflated price. ‘Want, woe, and crime are the blessings of Toryism. The name of Tory ought to be odious to our sight and hearing; for its nature is execrable‘ (p.25).


 A Second Letter to the Inhabitants of Whitby, calling upon them to Release the Town from the Tyranny of Toryism (1838) followed. It was aimed at a wider audience than the first and addressed national issues as well as local ones. It also introduced a religious note: ‘nothing is so antichristian as Toryism” (p.28), opined Watkins, also comparing it to ‘devilism‘ (p.45). Increasingly, Watkins was to be preoccupied with the radical import of Christianity, a theme to which he returned that year in his Memoir of Joseph Bower (1838) in which he defended a self-taught poet from Newholm, reputedly an atheist, as a deist and ‘Christian philosopher‘ (p. 36). However, it was Chartism – the great movement for parliamentary reform – that crystalised his political outlook. Its founding text, The People’s Charter, was published in London in May 1838 and its spirit was quickly apparent in Watkins’ Third Letter to the Inhabitants of Whitby . . . By a Friend of the People:


There are about 10,000 inhabitants in Whitby – about 350 of these possess the elective franchise, and an oligarchy, consisting of some 70, rule the rest against their will; that is, make slaves of them. . . . Labour depends upon capital for employment, and the capitalist will not employ the labourer unless he renounce his birthright – the poor man must choose between slavery and starvation. . . . Reformers should unite and form a separate communion. . . . Submit to the laws; but be not slaves of the Tory tyrants that make such laws. Form a branch association with the working men of other towns – procure the People’s Charter to be granted, and you can repeal bad laws, and make good ones in their stead’ (pp, 10, 27).


Watkins extended his argument early the following year in The Five Cardinal Points of the People’s Charter, a forty page pamphlet of striking force and clarity. Watkins marshalled all the arguments circulating in favour of the Charter at this time (though he ignored its call for equal electoral districts, which would almost certainly have disfranchised small parliamentary boroughs like Whitby). Labour is the source of all wealth and thus a form of property just like land with which it should have equal rights. The aim of the Charter is to complete a political process begun with Magna Charta and produce a democratic, accountable parliament that will cleanse the country of corruption and eliminate ‘factious government or class legislation‘ (p.3). The Christian ethic, by now a central aspect of his politics, is reiterated: ‘ Charterism is a secondary Christianity – Christians must be Charterists‘ (p.30) and this leads him to develop the concept of a ‘moral charter, as well as a political Charter . . . namely, honesty, industry, knowledge, frugality, and temperance‘ (p. 35).


There was no tradition of political radicalism in Whitby and Watkins was only ever a minority voice there. According to the Yorkshire Gazette (2 Feb 1839), only thirteen attended the first meeting of the Working Men’s Association that Watkins established in the town. (Its title imitated Chartist organisations that were springing up across urban England and lowland Scotland at this time). The venture seems to have picked up during the summer, however, and by June the Association had a permanent base on the pier where Watkins lectured weekly. This also doubled as the Working Men’s Chapel, where Watkins preached each Sunday and for which he wrote and had published a twelve-page booklet of hymns. ‘The service was conducted with as much decency and decorum as though the congregation had been in the habit of assembling there for a number of years‘, wrote one newspaper reporter (Northern Star,1 June 1839), adding that as many intending worshippers had had to be locked out as had gained admission. But in Whitby, at least, the appeal of Chartism dimmed with its novelty. By mid September Watkins was writing bitterly to the Northern Star,the working men of Whitby are very backward in their own interests, and forward in the interests of their foes. The association here is likely to be suspended for want of support’ (Northern Star 14 Sept 1839).

Instead, Watkins turned his attention to Teesside. In September 1839 he was arrested for a speech at Stockton, in which he called on his audience to fight for the Charter ‘like heroes [and] die for it like martyrs‘. The industrial north had been profoundly shaken by the Chartist movement which, in August, had threatened a general strike to secure the Charter. In Stockton, troops had been drafted to the town, there had been numerous arrests and, perhaps most significantly, a large body of special constables had been sworn in and organised into a paramilitary force. ‘The fact is‘, Watkins observed to his friend the Whitby-born marine painter George Chambers, ‘the Stockton Magistrates . . . were in a panic and violently prejudiced against all chartists‘ (letter, 1 April 1840, quoted in Life and Career of George Chambers, p. 147). The incident sealed Watkins’ reputation and was extensively reported and discussed in the Chartist press. On his acquittal he entered into a public correspondence with Lord Normanby, the Home Secretary, demanding his intervention to restore to Watkins a pocket book and 50 copies of his Five Cardinal Points of the People’s Charter, taken from him by Stockton magistrates when he was arrested. It greatly helped Watkins’ public profile that Normanby, of Mulgrave Castle near Whitby, could be cast as a near neighbour and almost a social equal. Much of Watkins’ appeal to Chartist audiences rested on his presenting himself as a gentleman ‘friend of the people‘, converted by force of argument to their cause and prepared to suffer for doing so. There were several precedents for so doing, pre-eminently Feargus O’Connor, a barrister from an Irish land owning family, the ‘tried and true friend of the people‘ to whom Watkins dedicated Five Cardinal Points.


