Mary also sent me some photographs of Sneaks Noise which I will add to the Sneaks Noise post here https://www.artsrainbow.com/coventryfolkclubs/2013/04/14/sneaks-noise/

https://www.discogs.com/release/7333082-Stan-Kelly-O-Liverpool-We-Love-You-

Donate

Running total for Ukraine benefit now £1700 and rising. Let’s see if we can hit the £2000 target: https://www.paypal.com/paypalme/cvfolk

The first part of the concert from the afternoon with many artists. Approx 2 hours. 

Pauline Black (Patron of CVfolk) with Nick Welsh

Kristy Gallacher – Coventry singer songwriter

Barry Skinner was one of the pioneers of the Coventry Folk Scene in the 1960’s, with sessions at the Coventry Arts Umbrella Club, besides other pioneers like Ben Arnold and Ron Shuttleworth. He formed the Troubadours  a group formed by Barry Skinner and consisting of John Allen, Dee Solomon, Pete and Marlene Roberts, Bryan Sutton, and Bob Bruce. Terry Illingworth. although not all at the same time. Barry Skinner was the main driving force behind the formation of Coventry Folk Club. Floor singers became a regular feature of the club, partly because the residents didn’t have much material to cover the whole evening every week. Most of the music was traditional folk or skiffle. For well over a year the Binley Oak was the only place in the city where one could go and listen to live folk music on a regular weekly basis although interest spread as more and more people became interested. In 1971 he made an album for Argo Bed Battle and Booze with Martin Jenkins of Dando Shaft on mandolin.

Here’s a Bio from https://www.kinemagigz.com/’s’.htm#Barry_Skinner

Barry Skinner started singing Folk Songs in the late 1950’s. He formed the Coventry Folk

Club in 1962 and sang full time professionally from 1964 to 1980. In sixteen years on the road he sang in innumerable folk clubs throughout the British Isles as well as at concerts, festivals, colleges etc. He also sang at clubs, concerts and festivals in Holland, Germany, Spain and the USA. Along with over 200 TV and Radio appearances, three solo LPs and various compilation albums, it turned into a very busy and enjoyable sixteen years.

1980 brought a change. Barry had always had a great love, knowledge and interest in the canals and had for many years featured a programme of slides and songs about canals. He joined Coventry Education Waterways Scheme, which ran two narrow boats as “floating classrooms” and for the next five years travelled the length and breadth of the navigable canal and river system in England and Wales. He also appeared on many programmes about canals on radio and TV during this period.

In1985 he moved to Snowdonia, to work as an outdoor instructor, taking early retirement in 1998 as Chief Instructor and Deputy Head of Liverpool Hope University’s Outdoor Centre at Plas Caerdeon, near Barmouth in Snowdonia.

Barry sings both Traditional and Contemporary songs, as well as many of his own compositions. He plays guitar and banjo and is accompanied on the keyboard by his partner, Anne. Together they guarantee an entertaining and enjoyable evening.

Barry once had his own ‘Barry Skinner Folk Group’ and played and recorded with Martin Jenkins in the folk/rock band ‘One Day Thomas‘.

Below Barry Skinner with Turpin Hero with Martin Jenkins of Dando Shaft on mandolin John McIntosh bass and Andy Smith guitar.

Below Barry Skinner with Turpin Hero with Martin Jenkins on Mandolin and John McIntosh bass and Andy Smith guitar

Below – Barry Skinner with John Barleycorn and 2 sound bites Admiral Benbow and The Sailor and the String.

This is a tribute on Barry Skinner who pioneered the Coventry Folk scene in the 1960’s,from this site https://www.salutlive.com/2012/10/barry-skinner.html

Barry Skinner, who has died from cancer aged 71, was a popular singer and songwriter who made a strong impression on folk club audiences around the UK, also appearing in continental Europe and the United States, between the late 1960s and late 1970s.

The end of his touring days coincided with the start of a remarkably varied new professional life that was to embrace instruction in mountaineering and other outdoor activities, canal sailing, the construction of custom-made dolls’ houses, photography, painting, camping and writing.

Those close to Barry tell the story of his life and times better than I can.

This is from his son Matt’s eulogy at the funeral earlier this month (October 18):
Barry was born in 1941 and grew up in the Coventry area. As a youngster, he was a keen sportsman, enjoying both football and cricket. He was apparently always taking up new hobbies, many of which would shape his interests in later life. He had something of the “butterfly” about him in this regard, as he would often abandon one hobby to throw himself wholeheartedly into his next.

“Mother get up, unbar the door, throw wide the window pane …”

That’s the opening line to one of the best songs I know, of any genre. Beautiful and chilling by turns, it tells of a woman, married and settled with a family, who is visited, “outside in the vicarage lane”, by the ghost of an old lover, killed years before at the Battle of Alamein.