There was a strong element of self-promotion in Watkins’ political activities but his sincerity is apparent in his private correspondence. ‘You seem to wonder that I should be a chartist‘, wrote Watkins to Chambers in January 1840, ‘but if you were in the north we would soon teach you to be one too. Is it not natural that that men who do their best to deserve success, and yet find all their efforts frustrated by a cursed system that rewards the undeserving alone – is it not reasonable that such men should be discontented and desire a change? It is this that has made me a chartist’. (Life and Career of George Chambers, pp. 146-47). The difficulties Chambers was experiencing in gaining the recognition Watkins believed he deserved confirmed his Chartist principles: he made a similar point in his account of the business failure of his friend Myers, which he linked directly to his death: ‘the bad system of Government occasioned by Toryism, is remotely the cause of all wants and woes which such men as Myers experience’ (Memoirs, p.115)

Watkins systematically set about establishing himself as a writer in the Northern Star, the principal Chartist newspaper, owned by Feargus O’Connor. At this point in its history it was the most influential of any British paper, comfortably outselling The Times, and read aloud in political clubs, pubs and workplaces throughout the country. He contributed almost weekly to the paper from March 1840, mainly in his name but also using the pseudonyms ‘Junius Rusticus‘ and ‘Chartius‘. He was probably also responsible for the paper’s regular ‘Chartist Shakespeare‘ feature, in which extracts from the Bard were accompanied by a commentary extolling the democratic credentials of their author. His imprisonment, despite its brevity, was the subject of a five-part ‘Narrative‘ (4, 18 and 25 April, 2 and 9 May 1840 – this also appeared in the principal north-east radical paper Northern Liberator.) Readers of the paper were also treated to poetic ‘Lines written in prison‘ (25 April 1840). Watkins continued to extol his own distinctive brand of ‘Scriptural Chartism‘, with four articles of that name (12 and 19 Sept, and 3 October 1840, 13 Feb. 1841) and a poem, inelegantly titled ‘The gentry of Whitby intend to cure all the sin and misery they cause in the town by building a new church’ (24 Oct 1840). He also took up the temperance cause, whose relevance to Chartism he had extolled in Five Cardinal Points, publishing his first piece on the subject in Northern Star in January 1841. Watkins was among the 68 original signatories of an address on the subject appearing in the English Chartist Circular two months later. (This was Watkins last appearance in the Chartist press from a Yorkshire address.) This was an epoch-forming document in Chartism, since it publicly promoted a policy for Chartism that did not meet with the approval of Feargus O’Connor. Many Chartists, especially in Scotland, the Northeast and Yorkshire, argued temperance should logical be allied to Chartism. More typically, however, O’Connor believed that to espouse the temperance cause was to concede that not all men were, in their present condition, fit to exercise the vote. The appearance of this address, coinciding as it did with other initiatives to extend the reach of Chartism (into the educational field and formalised religious meetings) led to a debilitating quarrel between O’Connor and the proponents of what he condemned as a tactically devisive ‘the new move‘. On the face of it Watkins, given his temperance, religious views and espousal of a ‘moral Charter‘, seems an obvious candidate to become a ‘new mover‘: but this would be to overestimate (as many historians of the movement have done) the influence of the ‘new move‘, and also to underestimate Watkins’ ambitions to place himself at the centre of Chartism.

Feargus O’Connor



Watkins nursed strong ambitions to become one of the movement’s primary literary figures. Certainly, up to 1846 he contributed more poetry to Northern Star than any other author. His most ambitious literary effort, however, were two five act dramas in the Shakespearian mode, Wat Tyler, or the Poll Tax Rebellion: An Historical Play (1839?) and John Frost, A Political Play. About the first little is known and no copy appears to have survived. (Eds Note – in Watkins includes a letter from Ebenezer Elliott criticising it constructively in Watkin’s Life, Letters and Poems of Ebenezer Elliot the book downloadable above). Substantial extracts from the second appeared in Northern Star and the play was published in full from Watkins’ new London address in Chadwell St, Islington, in April 1841. Watkins took as his subject the Chartist rising of January 1840 in Newport, South Wales. Among its leaders was a former mayor of the borough, John Frost, who was transported to Australia for his part in the affair. For dramatic effect Watkins has Frost’s wife oppose Chartism and Henry Vincent, a leading figure in the movement and signatory to the original People’s Charter, fall in love with one of Frost’s daughters. As Kovalev, the first literary critic to consider Chartist literature observed, Watkins’ verse is predominantly imitative but he counted the play as one of ‘the two best examples‘ of Chartist literature in its earliest phase. (p. 8, translation p. 62). There are passages of real anger and bitterness in the drama, in which Watkins articulates sentiments that came as close to openly espousing revolution as any Chartist in print at this time. Eulogising George Shell, an eighteen-year old who had been shot dead by troops during the Newport rising, Watkins opines:


All foes are conquered when we conquer fear,
As did bold Shell, who braved a bloody bier.
To gain his rights he took the manliest course-
The plain straightforward argument of force!
Vengeance is now our cry. Remember Shell!
We’ll live like him – at least we’ll die as well.


The only production of John Frost appears to have been at Nottingham (see The Times 17 Feb 1844). Ostensibly this is surprising, given the popularity of John Frost and Chartism’s nation-wide campaign to have him as his fellow insurgents pardoned and brought back from Australia. The tone of Watkins’ language perhaps provides one clue as to why the author’s fellow Chartists were reluctant to venture on performance (and similarly why London’s leading radical publishers declined to publish it). Another factor, however, was probably Watkins’ deteriorating relationships with key figures in the movement which followed on his moving to London in March 1841.


Watkins had been a large fish in the small pool of Whitby Chartism. Within the broader waters of Teesside he had milked his brief imprisonment to the maximum advantage and this in turn earnt him a national reputation. Although he subsequently claimed his reason for moving to London was solely to assist Myers’ widow settle her late husband’s affairs, there seems little doubt that Watkins intended to establish himself as a professional writer and lecturer in London in the Chartist cause. In proportion to its size, however, London in the early 1840s was not a strong centre for Chartist activity. Moreover, there was no shortage of more-plausible martyrs than Watkins to the Chartist cause in the capital, some with radical political careers stretching back to the French Revolution, many of whom had endured substantial periods of imprisonment for their beliefs. Yet in less than a month of his arrival there, Watkins sallied into print attacking the apathy of London to Chartism and also the ineffectiveness of Chartists there (Northern Star 3 April 1841). He exempted from his charges William Lovett, who had drawn up the People’s Charter itself, and the radical publishers Henry Hetherington and Edmund Cleave, but this did not last. Neither Hetherington nor Cleave would publish John Frost, and Watkins soon became disenchanted with Lovett because of the latter’s central role in ‘the new move‘. Watkins violently opposed Lovett’s call for a moderate, gradualist strategy of educational and moral improvement rather than direct confrontation and dismissed him and his associates as ‘the backward move‘ (Northern Star 1 May 1841). In doing so he effectively cut himself off from the most influential and well-organised element within London Chartism and he did so in terms that could hardly permit any future reconciliation. Many Chartists remained loyal to O’Connor, believing that for all his bluster he alone could mobilise a national mass movement for the Charter. As Watkins put it: ‘To injure O’Connor is to injure the people; he is identified with them‘ (Northern Star 1 May 1841, cf. 11 Sept 1841). But Watkins also went much further, as Lovett himself recalled:


Among the most prominent of our assailants in London was a Mr J.Watkins, a person of some talent . . . who preached and published a sermon to show the justice of assassinating us. An extract from this very popular discourse For it was preached many times in different parts of London) will serve to convey its spirit: . . . “shall traitors to the people – the worst of traitors – be tenderly dealt with, nay courted, caressed? No, let them be denounced and renounced to face the guillotine. . . . We are in a warfare, and must have martial law- short shrift, and a sharp cord”.’ (Life and Struggles, p 251)


The language Watkins chose was not merely gratuitously violent; it clearly associated him with those Chartists who espoused the principles of the French Revolution and did not blush even at the excesses of Robespierre and the Terror. Unfortunately for Watkins, he never seems to have noticed that O’Connor was not among this faction, yet his career both in politics and as an author now hinged totally on his support for the Chartist leader. ‘I regarded him as a personification of the Cause; nay, more, I identified him with it‘. About this time Watkins made what he described as ‘a romantic pilgrimage‘ to see O’Connor in gaol at York, ‘as to the shrine of a martyred patriot‘ (John Watkins to the People, in answer to Feargus O’Connor, 1844, p. 4).