Don’t bother trying to find it on iTunes or YouTube or anywhere else that I can think of. It’s as obscure as Charles Causley, the poet who wrote it, and Barry Skinner, the folksinger/songwriter who put it to music and recorded it on an album, Bed, Battle and Booze, in 1971. Don’t bother trying to find that, either. The only copy I have any more is on a tape cassette, with no means to play it….With three under-appreciated albums under his belt, I don’t know whether he became discouraged by the lack of a breakthrough into a wider audience. But in later years, though he never gave music up altogether, Barry turned away from professional singing and moved to Wales. Always a talented artist, he drew, painted, worked as a wood-turner and built exquisite, individually designed dolls’ houses to special order. The closing line to Mother Get Up runs: “I’m had by a dove in the tunnel of love; I can never come home again.”

Barry Skinner has come home. Unbar the door.

I have a signed copy of Barry Skinner-Bed, Battle and Booze, Argo record label 1971.Very nice record. Ernest Sampson

Barry Skinner appeared on The World of Folk album with Turpin Hero off his own album

Barry Skinner
You can hear Barry Skinner singing Turpin Hero on this YouTube -fast forward to side 2 and the 2nd track on side 2. 

Thanks to Dave Webb for the heads up about two other albums by Barry Skinner

Bushes and Briars with Geoff Lakeman – Fellside Recordings FE 011 1978

Bass – John McIntosh 
Chorus – Paul Adams, Tricia Adams
Concertina, Harmony Vocals – Geoff Lakeman
Harmony Vocals – Linda Adams 
Lead Vocals – Geoff Lakeman 
Percussion – John Astle
Recorded By, Producer – Paul Adams 
Vocals, Guitar – Barry Skinner

 The Coventry Folk Scene 1962 to Present

(This is a work in progress – More to do!)

Musically, Coventry is rightly renowned for its dynamic 2 Tone movement which put the city on the international music map and focused the attention, like the best of folk music, on urgent social and political issues. Coventry music might divided by genre on the surface but there is a dynamic interplay between all the genres – eg punk and ska / jazz rock and folk clubs often form a life-line for budding songwriters / performers in need of somewhere to get started, or to try out their material before moving on to join a band. Folk clubs and acoustic venues are often a broad church of styles and approaches, it’s not all about traditional music. 

In that context, it’s interesting to note that Selecter vocalist, Pauline Black, who started off in Coventry folk clubs as Pauline Vickers c 1978, is now the Patron of CVfolk, an initiative of Pete Willow, with the City of Culture status in mind and which aims “to establish Coventry as a national and international hub for innovative folk performance in its various traditional and contemporary formats“.

Indeed one of the recent Selecter singles Big in the Body took its inspiration from Woody Guthrie’s Bound to Lose –

Compare The Selecter’s update on the song in Big in the Body

1962 Coventry folk began at the Coventry Arts Umbrella club . Pete quotes Ben

Ben Arnold

Arnold from Ben’s folk magazine 1967 Folk Crying Out Loud ” The first move towards a folk club began at the Umbrella Club 18, Queen Victoria Road, Coventry’s home grown arts centre. It provided opportunity for the pioneers of Coventry folk like Ron Shuttleworth and Barry Skinner to generate an interest in folk music. A folk club or folk and poetry sessions continued at the Umbrella until 1974. However the Umbrella wasn’t licensed for beer, but it did serve as a starting point.

1963 Thursday May 1963 – the first Coventry Folk Club opened at the Binley Oak, Paynes

Lane – where later both the Specials and the Selecter rehearsed. It was called Coventry’s Folk Club. To quote Ben Arnold “Coventry’s first folk club was created out of a common love of what at the time was an esoteric form of expression and desire to bring to the public at large something which had been theirs for hundreds of years.” The Hosts were The Troubadours. a group formed by Barry Skinner and consisting of John Allen, Dee Solomon, Pete and Marlene Roberts, Bryan Sutton, and Bob Bruce. Terry Illingworth. although not all at the same time. Also involved were Brian Curtis, Dick Newton, who later joined the Down Country Boys. Barry Skinner was the main driving force behind the formation of Coventry Folk Club. Floor singers became a regular feature of the club, partly because the residents didn’t have much material to cover the whole evening every week. Most of the music was traditional folk or skiffle. For well over a year the Binley Oak was the only place in the city where one could go and listen to live folk music on a regular weekly basis although interest spread as more and more people became interested.

In June 1964 the Tavern Folk club opened and met every Sunday at the Swanswell Tavern,

Ben Arnold was the compare, and among the many acts establishing themselves were The Kerries (Kerry singers). The club was short lived but successful. They moved to the wine lodge in the Burges and the club became known as the Cofa’s Tree. This became one of the most important clubs in the development of folk music in the city, and very well attended. The change had been made to accommodate the growing numbers of audience which regularly topped 200!