Soon after he had arrived in London, Watkins set up a bookselling business, ‘a Chartist depot for the vend of true Chartism’ near Temple Bar at 9 Bell Yard, Fleet Street. It was from here in the late spring of 1841 that he published his Life and Career of George Chambers, ‘a Chartist book’ as he described it (Northern Star 5 June 1841). Watkins’ aspirations, however, extended far beyond simply being a radical author and publisher. He hoped to exploit the breakdown in relations between O’Connor and Lovett’e circle to establish himself as the leading radical bookseller and newsvendor in the capital, hoping that the main London agency for the Northern Star, held by Cleave, would be transferred to him. O’Connor and Cleave, however, were too shrewd businessmen to part company on a point of political principle. Watkins might have displaced Cleave had his business assumed a scale to rival him: but instead Watkins had to rely heavily on credit from the Northern Star office and ran up a debt which, according to OC, had still not been repaid four years later.


He did, though, soon establish a reputation as a combative anti-Lovettite speaker and in August 1841 a meeting of the capital’s Chartist delegates (Lovett and his supporters having effectively withdrawn from all involvement in the movement) appointed him their full-time paid lecturer for the London region (Northern Star 21 August 1841). His lectures took the form of highly rhetorical addresses and were the basis of two long series of articles in the Star, ‘Watkins’ Legacy to the Chartists’ which appeared virtually weekly from 9 April 1842, and political sermons which appeared intermittently from the summer of the same year. Watkins was paid for this work, although the paper was forced to deny (24 Sept 1842) rumours that he received as much as £1 per week for his contributions


Watkins’ greatest impact was made with his Address to the Women of England, which first appeared in the English Chartist Circular (1/13, April 1841). This very full statement of the prevalent male Chartist view of gender relations was at once both idealised and sexist. Only a man committed to Chartism was worthy of a woman’s love. Her natural sphere was the home, not the world of work outside it, creating a cottage of contentment wherein the husband would find solace and refreshment from the rigours of earning a wage to support his family. Relatively few Chartists were prepared to concede that women as well as men should receive the right to vote. Watkins’ view was that the vote should be given to single adult women but not to any wife, for they and their husband were one. (In Five Cardinal Points he had argued that wives were their husband’s property.) Although he was attacked by female Chartists for being condescending (English Chartist Circular 1/16, article by Sophia from Birmingham), Watkins’ address was highly influential and it was soon after reprinted in pamphlet form. It anticipated both the rhetoric and sentiment of later statements on gender relations, made by O’Connor when he was promoting the Chartist Land Plan. A clear measure of the esteem in which it was held came the following year, when Sheffield Chartists collected publications to send to the Irish Universal Suffrage Association (Chartism was weak in Ireland and how to establish it there was a constant source of concern to the movement’s British supporters). They chose to send 250 copies each of pamphlets entitled What is a Chartist? and Hints about the Army, but a thousand of Watkins’ Address to the Women of England.


Born the heir of class distinctions, I nevertheless cast off all un-won privileges and flung myself into the ranks to fight my way up with the people‘, Watkins declared in an advertisement for his bookselling business in Northern Star 5 June 1841. The extent to which he was accepted in London radicalism (outside Lovett’s circle) is apparent in his election as secretary of the O’Brien Press Committee, formed by admirers of the Chartist intellectual James Bronterre O’Brien during the latter’s imprisonment in Lancaster Gaol (1841-42) with the aim of launching a newspaper for him to edit on his release. The extent of Watkins’ immersion in specifically working-class politics is apparent in his marriage to the daughter of a London stonemason, which took place in late 1841 or early 1842. The couple set up home at 20 Upper Marsh, Lambeth (where they lodged with the veteran Unstamped Press agent John Reeve) and a daughter was born very soon afterwards. It is likely Watkins met his wife through his political work, for he both wrote on strike action by the masons (Northern Star 29 January, 17 and 24 September 1842) and lectured to branches of their trade union, to whom he also donated money earnt from his writing (Northern Star 9 July and 17 Dec 1842).


In April 1842 Watkins was sufficiently ill for him both to announce he was returning to north-east Yorkshire for his health and, somewhat melodramatically, to predict his imminent death. However, the return of the prodigal never took place. His health partially recovered, but he was also ‘cast out, even by his own parents, for his attachment to our principles’. The latter statement is taken from an appeal made by a testimonial committee in his honour in July 1842. The committee was made up of stalwart City of London Chartists, among them Thomas Salmon who was to be involved in the plot among London Chartists to foment a rising in the capital in 1848. Feargus O’Connor headed subscriptions with the sum of ten shillings. The appeal was prompted by Watkins’ continued ill health (exactly with what is unclear), which in turn prompted him to plan a provincial lecture tour that would remove him from London.