The Kerries recorded on the Major Minor label in 1967. They made one album called The Kerries. The Kerries were named after Kerry Todd, a Scotsman who settled in Coventry, England, in the 1950s. The Irish community in Coventry were a huge influence on the early Coventry folk scene and that continued over the decades. “Irish people have settled in Coventry for over four centuries. The greatest population rises were because of the famine in the 19th century and for work in the 20th century.” https://www.bbc.co.uk/coventry/features/stories/irish/coventry-irish-history.shtml

Gill Thurlow of The Kerries, a 24-year-old singer and “Tin Whistle” player was associated

with rock groups in her early singing career but had a strong leaning towards blues which led her to the Kerries. She married David McWilliams who recorded the 1967 hit single Days of Pearly Spencer. They met while she was singing with the Kerries.

Top guest artists were booked every week. 

Beverley Martyn (Kutner)

One regular singer / guitarist at the Swanswell Tavern was Coventry born Beverley Kutner

– later better known as Beverley Martyn. She was a singer with a jug band called The Levee Breakers and when she was 16 she recorded her first single. “Babe I’m Leaving You“, which was released on the Parlophone label in 1965. Martyn was then signed as a solo artist to the Deram Records label. In 1966 she released a single, “Happy New Year” (b-side “Where The Good Times Are“), written by Randy Newman, on which she was accompanied by Jimmy Page, John Paul Jones, Nicky Hopkins and Andy White. she was taught guitar by Bert Jansch who encouraged her songwriting. She recorded songs by Cat Stevens (I Love My Dog) and Donovan (Museum). She met Paul Simon who invited her to New York. On the Simon & Garfunkel album Bookends, she contributed to the track “Fakin’ It”, in the middle of which she is heard saying: “Good morning, Mr Leitch, have you had a busy day?” She later appeared at the Monterey Pop Festival on 16 June 1967, as did Simon & Garfunkel. Later she married John Martyn and they made the album Stormbringer together.

Beverley is heard saying: “Good morning, Mr Leitch, have you had a busy day?” Mr Leitch being Donovan Leitch!

Beverley also teamed up with another Coventry legend Rod Felton at the Swanswell Tavern and the Cofa’s Tree (see ‘Rod and Bev’ in the advert)

Rod Felton was just starting out about this time, and a press article in 1965 described him as being in the ‘Bob Dylan tradition’ – of course Dylan was at the top of his game in 1965.

 The Gaels

Track list

Whisky In The Jar
Poc Ar Buile
Lark In The Morning
Rothesay-O
Kishmul’s Gallery
Medley
The Galway Shawl
Barnyards Of Delgaty
Blow Ye Winds
Lock The Door Lariston
Sliabh Na Mban
The Maid Of The Sweet Brown Knowe
Red Haired Mary
Banks Of Marble
Farewell To Ireland
Sweet Thames Flow Softly

From https://www.discogs.com/The-Gaels-The-Gaels/release/6100658

From the sleeve notes of the album

 In February 1968, the GAELS opened an upstairs room at the Denbigh Arms, Monks Kirby in Warwickshire, and another such Folk Club was born. The group, originally started by two of its members in 1966 as the Phoenix Folk Group, has four members, who between them play a wide range of instruments. The club soon earned a reputation for good music, talent and entertainment and the membership now stands somewhere over the 2,000 mark.

 Many national and international guest artistes and floor singers have appeared at the club and much has been written about the group themselves in Folk circles. John Foreman wrote “an outstanding group, playing a variety of instruments between them. I agree with many others in rating them very highly”, Thus the Denbigh Arms Folk Club, Monks Kirby—almost in the middle of nowhere—earned its name for a “good Saturday evening’s entertainment!

 In addition to the clubs in the Midlands the group has made several visits to Ireland, and is perhaps as well known in parts of Ireland as over here.

 Three members of the group hail from the “Shamrock Isle”. Brian Patten is a native of Donegal on the borders of Northern Ireland—Sean Cannon was born and raised in Galway City and Bill Hartnett, their acknowledged leader, comes from County Limerick. The fourth member Ian (Skid) Rennie is an exiled Scot from the Burns county of Ayrshire and completes the Celtic circle.

 It is hardly surprising that the GAELS possess by virtue of their inheritance, a richness of fine traditional material. Their style is not, however, confined to the traditional, for with their natural talent and instrumental versatility, they are able to produce a varied sound and style to suit all folk enthusiasts.

 Finally, by popular demand, this record has been produced. It is dedicated to all club members and friends for their encouragement, enthusiasm and support, and is the GAELS own contribution to the furtherance of good Folk Music to Folk lovers everywhere.