It is a reflection of Watkins’ national standing that in planning this tour he received invitations to speak from Chartist branches not only in west and north Yorkshire, but also Bristol, Hertfordshire, Lancashire, Nottingham, Suffolk and Wales. However, it is a reflection of a certain political maladroitness that he turned all invitations down as soon as his health was restored. The death of his father also occasioned other acts of similar maladroitness. First there was a poem, ‘Lines on the death of my father’ in which the author compared their relationship to that of King Lear and Cordelia; then came the decision to lease The Manor House, Battersea, an address he emblazoned on items appearing in Northern Star, including a letter of thanks to subscribers of testimonial. ‘My father‘, Watkins later explained, ‘had not made me equal with his other children, but he had left me enough to render me independent in future‘ (John Watkins to the People, p. 19).


About the same time Watkins launched a highly personal tirade against other Chartist publishers (‘mere traffickers in politics’) and continued to abuse the ‘new move’ (‘nothing more than a recoil back to the old move of Whig-Radicalism’). He was less happy receiving criticism, on one occasion comparing his critics to the Jews who persecuted Christ (Northern Star (5 and 12 Nov 1842). None of this helped the next stage of Watkins’ political evolution, in which he attacked O’Connor’s leadership of Chartism. This had begun tentatively with a pronouncement that a temporary executive appointed to manage the National Charter Association (NCA) was undemocratic (Northern Star 12 Nov 1842). Early the following year Watkins ‘earnestly entreated’ O’Connor ‘not to give pain to the Chartists by calling them “his party”‘ and strongly criticised O’Connorite members of the NCA executive, even terming Peter M’Doualla swindler’ (28 Jan 1843). That the accounts of the NCA at this time were in disarray was never disputed. O’Connor, though, was swift to exempt the executive of any personal dishonesty and atypically (for his policy as its owner at this time was not to interfere in editorial decisions) criticised the editor of the Northern Star for publishing Watkins’ attack. He reserved his strongest words to attack Watkins’ attitude to the Manchester Chartist John Leach, a former handloom weaver who had become a cotton factory operative until sacked for resisting wage reductions in 1839. Despite persistent poverty, Leach had repeatedly donated to Chartist funds ‘money freely given to him’ (4 February 1843). The implication was clear – Watkins (who had publicly declined a request to assist in straightening out the financial procedures of the NCA) was carping unfairly against Chartists less fortunate, economically and socially, than himself.


Watkins was very far from alone in criticising O’Connor and his closest associates but he was compromised by his earlier and exaggerated criticisms of the ‘new move’. This cut him off from the natural focus of non-O’Connorite Chartism in the capital. Henceforward he had to try and make his own way. The medium he chose was a journal, the London Chartist Monthly Magazine, the first issue of which appeared under his editorship on 1 June 1843. Each issue was to include a portrait (a device used to considerable effect in building up a subscription base to Northern Star) and a range of essays, fiction and historical material. 1843, however, was not a propitious time to launch a new chartist journal. The rejection of a monster petition (comprising 3.3 million signatures) to Parliament in May 1842, and a widespread but ultimately futile wave of strikes (with which Chartism was integrally linked) the following summer, had taken their toll on Chartist morale. The monthly magazine format was also a relatively untried formula in radical publishing. It did not survive beyond four issues.


Watkins therefore had to look elsewhere to expound his views. He strongly supported William Hill, a nonconformist minister from Hull and the former editor of Northern Star, who had made a very public exit from the paper over his differences with its proprietor. In another ephemeral journal of the period, Hill’s The Lifeboat, Watkins attacked O’Connor as ‘the chief stumbling-block in our way to the Charter’, He added with typical verve and venom that the movement’s leader ‘retreats under cover of the N——- S—, where, like the scuttle fish, he hides himself under a cloud of ink’ (Lifeboat 16 Dec 1843). O’Connor described the two men as his ‘most virulent’ accusers (Northern Star 24 Feb 1844), but Watkins soon eclipsed Hill with the publication first of The Impeachment of Feargus O’Connor (1844?) and then John Watkins to the People, the title page of which was adorned with a quotation from Macbeth, ‘This tyrant, whose sole name blisters our tongue, was once thought honest’.


John Watkins to the People is essentially autobiographical (though curiously it suppresses details of his marriage – it is possible that his wife may already have died). The veracity of all that it contains is doubtful but it provides useful contextual information about London Chartism and the relationship between O’Connor and prominent radicals there. Watkins’ interpretation of the ‘new move’ was that it was got up by London radicals in an attempt to seize the initiative back from O’Connor in the Chartist movement. Watkins is frank about his own ambitions to profit from the dispute between them and provides a detailed account of how and why he had been so loyal to O’Connor.


Watkins followed the pamphlet with a steady stream of articles denouncing the Chartist leadership in general, and O’Connor especially, in Lloyd’s Weekly Newspaper. These mostly appeared over the pseudonyms of “Lictor” or “An Old Chartist“, but he was also responsible for a series of anonymous addresses to Thomas Slingsby Duncombe, the radical MP for Finsbury and O’Connor’s closest political ally. Watkins, however, was now on difficult ground. He had alienated every London Chartist of any significance whilst the columns of Northern Star were denied to him. Watkins discomfort must have increased when publication of Northern Star was shifted from Leeds to London in December 1844. O’Connor meanwhile used the Star to quote samples from Watkins’ earlier “sack of adulation” and detail “his mean, unprincipled, and scandalous attempt to build up for himself a trade, as publisher and bookseller, on the ruin of old established pressmen” (Northern Star 18 Jan and 1 Feb 1845). It was now very difficult for Watkins to function in London Chartism at all, or to find a publisher for his work. There was further, isolated foray into publishing in 1847, titled Runnymede or Magna Charta: A Historical Tragedy. “Sixty-four pages of nonsense in imitation of blank verse . . . it will prove a valuable opiate, should any one require artificial aid in courting the embraces of sleep” claimed the Northern Star reviewer. Watkins appearances at political meetings were now sporadic. Apparently the last of them (attacking O’Brien) was in early April 1848 (Northern Star 15 April 1848): he seems otherwise to have taken no part in the momentous events of London Chartism that year.

Ebenezer Elliott

Watkins continued to move in radical and literary circles but, in keeping with his status as a man of independent means, he moved nearer the political centre. On 17 Nov 1849 he married the daughter of Ebenezer Elliott, a Sheffield businessman who had been an early supporter of moderate Chartism but had broken from the movement over its stance on the Corn Laws. As the self-styled “Corn-Law Rhymer“, Elliott was a popular and influential voice in the campaign to repeal the Corn Laws, legislation that was finally forced through parliament by the Conservative Prime Minister Sir Robert Peel in 1846. Watkins and Mary Elliott married a few days before her father’s death in 1849. The following year he compiled and published The Life, Poetry and Letters of Ebenezer Elliott, the Corn-Law Rhymer, and dedicated it to the Tory Prime Minister Sir Robert Peel, who had recently died. The couple made their home at Grove Court, Clapham Rise, from which address, describing himself as “John Watkins, Gentleman” he made a will in August 1850. He died there in January 1858. His death seems to have gone unnoticed on Teesside and in Whitby: for example, the usually reliable George Smales, in his Whitby Authors and their Publications (1867), failed to give any date for it.


John Watkins was hardly an appealing figure. An exaggerated taste for controversy and self-agrandisement, not to mention intolerance of those with whom he disagreed, arguably robbed Chartism of a capable and even gifted writer. William Lovett, whom he assailed unmercifully, freely conceded Watkins was “a person of some talent“. Bronterre O’Brien, another Chartist leader lashed by his pen, lamented his inability to “forget SELF when he is writing” (quoted in Northern Star 28 June 1845). Reviewing his life it is hard to dissent from the judgement of his Whitby friend James Myers who, at the time Watkins had entered into a “foolish controversy” with George Young, the founder of the Whitby Literary and Philosophical Society, spoke to him frankly of his “thorough want of control over thy impetuous and childish caprices, which forms one of thy great characteristics‘ (quoted in Smales, Whitby Authors, 147). Yet Watkins’s neglect at the hands of historians of Chartism is undeserved. He was an important figure in the movement in the North Riding but more crucially he was one of the most regular and prolific contributors to the Northern Star during its period of greatest influence. Until the Chartist R.G.Gammage published his History of the Chartist Movement in 1854, Watkins was also O’Connor’s most public and stringent critic. Watkins influence on Chartism was therefore significant, though it hardly took the he craved when he embarked on his career as a Chartist in Whitby and on Teesside. Is he significant for Teesside and north-east Yorkshire? Ultimately the answer must be “not especially” – unless we use as a measure of significance the mere size of the circulation his writings whilst living in the region enjoyed through the Northern Star (around 50,000 copies a week at its peak). But Teesside was significant for John Watkins: his arrest at Stockton and the short imprisonment that followed made his national reputation within one of the greatest mass movements in British political history.


Bibliography of John Watkins’ Work
Watkins’ contributions to local journals such as Whitby Repository and Whitby Magazine are not included here. However, this list does give all Watkins’ book-length and pamphlet publications, the most complete collection of which is in the Library of the Whitby Literary & Philosphical Society. Also listed are all Watkins’ Chartist poems and political journalism that I have been able to trace (including some pieces written under a pseudonym). Those that appear in Northern Star are listed separately.