Seán Cannon 

Born: November 29, 1940

Dubliners’ member: 1982-

Following from – http://itsthedubliners.com/sc_01.htm

Born and reared in Galway, but spent most of his adult life in England. His interest in folk music started in 1962 in Germany where he lived for a short while. For several years he moved throughout Europe living in Germany, Switzerland and Spain and eventually settling in England in the late 60’s. He first appeared with the Dubliners, when he played support in two concerts in the 70’s at Coventry and Redcar. He has also toured extensively with Planxty throughout Britain and Europe.

For the last dozen years he has played in practically every folk club from John O’Groats to Land’s End. Sean is married and based in Yorkshire and is likely to remain there as most of the Dubliners’ work is throughout Europe and Britain.

source: 25th Anniversary – Tour Program

Seán was born in Galway but has spent a good deal of his adult life in England. His wanderings began in the early 60’s when he moved to Germany for a year with a view to developing his linguistic ability- During his time there he became interested in folk music. His next move was to Switzerland where he appeared on several radio and television stations as well as acquiring an excellent command of the French language. With rucksack and guitar in tow, Seán then moved to Spain where he taught both German and French, acquiring in the process fluent Spanish to add to his already established multilingual repertoire. Eventually, he was to settle in England in the late 60s and went on to become a renowned solo artiste, playing the many folk clubs that had mushroomed during these folk revival years. Seán had been a dose friend of The Dubliners for many years and appeared with them as a guest artist on a number of occasions before accepting an invitation to join them in the Autumn of 1982. As a solo artist, Seán has toured extensively with Planxty and Moving Hearts throughout Britain and Europe and has appeared at almost every folk club and festival between John O’Groats and Lands End. These days, because of his commitments with the band, his folk club appearances are a rarity, though his popular “One Man Show” concerts are to be seen at quite a number of Arts Centres and theatres throughout the country. Seán is an experienced cook, specialising in Indian cuisine. He once did the entire catering for a Moving Hearts’ tour, providing a change of menu each day in addition to catering for the vegetarian needs of some of the road crew. His “Cannon Catering Trailer” was also a popular site at many festivals during this period where he, and his wife Pam, provided a healthy and balanced alternative to fast food catering. His main hobby, however, is languages and, as a result of his travels and natural ability in this area, he now speaks German, French and Spanish fluently and, of course his native Gaelic. He can also manage some Russian and has surprised many an audience (and indeed the group) in Iceland, Hungary and Yugoslavia by introducing songs in their respective languages. On tour he’s usually to be found with his head buried in a dictionary. Sometimes he catches the rest of the group by surprise when he lapses into English.

(Above shows the Gael’s playing a Music Marathon November 1969 at the Coventry Arts

umbrella Club. 18, Queen Victoria Road with Last Fair Deal (an offshoot of Wandering John).

ANOTHER PIECE ON SEAN CANNON ON HOBO – COVENTRY FOLKCLUB SCENE

https://www.artsrainbow.com/coventryfolkclubs/2013/04/14/sean-cannon/

 Torqwood

Torqwood were a Coventry area folk outfit in 1970’s with Ron Ablewhite (Guit / Vocals) – now an artist in the Lake district. I think percussionist Roy Brewster was in this group – both joined Ron joined Trilogy in 1973. An acoustic trio with Al Hatton also on guitar and vocals. Al was an early member of Indian Summer and for a short while in 1972, part of Al Docker’s Coventry supergroup Runestaff with Roy Butterfield, Bill Jackson, Ron Lawrence.

Although I saw Torqwood several times and Roy Brewster played percussion on my floor spot set at a folk club in Coventry one time I can’t say much about them. If anyone has any further information then get in touch.

Ron Ablewhite – Artist Biography

“Ron Ablewhite spent many years in commerce and advertising in the Coventry area,

painting on a part-time basis, before moving to Cumbria in 1993 when he became a professional artist. He created and developed the “Collectables Range”, a unique portfolio of over 60 limited edition prints of scenes in Cumbria and the Lake District. These images capture moments in time, which are reflected in the atmosphere, unique light conditions, buildings and livestock that make Cumbrian images so universally popular.”

Thanks to Nigel ward, Pete Willow and CVfolk for uploading this treasure of a tribute Coventry folkie Hazel Lester from 1984. I had fled Coventry by then but it’s great to see this footage of those I knew back then – Derek Brimstone, Pete Willow, Dave Ragtime Bennett, Margo Buchanan Smith, Martin and Ray Jenkins etc.  It’s a great tribute to Hazel and a great time capsule of the Coventry folk scene and camaraderie therein.

Below is a video with all the musical audio from the above film featuring Derek Brimstone, Dave Bennett, Pete Willow, Mick Cullen, Dennis Clark, Mick Stuart.