The Stranger’s Guide through Whitby and the Vicinity (Whitby: R.Kirby, 1828; reprinted 1841, 1849 and 1850).
Scarborough Tales, by A Visitant, (Whitby: R.Horne, 1830)
Remains of James Myers, of Whitby, with an Account of his Life (Whitby: R.Horne, 1830)
Contributions to the Whitby Repository, 1833 and Whitby Magazine
A Letter to the Lawyers (Beverley, W.B.Johnson, 1834)
The Emigrants: A Tale of the Times (Whitby: Horne & Richardson, 1835
Lay Sermons, (Whitby, Horne & Richardson, 18350
Captain Cook, the Circumnavigator (Whitby, W.Forth, 1837)
Memoir of Chambers, the Marine Artist (Whitby, W.Forth, 1837)
A Letter to the Inhabitants of Whitby, particularly addressed to the middle classes, on the decline of the town, (Whitby, W.Forth, 1838)
A Second Letter to the Inhabitants of Whitby, calling upon them to Release the Town from the Tyranny of Toryism (Whitby, W.Forth, 1838)
A Third Letter to the Inhabitants of Whitby; being the conclusion of the whole matter, By a Friend of the People (Whitby, W.Forth, 1838)
Memoir of Joseph Bower, Whitby, W.Forth, 1838
Memoirs of the Talents, Virtues and Misfortunes of James Myers (Whitby, R.Kirby, 1839)
Padfoot: A Satire. By Nemesis (Stockton, Appleton, 1839)
The Five Cardinal Points of the Charter Separately Explained and Advocated, (Whitby, W.Forth, 1839)
Narrative of his imprisonment, Northern Liberator, 25 April – 15 May 1840, inc.
Wat Tyler, or the Poll Tax Rebellion: An Historical Play in Five Acts, (London: Salisbury & Bateman, [1839?])
Memoir of James Myers, (Whitby: R.Kirby, 1839)
Hymns to be used at the Working Men’s Chapel, Whitby, (Whitby, W.Forth, [?1839])
John Frost, a Play (London, Watkins, 1841)
Life and Career of George Chambers (London, Watkins, 1841)
Address to the Women of England, English Chartist Circular vol. 1, no 13 (April 1841) p.50.
Address to the Women of England (?1842)
London Chartist Monthly Magazine, 1 June 1843 -? – there are no surviving copies, but for some reviews see English Chartist Circular no. 135 and Northern Star 8 April and 20 May 1843.
Letter to the editor, Lifeboat 16 Dec 1843.
Impeachment of Feargus O’Connor (London, Watkins, 1843)
John Watkins to the People, in answer to Feargus O’Connor. Comprising the Whole Chartist Life of John Watkins, (London, Watkins, 1844)
Runnymede or Magna Charta: A Historical Tragedy (1847 – no surviving copy but for a review see Northern Star Oct 1847)
Life, poetry and letters of Ebenezer Elliott, the Corn-Law Rhymer (London: John Mortimer 1850)
Contributions to Northern Star
‘Swarthone’ 28 March 1840
‘Narrative of the imprisonment of John Watkins’, 4, 18 and 25 April, 2 and 9 May 1840
‘Lines written in prison’, 25 April 1840
Letters to lord Normanby, 20 June and 4, 11 and 25 July 1840
Lines on Mulgrave Castle, 1 August 1840
Letter to McDouall, 5 Sept 1840
Letter to Normanby (on the Norman Yoke) 12 Sept 1840
Scriptural Chartism, 12 and 19 Sept, and 3 October 1840, 13 Feb. 1841.
Poems, 12, 19 and 26 Sept 1840
Lines on Shell, Killed at Newport, 26 Sept 1840 (Kovalev)
Letter to the Middle Classes, 26 Sept 1840
Poem 3 Oct 1840
Sonnets to Feargus O’Connor and The Yorkshire Hills, 17 Oct 1840
Account of visiting O’Connor in York Castle, 17 Oct 1840
‘The gentry of Whitby intend to cure all the sin and misery they cause in the town by building a new church’ [poem], 24 Oct 1840
‘Junius Rusticus’, Letter to Lord Normanby, 24 Oct. 1840
Other ‘Junius Rusticus’ letters, 7 Nov, 5, 12 and 26 Dec 1840, 16 Jan (to Queen Victoria) and 30 Jan (to Lord Palmerston) 1841
Chartism: A Fragment, 5 Dec 1840
Extracts from John Frost, 5 Dec 1840 and 2 Jan 1841
Chartism and teetotalism 23 Jan 1841
Letter 20 Feb 1841
Attack on the apathy of London to the Chartist cause, 3 April 1841
‘The backward move’, 1 May 1841
The Corn Law Question, 22 and 29 May 1841
Address (in the form of an advertisement for his new shop in London, 5 June 1841
Letter to the editor, 31 July 1841
‘Junius Rusticus’ letter and poem, ‘London, thou art a wilderness’ by ‘A Country Chartist’, 28 August 1841
‘The Corn Laws and Emigration’, 1 and 8 Jan 1842
Poem about the stonemasons’ strike, 29 January 1842
Letter 2 April 1842
Sonnet, 9 April 1842
‘Watkins’ Legacy to the Chartists’, 9 April 1842 and subsequent issues
Sonnet, 25 April 1842
Sonnet to Sir John Roubiliac, 7 May 1842
‘To my infant daughter’, 25 June 1842
Chartist lines for recitation, 3 Sept 1842
‘Nicholas Postgate, the Old Catholic Priest’ by ‘Chartius’, 10 Sept 1842
‘The late strike, its cause and effect’, 17 and 24 September 1842
‘Chartist Song’ and ‘The Emigrants’ by ‘Chartius’, 1 Oct 1842
‘Lines on the death of my father’, 15 Oct 1842
Letter to subscribers of his testimonial committee, 5 and 12 Nov 1842
‘The Charter – An Ode, 12 Nov 1842
Letter, 12 Nov 1842
‘Letter to Joseph Sturge’, 3 Dec 1842
Poem, ‘The System’, 7 January 1843
Letters attacking the National Charter Association executive, 28 Jan 1843
‘Man Worship’, 4 and 11 Feb. 1843
He who is not for us is against us, 11 Feb 1843
Letter, on land reform, 18 Feb 1843
Attack on O’Connor, 1 Feb 1845
Sources for John Watkins’ Life
(1) Unpublished MSS: The National Archives, Kew, London, Probate Inventories, PROB 11/2263/228, John Watkins.
(2) Published material: NS 1 June, 5 Oct 1839, 27 Mar, 3 Apr 1841; English Chartist Circular 1/16 [May 1841]; NS 5 June, 14 and 21 Aug, 18 Sep 1841, 2 Apr, 4 and 11 June, 2 and 9 July, 13 Aug, 10 and 24 Sep 1842, 11 Feb 8 Apr and 20 May, 3 and 24 June, 8 July 1843; The Times 17 Feb 1844; NS 17 and 24 Feb, 2 Mar 1844, 18 Jan and 1 Feb, 3 May and 25 June 1845; National Reformer 19 Dec 1846; NS 2 Oct 1847; G. Smales, Whitby Authors and their Publications, 867-1867 (Whitby, 1867); W. Lovett, The Life and Struggles of William Lovett in His Pursuit of Bread, Knowledge and Freedom (London, 1876); R. G. Gammage, History of the Chartist Movement, 1837-54 (1854; 2nd edn 1894, repr. 1969 and 2006); D. Williams, John Frost: A Study in Chartism (Cardiff, 1939), 297-98; Y. V. Kolavev, An Anthology of Chartist Literature (Moscow, 1956) – translation of preface in L. M. Munby, The Luddites and Other Essays (London, 1971); A. Plummer, Bronterre: A Political Biography of Bronterre O’Brien, 1804-64 (London, 1971); B. Harrison, ‘Teetotal Chartism’, History 193 (June 1973) *; D. J. V.Jones, Chartism and the Chartists (London, 1975); R. P. Hastings, ‘Chartism in South Durham and the North Riding of Yorkshire’, Durham County Local History Society Bulletin 22 (Nov 1978), 7-17; R. P. Hastings, Essays in North Riding History, 1780-1850 (Northallerton, 1981); J. Epstein, The Lion of Freedom: Feargus O’Connor and the Chartist Movement, 1832-42 (London, 1982); D. Goodway, London Chartism, 1838-48 (Cambridge, 1982); M. Chase, ‘Chartism, 1838-58: Responses in Two Teesside Towns’, Northern History 24 (1988) *; J. Schwarzkopf, Women in the Chartist Movement (London, 1991); S. Roberts, ‘Who Wrote to the Northern Star?’, in O.Ashton et al, The Duty of Discontent: Essays for Dorothy Thompson (London, 1995), 55-70; A. Russett, George Chambers, 1803-1840: His Life and Work . . . with Extracts from the 1841 Biography by John Watkins (Woodbridge, 1996); R. P. Hastings, Chartism in the North Riding of Yorkshire and South Durham, 1838-48 (York, 2004); M. Chase, Chartism: A New History (Manchester, 2007).


* = reprinted in S. Roberts (ed.), The People’s Charter (London, 2003)

In answer to the comment below You mention that Watkins was a playwright. Was he the author of “Griselda”, “Oliver Cromwell, the Protector : an historical tragedy” ? (you don’t list any plays among the published materials).
Thanks.” I found this from the book Chartist Drama – edited by Gregory Vargo. In reference to Watkins.